HIGHER GROUND: Pilots of a Tuskegee Airmen unit, circa May 1943, likely in Southern Italy or North Africa. The Airmen were the first African American military aviators in the United States armed forces. (Photo: Wikipedia)
This week’s observance of Memorial Day, along with the recent release of the film Red Tails (now available on DVD and Blu-ray), brought back memories of a highlight from my life and career. Two years ago, I had the honor of interviewing four extraordinary men for a local paper in San Antonio: Buck Sergeant Warren H. Eusan, Mr. John “Mule” Miles, Lt. Colonel Gene Derricotte, and Lt. Colonel Granville Coggs. I was noticeably nervous going in, knowing that I’d be interviewing a part of history — a remnant of the illustrious Tuskegee Airmen.
The men, all well into their eighth decade, looked distinguished and refined. I was captivated by their profound stories. With every question I asked, the reality of just how special they were began to unfold. As the first African American aviators in the U.S. armed forces, their courage and success during World War II helped open doors to military service that were once off limits to certain minority groups. Their experiences spoke of a confidence born of great achievement against enormous odds. Indeed, after they took flight, the whole world watched, with everyone, for the most part, believing they would fail.
Although at times life as an airman seemed insurmountably difficult, 90-year-old Eusan, who later became a public school teacher, recalled: “It made us stick together, and there was a pride in all of us that said we had to make it.”
LIVING LEGENDS: Surviving Tuskegee Airmen (from left) Warren Eusan, Gene Derricotte, Granville Coggs and John Miles continue to meet as the San Antonio, Texas, chapter of Tuskegee Airmen Inc. (Photo: Wanda Thomas Littles)
I was transported by their remembrances to the rotunda of the U.S. Capitol in 2007, when they and more than 300 other Tuskegee Airmen or their surviving family members stood to witness the ultimate words that they had longed to hear — their names called as collective recipients of the Congressional Gold Medal of Honor some 65 years after all the victory celebrations, parades, and ticker tape joyfully lavished on other soldiers had faded away. It was an honor way overdue.
Lt. Colonel Coggs, now retired from the army said, “The honor and recognition we are now receiving is unimaginable … I just wish that those who died without seeing it could be here.”
As we moved on, my questions to them referenced the unabashed racism they faced as young airmen near Tuskegee, Alabama, and I could sense an agreement in spirit that said they had survived and had overcome the harsh reality of an America that was unwilling to regard them as intelligent and capable human beings.
However, these men didn’t allow the mistreatment and disrespect to outweigh the greater mission, for which the fate of the whole of Black America hinged. Although all of them at times thought about it, and probably came close to laying out more than a few white antagonists who taunted them with racist epithets, they did not.
FLY BALL: John 'Mule' Miles played baseball in the Negro League following WW2.
Eighty-eight year old Miles said, “The key to not retaliating was my faith in God; because if it had not been for the Lord on my side, where would I be?” Miles would go on to play ball for The American Negro Baseball League in Chicago after the war.
The Tuskegee Airmen fine-tuned the art of restraint through another type of courage called self-control. And through this restraint, through remaining strong under unthinkable pressure, they proved the whole world wrong about their capabilities.
The most outstanding part of being a Tuskegee Airman was the position they took that said, “No matter how hard they make it, we can take it. There is no room for failure. We must succeed.”
And succeed they did.
Being totally on one accord at every level, from ground to air, this unity of purpose was truly their greatest contribution in destroying the myth that African American men did not have what it took to hold positions of responsibility.
The Tuskegee Airmen, who actually saw battle as fighter pilots, flew 15,553 combat sorties and completed 1,578 missions, providing fighter escorts to strategic targets in Europe. These were men who served with distinction over North Africa, Italy, and Germany. White bomber crews ultimately called them “Red Tailed Angels” because of the red paint on their tail assemblies; but most importantly because they protected the white pilots on their missions. Under the leadership of then-Colonel Benjamin O. Davis, who trained the first black pilots at Tuskegee Institute in a unit called the 99th Squadron, the Tuskegee Airmen showed the world what a people who had been written off as intellectually and mentally deficient were capable of.
After nearly 30 years in the shadow of obscurity and lies, the truth was finally told. With the founding of Tuskegee Airmen Inc. in 1972 in Detroit, Michigan, 50 chapters sprung up all over the U.S. and the record was set straight. Now the organization’s collective aim is to help further the education of young men and women of all races in math, science, and aviation through scholarships and a variety of programs to honor of the Tuskegee Airmen.
OFFICER & GENTLEMAN: Lt. Colonel Gene Derricotte.
Lt. Colonel Derricotte, the youngest of the group at age 84, who served in both the Army and Air Force before becoming a dentist, explained, “Essentially no one knew there was such a thing as the Tuskegee Airmen. Now when I speak at schools, and in the community, people tell me how sorry they are for the way we were treated and tell me how proud they are of me — of us.”
