Cheryl McKissack Daniel is the latest in a 200+ year old legacy of Black architects, engineers, construction workers and designers who have literally built some of the most iconic structures in America. UF contributor Maina Mwaura sat down with her to talk about her book The Black Family Who Built America: The McKissacks, chronicling her family’s history and heritage of being black builders in the United States and beyond.
Sarah’s Oil is a true black history story of fame and fortune. Sarah Rector was a young Black girl with tremendous faith who made a fortune becoming the youngest black millionaire in segregated America. Her story is important history that was rarely told until now, and thanks to a committed group of creators, her story is now being told in movie theaters across the country. UrbanFaith sat down with one of the producers of the film Sarah’s Oil, Derrick Williams, to talk about the film’s impact and message of faith and fortune. The film is now playing in theaters everywhere and it is important for us to support and share our history!
More about the film is below.
SARAH’S OIL is a biographical drama inspired by Tonya Bolden’s 2014 book Searching for Sarah Rector: The Richest Black Girl in America. It tells the extraordinary true story of Sarah Rector, a girl born in the 1900s in Oklahoma Indian Territory, who believed she had oil beneath her inherited land—and was proven right, setting off a battle for ownership and legacy. But Sarah’s story is more than one of wealth: it’s about courage, community, and a fierce belief in her own worth in the face of a society determined to overlook her.
“I think the thing that so appealed about this story is that she is a child,” says writer Betsy Nowrasteh on how the story is framed. This is intrinsically Sarah’s story. “She brings that child’s energy, that child’s hope, and that uncorrupted child’s vision of things. She isn’t cynical, she isn’t skeptical. She just has a clarity of vision that adults lose.”
Directed by Cyrus Nowrasteh (The Stoning of Soraya M., The Young Messiah) and co-written with Betsy Giffen Nowrasteh, the film assembles a world-class team both behind and in front of the camera. The ensemble cast stars Zachary Levi, Sonequa Martin-Green, Garret Dillahunt, and Bridget Regan, and introduces Naya Desir-Johnson as Sarah Rector. SARAH’S OIL was shot on location in Oklahoma during Summer 2024, with key scenes filmed at historic sites in Okmulgee and Bristow, grounding the narrative in the land and legacy that shaped Sarah’s life.
Sarah’s living descendants have been integral to the development of the film and deep supporters of SARAH’S OIL.
Diane Euston, a family historian who has long documented Sarah’s place in local history, delivered a poignant interview connecting personal legacy with public record. She beautifully summarized Sarah’s spirit by saying: “This movie does such a great job of showing how the story really is about not giving up – and when somebody says no, you go find someone that’s going to say yes. Sarah did not accept ‘no’ in her life. She found a way… she always found a way.”
This film is not just a period drama. It is a powerful rendering of undertold history and a reclaiming of the past — a film powered by the legacy of Sarah Rector, the passion of her descendants, and the joint vision of Amazon MGM Studios, Kingdom Story Company, and Wonder Project.
Coming to theaters November 7, 2025, SARAH’S OIL reminds us that when the world says no, faith finds another way.
“The people who I want to see it the most are little Black girls all over the world,” says Naya, who dazzles in her breakout role. “When they see this, they might be like, ‘Wow, maybe I can do—’ like, if they have a dream in mind, they’ll be like, ‘I can do this too.’”
Dr. Malcolm Foley reminds believers that Jesus told us we can’t serve God and Mammon. In his book The Anti Greed Gospel, he challenges believers to confront the greed that gave birth to racism in America and continues to perpetuate injustice in our nation today. The full interview is above, excerpts below have been edited for clarity and length.
Allen
Absolutely. The first question I have for you, I mean, this subtitle, it kind of lays it out. Why the love of money is the root of racism and how the church created a new way forward. Can you talk about how is the love of money, the root of racism? This is not a thing that many people are talking about.
