It is not often that I go to the movie theater and feel like a movie left my speechless but that is exactly how I felt about Devotion. It is based on a true story and has been the culmination of decades of work by the family and friends of Jesse Brown, a true American hero. There was a national conversation a few years ago about the “Hidden Figures” of American history. As African Americans unfortunately much of our history has gone untold, and some of it has been erased by racism, fear, and cultural amnesia. The story of Jesse Brown, one of the first black Naval Aviators to serve in an integrated unit, is a piece of history that must be remembered. It is an honor to Jesse’s daughter and grandchildren who are still alive that their grandfather’s story can finally be told. We are rooting for everybody black, and as we learn his story we help to remember more of our own history.
Jesse served during the Korean War, a war that is not often highlighted on the big screen. It is called America’s forgotten war because it was not the heroic story of good triumphing over evil from World War II and it is overshadowed by Vietnam during the Cold War in its tragedy and impact on American consciousness. But it was the first war where young Americans who were inspired by WWII joined the ranks of the military in order to fight for their country and were not drafted. Jesse Brown was like many African Americans in his era in that he was motivated not simply by patriotism, but an opportunity to help his family advance in a rapidly changing society. He saw himself not as an incredible black man, but as an incredible man. His wife and daughter were the center of his world and his purpose was to fly with the best pilots in the nation.
As we watch the impeccable talent of Jonathan Majors bring Jesse Brown to life we cannot help but to see his devotion. He was a man of faith, a man of family, and a man of fortitude. He demanded respect but rarely opened himself to trust people outside of his home. A lifetime of facing overt and structural racism had taught him to test before he trusted. A new and accomplished member of his unit Tom Hudner played by Glen Powell attempts to build a friendship across the cultural divide.
There is a special bond between team members that go through battles together, and it builds a devotion to one another and to the cause they fight for. This movie explores the depths of that passion in a profound way. But the reason why you should really see this movie is because the story of Jesse Brown needs to be told. We hear about how African Americans have to work twice as had to get half as far, Jesse Brown lived it in our military. We remember stories of American heroism trying to serve our country and protect their fellow soldiers. We rarely hear about black men in those positions. There have been countless successful war movies. This one is for our community with all of the nuance and authenticity that is true to our struggle to be part of the military let alone thrive in it. How can we honor the people in uniform for a country that has long neglected the rights and humanity of black people? Hundreds of our ancestors wore those uniforms and the story of the American struggle for freedom has been the story of the African American struggle for freedom since America’s first war. All Americans need to hear that story and be reminded of the struggle and the triumphs. We need to tell Jesse Brown’s story the same way we tell the stories of Pearl Harbor, Letters from Iwo Jima, Dunkirk, and all of the other films that share tragedies and triumphs of our veterans.
I left the theater in tears. I was moved. I could not believe I had never heard about Jesse Brown’s story, and had rarely heard about the Korean War in all of the history classes I had taken. I feel myself particularly acquainted with African American history having attended the illustrious Howard University and taken several African American history courses. I could not shake the sadness, frustration, and inspiration I felt because I had never heard the name Jesse Brown as one of the “First Black” in the long list of first blacks. We have to know and share our history. We have to share our devotion to our heritage. You have to see this movie, so that this piece of history, our history, is never forgotten again.
A man wearing a face mask to protect from COVID-19 leaves a hospital in Tunis, Tunisia, Wednesday, July 21, 2021. Tunisia’s president on Wednesday ordered the military to take over management of the national COVID-19 pandemic response, as the country fights one of Africa’s worst outbreaks. (AP Photo/Hassene Dridi)
TUNIS, Tunisia (AP) — Tunisia’s president ordered the military Wednesday to take over managing the national COVID-19 pandemic response, as the country fights one of Africa’s worst outbreaks.
The military health service will be assigned the task, Tunisian President Kais Saied announced on regional TV network Al Arabiya.
Soldiers and military medics are already carrying out vaccinations in remote parts of Tunisia. On Tuesday, military trucks transported oxygen to regions in the center and northwest of the country where hospitals are suffering shortages.
Meanwhile, an interim health minister on Wednesday replaced the health minister who was fired over his surprise decision to open vaccination centers to all adults for the first time this week during the Muslim holiday Eid al-Adha.
Authorities were unprepared for the decision, which prompted confusion and chaos as crowds massed at vaccination centers. The president called it a “crime” to encourage large groups to gather while the government is trying to limit the spread of the virus.
