Sarah’s Oil is a true black history story of fame and fortune. Sarah Rector was a young Black girl with tremendous faith who made a fortune becoming the youngest black millionaire in segregated America. Her story is important history that was rarely told until now, and thanks to a committed group of creators, her story is now being told in movie theaters across the country. UrbanFaith sat down with one of the producers of the film Sarah’s Oil, Derrick Williams, to talk about the film’s impact and message of faith and fortune. The film is now playing in theaters everywhere and it is important for us to support and share our history!
More about the film is below.
SARAH’S OIL is a biographical drama inspired by Tonya Bolden’s 2014 book Searching for Sarah Rector: The Richest Black Girl in America. It tells the extraordinary true story of Sarah Rector, a girl born in the 1900s in Oklahoma Indian Territory, who believed she had oil beneath her inherited land—and was proven right, setting off a battle for ownership and legacy. But Sarah’s story is more than one of wealth: it’s about courage, community, and a fierce belief in her own worth in the face of a society determined to overlook her.
“I think the thing that so appealed about this story is that she is a child,” says writer Betsy Nowrasteh on how the story is framed. This is intrinsically Sarah’s story. “She brings that child’s energy, that child’s hope, and that uncorrupted child’s vision of things. She isn’t cynical, she isn’t skeptical. She just has a clarity of vision that adults lose.”
Directed by Cyrus Nowrasteh (The Stoning of Soraya M., The Young Messiah) and co-written with Betsy Giffen Nowrasteh, the film assembles a world-class team both behind and in front of the camera. The ensemble cast stars Zachary Levi, Sonequa Martin-Green, Garret Dillahunt, and Bridget Regan, and introduces Naya Desir-Johnson as Sarah Rector. SARAH’S OIL was shot on location in Oklahoma during Summer 2024, with key scenes filmed at historic sites in Okmulgee and Bristow, grounding the narrative in the land and legacy that shaped Sarah’s life.
Sarah’s living descendants have been integral to the development of the film and deep supporters of SARAH’S OIL.
Diane Euston, a family historian who has long documented Sarah’s place in local history, delivered a poignant interview connecting personal legacy with public record. She beautifully summarized Sarah’s spirit by saying: “This movie does such a great job of showing how the story really is about not giving up – and when somebody says no, you go find someone that’s going to say yes. Sarah did not accept ‘no’ in her life. She found a way… she always found a way.”
This film is not just a period drama. It is a powerful rendering of undertold history and a reclaiming of the past — a film powered by the legacy of Sarah Rector, the passion of her descendants, and the joint vision of Amazon MGM Studios, Kingdom Story Company, and Wonder Project.
Coming to theaters November 7, 2025, SARAH’S OIL reminds us that when the world says no, faith finds another way.
“The people who I want to see it the most are little Black girls all over the world,” says Naya, who dazzles in her breakout role. “When they see this, they might be like, ‘Wow, maybe I can do—’ like, if they have a dream in mind, they’ll be like, ‘I can do this too.’”
Cheryl McKissack Daniel is the latest in a 200+ year old legacy of Black architects, engineers, construction workers and designers who have literally built some of the most iconic structures in America. UF contributor Maina Mwaura sat down with her to talk about her book The Black Family Who Built America: The McKissacks, chronicling her family’s history and heritage of being black builders in the United States and beyond.
These are excerpts from an interview transcribed and edited for clarity and length from Jamaal Bernard’s Offscript Podcast submitted by UF contributor Maina Mwaura. Jamaal interviews acclaimed actor Courtney B. Vance about his new audible reading of W.E.B. Du Bois: Biography of a Race, 1868-1919 by David Levering-Lewis now available on audible. The full interview can be watched or listened to anywhere you find podcasts.