Malcolm
Which is so, and it’s so interesting to me that it’s not a popular account. So I, I thank the Brazos marketing people for giving me that title. It very easily explains kind of what the book is about. So, the argument of the book is that the history of race and racism is not a history fundamentally of identity or of hate or of ignorance, but that it’s a history of greed. That when, that when the Portuguese come to Africa, witness chattel slavery, decide to get involved, they don’t do so because they’re racist. They do so because they have markets they want to expand. And then as time goes on, and they have to justify that to themselves to the Pope, that’s when these narratives of blackness and whiteness pop up. It’s [that] these people are savages and heathens, and that’s why we enslaved them. It’s not, it’s not because we’re going to make a whole bunch of money, disregard that detail. It’s because of something about them. The argument that I want to make in the book is that especially this country’s history of race and racism is just a proxy battle of a cosmic war. And the combatants in that cosmic war were named by Christ in Matthew 6:24, where he says, you can’t serve two masters. You’ll either love one and hate the other, or be devoted to one and despise the other. And you can’t serve both God and [Mammon]. Jesus could have chosen any of the numerous idols that we are tempted to serve. I spent a lot of time in reform circles. There’s a lot of talk about pride. I’ll talk about self, he could have said God and self. And I already said, he says God and mammon, the Aramaic word for money and riches. And I think Jesus was right 2000 years ago. I think he’s still still right today. And this history is, I think, just a series of examples that back that up.
Allen
I love that. And I think that again, you, you’re getting at something as you continue to work that not only does Christ lift it up, but one of the lines that you say really catches me, which is that Christ says that we have to love one another. And that love is about obedience.
Malcolm
Yes.
Allen
And that love must be material, right? I can’t just have an attitude of loving. I have to do something. Can you talk a little bit more about what that means for believers to love materially and not just an attitude as we confront racism and greed?
Malcolm
Yes. Yes. Okay. So, so my account of what kind of, especially what the, what the new, how the New Testament defines love in many ways comes back to 1st John 3:16 where we’re told, this is how we know what love is, that Jesus Christ laid down his life for us. Therefore, we ought to lay down our lives for one another. And then the next verse John says, if anyone has material possessions and sees a brother or sister in need, and has no pity on them, how can you say that the love of God is in you? And what those verses then indicate is that, love is always a material relation. So like, people can think about, this is how we know what love is, that Jesus Christ laid down his life for us. And people can just think about that as just this like lofty, theological thing. And that’s not what John says. John’s saying that like Jesus did this very, very material thing for you. He died. Like that’s a very serious material act to do on behalf of someone. And then that has a bearing on the way that you love your neighbor. They said, therefore, we ought to give up our lives for one another. It’s a recognition that everything that we have been given, especially in excess of what we need, is for the service of others. And what that means, especially in our conversations about race is that we don’t address massive economic injustice through just like friendship and hanging out. We deal with it through redistribution. We deal with it through sharing. But these material acts that extend beyond just me being able to say, well, I have a bunch of multiracial friendships and we hang out and think well of each other. Like, well, that’s nice, but that’s not love according to the scriptures. And so one of the things I also want to do with our conversations about race is I want to make sure that they’re deeply material. Because the issue with race, and this is why I argue in the introduction, is that it lies, it steals, and it kills. And so, and so if we’re going to build communities that resist those lies, that theft, and that murder, it’s going to require communities that are shaped in certain material ways, material forms of, forms of solidarity, material ways that we resist, not only resist violence, but actively undermine the violence that our brothers, sisters and neighbors are subjected to, and that we like vocally tell the truth, as opposed to being captive to lies.
Allen
So, since you, you know, you raised how, you know, we want to be able to be truth tellers in this world, then how is, is filled with lies and you make this really, I mean, just really salient and graphic case about what racism history has been like in this country and it’s tied to economics. I, I want you to, to tease out just for me, how you see moving from slavery to lynching to what we’re seeing today with mass incarceration and even this other, this othering right, this, this violence that we’re seeing rising in our country that has economic motivators, right? Can you talk about how it’s important to not miss that there’s a profit motive or a greed motive instead of just a, oh, I don’t like these people. I hate these people that it’s underlying some of this.