Eid al-Adha, or the “Feast of Sacrifice,” is typically marked by communal prayers, large social gatherings, slaughtering of livestock and distributing meat to the needy. This year, Tunisian authorities restricted gatherings and reinstated a curfew in some regions with high numbers of confirmed cases.
In a new blow to Tunisia’s long-struggling tourism sector, authorities closed some of the country’s Mediterranean beaches.
The former health minister’s decision to open vaccination centers during the holiday led to confrontations at some locations between people seeking shots before doses ran out and health officials trying to enforce anti-infection measures.
Windows and doors of some vaccination centers were smashed, and medics and paramedics were assaulted in some places, oOpposition lawmaker Saifeddine Merghni, a medical doctor, said.
“The least that can be said is that the decision (to open vaccination centers on the Muslim feast day) is wrong, and you see its repercussions,” he said. “The day of joy (Eid Al-Adha) turned into a day of a lot of tension.”
People wearing face masks to protect from COVID-19, stand outside a hospital in Tunis, Tunisia, Wednesday, July 21, 2021. Tunisia’s president on Wednesday ordered the military to take over management of the national COVID-19 pandemic response, as the country fights one of Africa’s worst outbreaks. (AP Photo/Hassene Dridi)
The line at the only vaccination center in the central city of Kairouan was so long that 63-year-old Ali ben Haj was making his third try to get vaccinated and growing impatient.
“Look at all the people. Why all this? What have we done? You, authorities, if you cannot find solutions for us, let us search for solutions ourselves,” he said.
Overall, Tunisia has reported more deaths per capita than any African country and among the highest daily death rates per capita in the world in recent weeks. Foreign countries have been pouring in vaccines and other medical aid.
___
Mehdi El Arem contributed from Kairouan and Tunis.
HIGHER GROUND: Pilots of a Tuskegee Airmen unit, circa May 1943, likely in Southern Italy or North Africa. The Airmen were the first African American military aviators in the United States armed forces. (Photo: Wikipedia)
This week’s observance of Memorial Day, along with the recent release of the film Red Tails (now available on DVD and Blu-ray), brought back memories of a highlight from my life and career. Two years ago, I had the honor of interviewing four extraordinary men for a local paper in San Antonio: Buck Sergeant Warren H. Eusan, Mr. John “Mule” Miles, Lt. Colonel Gene Derricotte, and Lt. Colonel Granville Coggs. I was noticeably nervous going in, knowing that I’d be interviewing a part of history — a remnant of the illustrious Tuskegee Airmen.
The men, all well into their eighth decade, looked distinguished and refined. I was captivated by their profound stories. With every question I asked, the reality of just how special they were began to unfold. As the first African American aviators in the U.S. armed forces, their courage and success during World War II helped open doors to military service that were once off limits to certain minority groups. Their experiences spoke of a confidence born of great achievement against enormous odds. Indeed, after they took flight, the whole world watched, with everyone, for the most part, believing they would fail.
Although at times life as an airman seemed insurmountably difficult, 90-year-old Eusan, who later became a public school teacher, recalled: “It made us stick together, and there was a pride in all of us that said we had to make it.”
LIVING LEGENDS: Surviving Tuskegee Airmen (from left) Warren Eusan, Gene Derricotte, Granville Coggs and John Miles continue to meet as the San Antonio, Texas, chapter of Tuskegee Airmen Inc. (Photo: Wanda Thomas Littles)
I was transported by their remembrances to the rotunda of the U.S. Capitol in 2007, when they and more than 300 other Tuskegee Airmen or their surviving family members stood to witness the ultimate words that they had longed to hear — their names called as collective recipients of the Congressional Gold Medal of Honor some 65 years after all the victory celebrations, parades, and ticker tape joyfully lavished on other soldiers had faded away. It was an honor way overdue.
Lt. Colonel Coggs, now retired from the army said, “The honor and recognition we are now receiving is unimaginable … I just wish that those who died without seeing it could be here.”
As we moved on, my questions to them referenced the unabashed racism they faced as young airmen near Tuskegee, Alabama, and I could sense an agreement in spirit that said they had survived and had overcome the harsh reality of an America that was unwilling to regard them as intelligent and capable human beings.
However, these men didn’t allow the mistreatment and disrespect to outweigh the greater mission, for which the fate of the whole of Black America hinged. Although all of them at times thought about it, and probably came close to laying out more than a few white antagonists who taunted them with racist epithets, they did not.
FLY BALL: John 'Mule' Miles played baseball in the Negro League following WW2.
Eighty-eight year old Miles said, “The key to not retaliating was my faith in God; because if it had not been for the Lord on my side, where would I be?” Miles would go on to play ball for The American Negro Baseball League in Chicago after the war.