Jamaal Bernard
I’m so excited I’m here. A new episode of Offscript with a special guest, a friend, a friend for years. You see me grow up and Courtney B. Vance. You’re doing a piece for an amazing man, a man who is such a great individual, great inspiration, a great legacy within the community of people of color. And I love this because we have the young individuals, the further I think we get away from certain time points and period in history, the least amount of effect it has on generations, right? And what you’re doing here with this project is an amazing, amazing thing. So thank you so much for that, for my kids’ kids. Tell me a little bit about this project. –
Courtney B. Vance
You know, you talk about what we, you know, the further away you get from, you know, I’m a history buff, I love big biographies. And I didn’t know anything about W.E.B. Du Bois. If you go in black people’s homes, you know, post 1963, up to, you know, 2000 or so, they have a picture of Jesus and a picture of MLK on the wall. Prior to ’63, that was Jesus and W.E.B. Du Bois. That’s how big he was. And I didn’t know that. [It’s amazing] how quickly and how easily we forget and erase people. When he died in Ghana, the president of Ghana gave him a state funeral, on the same day that MLK was delivering his I’ve a Dream speech. The [most prominent] man pre MLK was leaving and MLK was ascending. And they were both at [living] at the same time. They were leaving and ascending at the same time. And for us not to know who he was, that’s how things can repeat. That’s how we lose a sense of who we are, because we don’t continually revisit. We say never forget. And in the information age, we say that and it’s scary. And then that’s why I love history.
Jamaal Bernard
So, [you read] this story, and then putting it on audible, genius idea, right? God used you, inspired you to act. How does your faith, you know, help you navigate the arena? Because you’re an actor, right? You are on big screen, you’re on the stage, now you’re doing audio books and whatnot, and this probably won’t be your last audio book. So how does your faith help you navigate this arena?
Courtney B. Vance
It’s all about my faith. It’s all about our faith. That allows me to stay calm when I don’t know what’s next or what’s happening, or is this the right choice to make? Is this the right timing? Is the timing right to actually ask, can we go in this direction? I don’t panic. As when the disciples were rowing across the, and they were on the one side, and Jesus said, you know, I’ll see you on the other side. He just didn’t tell them that they were gonna go into the storm. But if he says, I’ll see you on the other side, you know that despite the storm, you’re gonna get to the other side. Storms of life happen to all of us. We’re in a storm now, but we will get to the other side of it. Just like, and that’s why I read biographies to actually see how people dealt with the storms in their lives.
Jamaal Bernard
I was gonna ask, can you correlate your experience with something that you, with this project, with W.E.B. Du Bois, and the storm that he’s going through?
Courtney B. Vance
The storm he went through was…he was born a generation removed from slavery. And people at the time were, white and black, were figuring out, is it W.E.B. Du Bois’ way, or is it Booker T. Washington’s way? You know, which is the agrarian, do the trades, and it’s a combination. But white folks at that time were, scared. ‘Cause bottom line, it’s all about the vote. We don’t wanna educate them too much so that they start to come into our areas and impact our lives in terms of making sure that white folks always have what they need, and that they don’t have to answer to black people. So, [they] don’t want them to be engaged, but [they] don’t want to seem like we’re trying to keep them down. So, they were, as our director Christina said, they were figuring it out as they went along. The country was trying to figure out what direction it’s going. It’s fresh out of the Civil War, [W.E.B.] came into his own, into college. [It’s around] 1885, that was a generation removed from the Civil War. So, [white Americans are] trying to get there, but are [they] really helping black people? Are you just helping yourself? Are you only giving money, these rich philanthropists to causes that keep black people down? Or are you giving them to causes that help bring black folks into the mainstream? That was the dilemma.
In the nineteenth century, many American communities and cities celebrated Independence Day with a ceremonial reading of the Declaration of Independence, which was usually followed by an oral address or speech dedicated to the celebration of independence and the heritage of the American Revolution and the Founding Fathers. On July 5, 1852, the Ladies’ Anti-Slavery Society of Rochester, New York, invited the Black abolitionist and civil rights leader Frederick Douglass to be the keynote speaker for their Independence Day celebration. The Fourth of July Speech, scheduled for Rochester’s Corinthian Hall, attracted an audience of 600. The meeting opened with a prayer and was followed by a reading of the Declaration of Independence. When Douglass finally came to the platform to deliver his speech, the event took a jarring turn. Douglass told his audience, “This Fourth of July is yours, not mine. You may rejoice, I must mourn.” And he asked them, “Do you mean, citizens, to mock me, by asking me to speak today?”