Malcolm
It’s important to understand that I think when we look at the history of race, we are also looking at the history of capitalism. Hence why I use the language of racial capitalism, which I take from, which I take from the black radical tradition. Folks like folks like Cedric Robinson and others were very clear that the only capitalism that we know is a racial capitalism, that the capitalism that we know requires us to place people in categories of exploitable thing so that we can make money off them. And so, that history of slavery, of lynching, of mass incarceration…each of these are just instantiations of racial capitalism. Slavery is fundamentally a system of economic exploitation. Lynching, as I argue in the book, was precipitated by greed. It continued because of greed and it ended when it became bad for business. When we think about, when we think about mass incarceration, we can even think about this right now with the billions of dollars that’s now going to immigration detention centers and things like that. Like the reason why these things continue is because they make money for folks. It’s not just because you just got a whole bunch of just hateful people that just want to hurt people. And there is cruelty, but cruelty but even that cruelty is rarely done just for the sake of cruelty. It has some kind of material benefit for someone. That’s what then motivates them to continue to do it. And so, I want to continue to remind people of that fact. Because I’ve gotten this kind of in some responses from the book that a lot of people have been… like they look at the history of race and they’re confused because they’re like, wait a minute, this really just comes down to people not liking other people because they’re different? Like that just seems weird. Like it doesn’t seem like that’s a foundation strong enough to like have this continue for so long and with so much brutality. But when they’re made aware of the fact that it’s like…oh wait, money is behind it. All of the the dominoes start to fall and the gears start kind of clicking in place. That’s what that discovery did for me. And that’s why I wanted to write this book because I wanted to make sure as much as these conversations have been had in academic circles, the church broadly doesn’t see this. And so I’m like, let me, let me write a book so that people can see the way that this, the way that this actually works, but not only so that they can see the way this actually works, but that they could see the fact that Christ has actually given us the resources to be able to live in an alternative way, that we have an opportunity to show the world that this is not the only way to operate.
Ms. Julieanna Richardson went from broadcast and television executive to the founder of an organization dedicated to preserving Black History. She now runs one of the largest organizations dedicated to the location and preservation of African American historical archives, stories, and history: The History Makers. UrbanFaith contributor Maina Mwaura sat down with her to learn about the Historymakers and get her insight on our world and history today.
A photo of the many hands involved in the making of Jack Daniel’s Whiskey, including George Green, the son of Uncle Nearest, circa 1904. (Photo provided/Newfields)
The following interview is with Fawn Weaver, Founder of Uncle Nearest and UrbanFaith Contributor Maina Mwaura, about her new book Love & Whiskey. The views expressed here are those of the speakers and do not necessarily reflect those of UrbanFaith.
Maina: Why did you decide to write the book?
Fawn: The book is the reason I came to Lynchburg, Tennessee, in the first place. The story of Nearest Green and Jack Daniel is one of the greatest American stories the world needs to know, and it’s my great honor to have been able to tell it.
Maina: What did you learn that you didn’t already know about Nearest Green?
Fawn: When I first encountered this story, like most people, I knew absolutely nothing about Nearest Green. However, through my research, I’ve since discovered that he is the world’s first known African American master distiller, the teacher and mentor of Jack Daniel, and the only known master distiller for Jack Daniel Distillery No. 7.
Maina: What was the bond between Nearest Green and Jack Daniel?
Fawn: Jack was a young, white orphan who was mentored by and grew up learning from Nearest Green. When Jack was old enough to own his own business, he asked his mentor to be his first master distiller. I believe this to be one of the earliest examples of business allyship in America, a bond that continued for generations between the descendants of Nearest and Jack. Genuine backstories drive the American whiskey business, and it’s always about heritage.
Maina: Why do you think Uncle Nearest has resonated with its customers?
Fawn: Uncle Nearest was the first truly inclusive bourbon brand. Until our debut in 2017, bourbon marketing typically focused on one or two demographic groups. But we decided to tap into the ties that bind all humans: love, honor, and respect. When you look at our marketing and hear our team speak about our brand, those three words come up repeatedly. It turns out that if you bring together a marketing team that represents the full diversity of America and then market to all of America, it resonates. And, of course, we have the best story the bourbon world has ever known.
Maina: What one thing do you think will surprise readers about the book?
Fawn: Readers may be surprised by how openly I share about building Uncle Nearest and how my background and upbringing equipped me to face the onslaught of challenges in this industry. I’m very transparent about what it has taken to become who I am today and to build the company I’m known for now.
Maina: How did the book-writing process make you a better leader?
Fawn: I can’t say the book-writing process made me a better leader. What has made me a better leader is learning what my team needs and leaning into that as much as possible. However, the book has greatly inspired our team overall and serves as a constant reminder of our “why” today and moving forward.
Maina: What was Nearest Green’s spiritual background?
Fawn: We don’t know for certain. That said, his children and grandchildren attended Christian churches, so if they inherited their faith from Nearest, we can assume he was also Christian.
Maina: Did you say everything you wanted to in the book?
Fawn: Yes, I put everything into Love & Whiskey, so nothing remains untold. Anything new that I’ve learned since its publication will be included in an extended paperback version down the road.
Fawn Weaver 2021 – Photo Credit – Eric Ryan Anderson