The Tuskegee Airmen fine-tuned the art of restraint through another type of courage called self-control. And through this restraint, through remaining strong under unthinkable pressure, they proved the whole world wrong about their capabilities.
The most outstanding part of being a Tuskegee Airman was the position they took that said, “No matter how hard they make it, we can take it. There is no room for failure. We must succeed.”
And succeed they did.
Being totally on one accord at every level, from ground to air, this unity of purpose was truly their greatest contribution in destroying the myth that African American men did not have what it took to hold positions of responsibility.
The Tuskegee Airmen, who actually saw battle as fighter pilots, flew 15,553 combat sorties and completed 1,578 missions, providing fighter escorts to strategic targets in Europe. These were men who served with distinction over North Africa, Italy, and Germany. White bomber crews ultimately called them “Red Tailed Angels” because of the red paint on their tail assemblies; but most importantly because they protected the white pilots on their missions. Under the leadership of then-Colonel Benjamin O. Davis, who trained the first black pilots at Tuskegee Institute in a unit called the 99th Squadron, the Tuskegee Airmen showed the world what a people who had been written off as intellectually and mentally deficient were capable of.
After nearly 30 years in the shadow of obscurity and lies, the truth was finally told. With the founding of Tuskegee Airmen Inc. in 1972 in Detroit, Michigan, 50 chapters sprung up all over the U.S. and the record was set straight. Now the organization’s collective aim is to help further the education of young men and women of all races in math, science, and aviation through scholarships and a variety of programs to honor of the Tuskegee Airmen.
OFFICER & GENTLEMAN: Lt. Colonel Gene Derricotte.
Lt. Colonel Derricotte, the youngest of the group at age 84, who served in both the Army and Air Force before becoming a dentist, explained, “Essentially no one knew there was such a thing as the Tuskegee Airmen. Now when I speak at schools, and in the community, people tell me how sorry they are for the way we were treated and tell me how proud they are of me — of us.”
The Tuskegee project, according to the men, began when a law passed by Congress allowing African Americans to train in civilian life as pilots was passed. After this bill took effect, an experimental Negro branch of pilots in the Army Air Corps was formed. To date there are roughly 278 Tuskegee Airmen living, with about 90 having been pilots; however, no one knows for certain how many of the estimated 19,000 “Tuskegee Experience” participants are still alive today. What we do know is that they all played an important role in the war. While men like Lee Archer, one of just three Tuskegee pilots with four “kills,” and Roscoe C. Brown, who flew over 79 missions in his career, were making remarkable history in the thick of battle, the men and women back home were building a legacy by following the precedent established to maintain superior support of the men abroad, outstanding deportment, and high achievements in flight should they have to deploy.
PROUD SOLDIER: Buck Sergeant Warren H. Eusan.
The NAACP, the black press, and even then-First Lady Eleanor Roosevelt, who flew with a black pilot at Tuskegee, worked hard to get the Tuskegee project off the ground and to support its development. These men and women were the cream of the crop from black colleges and universities across the land. They were men and women who’d studied to be doctors, lawyers, educators, even aviators, who jumped at the opportunity to serve our nation. They were salutatorians, valedictorians, and men and women who were in the upper tenth of their class. They were men and women who were simply the best.
Miles said, “We worked hard all day and went to school at night.”
Even now, the bond forged between them is strong. The men joked, bantered, and reflected on their past lives and Buck Sergeant Eusan asked, “Did you know Derricotte was a student of mine that I trained to master the instrumentation on our planes?” When asked by Derricotte what kind of grade he got, Eusan said, “You’re here right now, aren’t you? You must have gotten an A.”
SKY'S THE LIMIT: Lt. Colonel Granville Coggs.
They laughed — a beautiful thing to hear, which speaks of the resilience of men who turned disrespect, bigotry, and injustice into an occasion for something positive.
Lt. Colonel Coggs reflected, “The only way you could describe the Tuskegee Airmen is that we were a cut above.” And they were, because President Harry S. Truman signed an executive order ending segregation in the military after seeing just how far above the racist labels and stereotypes they were.
It’s interesting to note that all but two of the San Antonio chapter members thought that George Lucas’s Red Tails was the best, most accurate film to date on the Tuskegee Airmen; and they’ve seen them all. The two dissenting Airmen felt the film underplayed the intense racial struggles that they faced in favor of a more glamorized “Hollywood” tale. Nonetheless, earlier this year the seven San Antonio Airmen celebrated the film made in their honor by signing autographs and sharing memories with the local press at San Antonio’s Rialto Theater. Inside the theater, after being introduced as members of the famed Tuskegee Airmen, they received a standing ovation from moviegoers and staff.