Within Douglass’ now-legendary address is what historian Philip S. Foner has called “probably the most moving passage in all of Douglass’ speeches.”
What, to the American slave, is your 4th of July? I answer: a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciations of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade, and solemnity, are, to him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation on the earth guilty of practices, more shocking and bloody, than are the people of these United States, at this very hour.
On this and every July 4th, Americans might do well to re-read and reflect on Douglass’ famous message. It challenges us to move beyond the biases and blind spots of our own cultural privileges and consider those around us for whom, as Langston Hughes said, “America has never been America.”
Read Douglass’ complete speech here, and watch actor Danny Glover recite an excerpt from the address below.
Ms. Julieanna Richardson went from broadcast and television executive to the founder of an organization dedicated to preserving Black History. She now runs one of the largest organizations dedicated to the location and preservation of African American historical archives, stories, and history: The History Makers. UrbanFaith contributor Maina Mwaura sat down with her to learn about the Historymakers and get her insight on our world and history today.
Man, one of my favorite authors, I mean, I just want to be blunt with you. Every time I see you on Meet the Press, Eddie, I’m always like, he is dead on about something. I don’t know where it comes from. So where were you when you said to yourself, “Self, I need to write a book [like] We Are The Leaders that We’ve been Looking For?”
Dr. Glaude
You know, this book is based on a set of lectures I delivered like in 2011. And I was so angry at that moment. Everybody was excited about the Obama presidency. And I was angry in some ways, doc, that people were reading Obama’s presidency as the fulfillment of the black freedom struggle. That that’s what the object of all that sacrifice was for, was to get a black man in the White House. And I just thought, that’s not true. What happened to love, what happened to justice, what happened to the moral dimension of the movement? I wanted to think through that. I wanted to figure out what were we relinquishing, what were we giving up in that moment. And then fast forward, all these years later, I returned to those lectures. And I returned to them because in some ways I had lost my footing. I was trying to figure things out because COVID had disrupted so much, I had lost two partners. I felt like I was unmoored, untethered as it were. And I knew these lectures were a moment when I was trying to usher in a new way of being for myself, a new way of thinking for myself, a new way of writing for myself. So I wanted to go back to that moment. And lo and behold, I saw what I was trying to do differently. So all of this happened in the summer of 2023. And I got to work. And then I submitted the manuscript to the editor at Harvard University Press and they were like, OMG, let’s get this out as soon as we can.
Maina
What would you say to people who feel the disillusionment of people who are going, “I don’t want to be the leader?”
Dr. Glaude
I think part of what I’m trying to argue is that when we outsource our responsibility for the house [of this country], when we say, well, I don’t want to pay the mortgage then we know what’s going to happen. And so we cannot outsource our responsibility for democracy any longer to so called prophets, to so called heroes, to politicians. We have to understand this is where Ella Baker, Miss Baker, is so important that we are our salvation in this instanc. Of course, that that doesn’t disregard one’s faith claims, but it’s what we do.And there’s a somewhat cliche at the heart of the book. And that is that if we are the leaders we’ve been looking for, then we got to become better people. We got to reach for higher forms of excellence. James Baldwin used to put it this way, the messiness of the world is often a reflection of the messiness of our interior lives. So if we don’t begin to do that hard work on becoming better people, then we can’t be the source of significant change. But I also should say this, doing the hard work of becoming a better human being must take place alongside of [and] within our ongoing effort to make a more just world. Because the world as it currently is organized gets in the way of us becoming better people. It’s almost like you’re rewarded to be selfish, you’re rewarded to be greedy, you’re rewarded to be mean spirited, you’re rewarded to be self-regarded. You’re not rewarded if you’re other regarded, if you’re not regarded if you have an I, thou relationship [with others as non-objects], you’re not regarded if you’re committed to justice, if you’re committed to the least of these, you see what I mean? If you’re maladjusted to an unjust world, you’re not rewarded. So we got to do the hard work of self-cultivation in pursuit of a more just world. That’s the heart of the book.