The Tuskegee project, according to the men, began when a law passed by Congress allowing African Americans to train in civilian life as pilots was passed. After this bill took effect, an experimental Negro branch of pilots in the Army Air Corps was formed. To date there are roughly 278 Tuskegee Airmen living, with about 90 having been pilots; however, no one knows for certain how many of the estimated 19,000 “Tuskegee Experience” participants are still alive today. What we do know is that they all played an important role in the war. While men like Lee Archer, one of just three Tuskegee pilots with four “kills,” and Roscoe C. Brown, who flew over 79 missions in his career, were making remarkable history in the thick of battle, the men and women back home were building a legacy by following the precedent established to maintain superior support of the men abroad, outstanding deportment, and high achievements in flight should they have to deploy.
PROUD SOLDIER: Buck Sergeant Warren H. Eusan.
The NAACP, the black press, and even then-First Lady Eleanor Roosevelt, who flew with a black pilot at Tuskegee, worked hard to get the Tuskegee project off the ground and to support its development. These men and women were the cream of the crop from black colleges and universities across the land. They were men and women who’d studied to be doctors, lawyers, educators, even aviators, who jumped at the opportunity to serve our nation. They were salutatorians, valedictorians, and men and women who were in the upper tenth of their class. They were men and women who were simply the best.
Miles said, “We worked hard all day and went to school at night.”
Even now, the bond forged between them is strong. The men joked, bantered, and reflected on their past lives and Buck Sergeant Eusan asked, “Did you know Derricotte was a student of mine that I trained to master the instrumentation on our planes?” When asked by Derricotte what kind of grade he got, Eusan said, “You’re here right now, aren’t you? You must have gotten an A.”
SKY'S THE LIMIT: Lt. Colonel Granville Coggs.
They laughed — a beautiful thing to hear, which speaks of the resilience of men who turned disrespect, bigotry, and injustice into an occasion for something positive.
Lt. Colonel Coggs reflected, “The only way you could describe the Tuskegee Airmen is that we were a cut above.” And they were, because President Harry S. Truman signed an executive order ending segregation in the military after seeing just how far above the racist labels and stereotypes they were.
It’s interesting to note that all but two of the San Antonio chapter members thought that George Lucas’s Red Tails was the best, most accurate film to date on the Tuskegee Airmen; and they’ve seen them all. The two dissenting Airmen felt the film underplayed the intense racial struggles that they faced in favor of a more glamorized “Hollywood” tale. Nonetheless, earlier this year the seven San Antonio Airmen celebrated the film made in their honor by signing autographs and sharing memories with the local press at San Antonio’s Rialto Theater. Inside the theater, after being introduced as members of the famed Tuskegee Airmen, they received a standing ovation from moviegoers and staff.
Vintage photos courtesy of the San Antonio Chapter of Tuskegee Airmen, Inc.
There was a girl named Alicia who said her dad had abandoned her and her siblings years ago, but he showed up for her brother’s wedding. When there was a break in the festivities, she and her sister took him to see Courageous. They were sitting in the theater watching the film and her dad began to cry. During the film’s climatic church scene, where men are urged to declare their commitment to become better husbands, fathers, and leaders, Alicia’s dad stood up alone in front of the whole theater in response to the film’s virtual altar call. Soon, other men stood up in front of their seats. Alicia and her sister began to cry. That moment, she said, was the beginning of a needed healing process for her entire family.
In Panama, 700 police officers gathered from across their nation to watch Courageous because they had heard so much about it. When they left the theater, they couldn’t stop talking about how they could follow the film’s call to action and sign a resolution to be men of honor. They said they could change Panama if government servants like them would operate in integrity.
There was a soldier who had served in Afghanistan. He’d gotten hooked on a pain medication that caused him and his family to fall quickly into a downward spiral. He watched Courageous then called his wife and said, “I have to do the courageous thing to save my family, so I’m checking myself into rehab. I now have hope.”
A man had blocked out of his mind that he had fathered a child out of wedlock when he was in college. Now decades later, after seeing Courageous, he realized he needed to reconnect with that child. “God wants to turn the hearts of children back to their fathers and fathers back to their children,” he said.
These are four of the over 320,000 Facebook posts written as a result of people, especially fathers, seeing the film Courageous and sharing their life-changing stories. After a successful four-month run in theaters last fall, Courageous was released on DVD and Blu-ray Disc last week.
SENDING HOLLYWOOD A MESSAGE: 'Courageous' producer and Sherwood Pictures co-founder Stephen Kendrick.