Vintage photos courtesy of the San Antonio Chapter of Tuskegee Airmen, Inc.
As a young, educated, and professional Black woman, I stand on the shoulders of giants. I was able to graduate from the United States Naval Academy and serve as an officer in the United States Marine Corps thanks to heroes like the Tuskegee Airmen who paved the way before me. That’s why I’m thankful that the next generation will be able to experience glimpses of their story in this weekend’s opening of the movie, Red Tails.
Red Tails is inspired by the true story of the Tuskegee Airmen, who served as America’s first black aerial combat unit. This movie took nearly 23 years to complete and it’s a story that needs to be told. The reality of bringing this movie to the big screen is due in no small feat to the tenacity of producer George Lucas (Star Wars), who financed the project with $93 million of his own money.
Lucas started out consulting with 40 Tuskegee Airmen and that number has now dwindled to seven. Lucas was determined to get this project to the big screen before all of the Tuskegee Airmen died. Thanks to his work with director Anthony Hemingway, they have produced what has been labeled a World War II action movie with the most special effects of any film of this kind. The special effects in Red Tails are on par with films such as Lucas’ most recent Star Wars films and James Cameron’s Avatar, which means it doesn’t get much better.
LUCAS and LEGENDS: George Lucas (far left) stood with surviving members of the Tuskegee Airmen last fall as they were honored during a University of Southern California football game. Lucas consulted with 40 different Airmen during the making of "Red Tails." (Photo: Tony Leon/Newscom)
What do you have to look forward to? For the first time ever, this is not an action movie with one token person of color. Lucas and Hemingway have lined up an all-Black leading cast, including longtime fan favorites Terrence Howard (Col. A.J. Bullard) and Oscar-winner Cuba Gooding Jr. (Major Emanuelle Stance), with R&B singer Ne-Yo (Andrew ‘Smoky’ Salem) even taking a role. Rounding out the crew is Nate Parker (Marty ‘Easy’ Julian), whom you may remember from The Great Debaters; British actor David Oyelowo (Joe ‘Lightning’ Little); Michael B. Jordan (Maurice ‘Bumps” Wilson); and Elijah Kelley (Samuel ‘Joker’ George). Besides being talented actors, these men are also easy on the eyes, ladies.
Producing this movie was an uphill battle, as Lucas fought against the grain. Hollywood continued to reject the viability of selling a “black” action movie. But this is not just a Black movie that appeals to Black people; this is an American story about American patriots, military servants, and heroes who happen to be Black people.
Unfortunately, so many of the stories of Black history have been lost or rewritten over the years, allowing others to take credit for our work and contributions to this great country. We need to remind Hollywood, the media, politicians, and other leaders of what we have done. It’s not okay to narrow the focus of contributions of African Americas to a select few leaders who have changed the history of this country and made it what it is today. The foundation for much of America’s success as a nation was built on the backs of Black folk.
Now is an opportunity to celebrate our contributions. George Lucas’ vision for this project is to provide real heroes for young African American boys. I share his vision, and it is my hope that this movie rekindles conversations for our young boys and Black men about what they can be and do.
I hope this movie presents another opportunity to reinforce the importance of self-respect, goal setting, character building, persistence and hard work, and prioritizing education. This movie puts the names of real heroes on the lips of our children so that they go to the books and read the true stories. We have to stop the cycle of youth solely idolizing ball carriers and musical artists — some of which have spent more time in jail or tattoo parlors than they ever did in school, at home with their kids, or honoring the women in their lives. All athletes and artists aren’t bad, but we certainly need to expose our children to more engineers, doctors, entrepreneurs, and military servants (those who continuously give of themselves to make other people’s lives better).
Now is the time to show Hollywood that your money is green. Show Hollywood that great movies telling great stories that feature a predominately African American cast can explode at the box office during their opening weekends, and Tyler Perry does not have to produce them.
Red Tails opens tomorrow in theaters everywhere. Let’s get out to the theaters this weekend and show Hollywood that Black America wants more films like this! Take your friends, family, congregations, and kids. (Note: This movie has a PG-13 rating for some war violence.) See the movie once, twice, or three times, and then talk about it! Also be on the watch for Lucas’ two-hour documentary about the Tuskegee Airmen on The History Channel.
Let us know your thoughts on Hollywood’s claim that Black moviegoers will not support this type of film. Then let’s prove them wrong.