Maina
Which one of these people did you fall in love with the most? You’re taking some of the very, very best and you’re dropping them right in front of us and there are nuggets right in front of us. Which one did you go, “I am more in line with this leader.”
Dr. Glaude
It depends on what age you ask me. So when I was a young kid growing up in Mississippi, Dr. King meant everything. I remember checking out the album, show you how old I am. It was the vinyl of Dr. King’s “I Have a Dream” speech. It was the March on Washington. And I remember stopping it and learning it by memory from Mrs. Mitchell’s eighth grade history class. And Dr. King was so important to how I imagined myself. When I got to Morehouse, you’re baptized in King’s thought. You got the statue of him looking at you. And so King was so important for me at a young age. But then when I got to Morehouse, Malcolm became my guy. And I have my goatee to this day. I will never cut it off as kind of testimony from my first conversion experience, reading The Autobiography of Malcolm X. So here I am excited to be at King’s Alma Mater and my freshman year, this guy walks up to me and said, “You’re like a hand without a thumb. You don’t know who you are.” And he gave me Malcolm X’s autobiography. And I read it that night. And I found the language for my father’s anger. I found the language for how to imagine myself as a man, given the fact that I was so afraid because my father scared me to death. Malcolm became this hero of mine that I cut my political teeth on. And now here I am in my fifties. And Miss Baker is all up in me. It’s a more mature voice, I suppose, but we wouldn’t have a black freedom struggle of the 20th century if it wasn’t for her. And the way in which she has that wonderful line, “A strong people doesn’t need a strong leader.” And I said this once, I was speaking, I think it was in Chicago. I was like, “What happens when you have fans in the pews and a celebrity in the pulpit?” The church is dead. It’s done. I think we’re seeing a lot of that right now. What happens when you outsource your faith journey to someone else? And so part of what I’ve been trying to do is to live Miss Baker’s edict. Because the title of the book comes from her. We are the leaders we have been looking for. She says, “We have to convince people that their salvation is in their hands.” What we choose to do. Not what the preacher chooses to do, not what the politician chooses to do. So not what Malcolm inspired me to do, not what King leads me to do, but what’s coming from inside of my heart in light of the exemplars of excellence and love that inform and shape my own voice as I understand it. And that’s what I’m writing towards in the book.
Maina
You keep talking to me. So last question. Sure. Your spiritual faith journey, did that come into play in this book at all?
Dr. Glaude
It’s at work in all of my texts. To be honest with you, it’s me trying to understand what does it what does it mean to be decent and loving? What does it mean to exemplify the ministry of Jesus without it being overlaid with dogma and an institutional constraint. So when I call for a coalition of the decent, animated by the power of love, that is the exacting power of love. That is that is at the heart of my religious Christian witness, as it were. And there’s a moment in the book near the end where I’m going to invoke Jimmy Baldwin again. He has this extraordinary essay that is published after his after his death is entitled “To Crush A Serpent.” And in this in this essay, he is relentless in his critique of the Fallwells and the moral majority and the like. But he talks about what salvation involves, what it entails. And it’s an echo of an earlier essay, a talk that he gave at Kalamazoo in 1961, entitled “In Search For A Majority.” And he says salvation is found in effect in “the going towards.” Salvation is found in the going towards in some ways. And I want to suggest that salvation is found in the going towards and love is its carriage. So the short answer to the question is, is yes, me trying to figure all of this out, indebted to the Christian tradition, but not limited by it. Those lectures produced an uncommon faith. So the short answer is yes, all my books are or attempts to make sense of this complex journey that I’m making in terms of my faith.
Maina
Dr. Glaude