Stephen Kendrick and his brother Alex, both ministers at Sherwood Baptist Church in Albany, Georgia, are the filmmakers behind Courageous; the brothers co-wrote the script, Stephen produced, and Alex directed and starred in the film as police officer Adam Mitchell. The Kendricks, whose film company Sherwood Pictures previously produced such features as Facing the Giants and Fireproof, have become the Tyler Perrys of evangelical Christian movies, creating immensely popular films on a relatively small budget.
Courageous, in fact, was more successful than Fireproof in its first weekend, grossing $9 million ($2.2 million more than Fireproof), making it the No. 4 movie the week of its debut, and No. 1 if you take into account that the film opened against movies with three times as many screens as Courageous and budgets 20 times more than its $2 million production cost. The film went on to gross $34.5 million at the box office.
God Opening Doors
Stephen Kendrick can’t help but be pleased with the success of Courageous, but contrary to what some might think, he did not go on a wild spending frenzy or flaunt his success as a sign of his arrival in the big time. Instead, with each success he’s become more humble. Kendrick is quick to assign the credit for Sherwood Pictures’ good fortune to God’s answer to fervent prayer. From their first movie, Flywheel (2003), which was produced with $20,000 and ran successfully for six weeks at a single location in Albany; to 2006’s Facing the Giants, which was made for $100,000 and grossed $10 million; to 2008’s Fireproof — $500,000 budget, $33 million gross; and now Courageous, Stephen says it has been God who has opened doors.
Starting with the backing of their church of the movie ministry, and later the backing of Provident Films and TriStar Pictures, success still means giving back to God through supporting their church, their families, and others, with the aim of bringing attention to God’s message of hope.
Kendrick says their goal is to keep improving, and to a large degree they have made much headway in their efforts to do so. However, the stinging reviews of critics such as Rotten Tomatoes, the L.A. Times, and New York’s Village Voice hangs in the air. Stephen, in his customary humility, addresses the critics of Courageous this way: “People don’t need to be afraid of critics and criticism, because sometimes they are your best friends to help you realize how you can grow and how you can do better. When we have read reviews, whether on Rotten Tomatoes or Christian websites, and have seen consistent trends where different people are noticing the same things, then we know that we have to address those issues.”
At the same time, says Kendrick, some of the reviews were clearly anti-Christian anything, good or bad, or so far in leftfield that they did not bear much thought. However, one of the recurring criticisms of the film, from both secular and Christian reviewers, was that it was overly preachy. Kendrick doesn’t back away from that critique.
AS FOR ME AND MY HOUSE: In 'Courageous,' Ken Bevel portrays Nathan Hayes, a dedicated police officer trying to avoid the mistakes his absentee father made.
“Every movie preaches,” he says. “The religion of the world is externalized in their art, you look at James Cameron’s movie Avatar; he’s preaching a message about environmentalism and saving the earth. In our situation, when people know that we are Christians, they automatically are super hypersensitive for any kind of [religious] messages to be in the movie, especially when we have been didactic or use dialogue more than imagery to convey the message.”
The charge that the movie “unabashedly preaches to the choir” is right on target, Kendrick says.
“We do want to preach first to the choir, because the church doesn’t need to tell the world to get their marriages together if we don’t have our marriages together. We don’t apologize for it because we believe that God has led us in that direction. Our number one audience is the church. If you look at the way Jesus taught, he taught parables to the masses and the messages were embedded or hidden in the storyline, and then he taught by preaching, like the Sermon on the Mount, up front and overt to his audience. Our movies have been more like the latter. We’re not against doing the symbolic parable type movies, and if the Lord leads us that way, we’ll do it.”
Aiming for Eternal Fruit
Criticisms notwithstanding, overall audiences viewed Courageous as a life-changing film — not simply one that will prompt an emotional buzz and a superficial tear, but one that truly gives viewers, and especially men, something to think about in their personal lives.
And although Kendrick would love to see Hollywood take note of Sherwood Pictures’ success and begin producing more positive fare, his primary aim is to transform souls.
“Eternal fruit is our ultimate goal,” he says. “We pray for fruit that remains. Movies will come and go. Sending a message to Hollywood, or seeing Hollywood make more redemptive movies, those are nice secondary benefits. But our hope is that people will find a relationship with God through Jesus Christ.”
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Tweet your entries until Monday, January 30, 2012. We’ll randomly select THREE names from among our qualifying Twitter followers and notify the winners the next day. The odds of winning depend on the number of entries we receive. Though you’re welcome to retweet as many times as you’d like, there’s a limit of one contest entry per Twitter follower for the giveaway. Comments must be received by January 30, 2012, at 11:59 p.m. Central Time in order to qualify. The retail value of the DVD is $24.99. No purchase is necessary to enter or win, and the giveaway is void where prohibited.
TO SERVE AND PROTECT: The officers of 'Courageous' (from left) Ben Davies, Ken Bevel, Alex Kendrick, and Kevin Downes. Each man faces a different struggle related to fatherhood.
A disturbing trend has subtly crept into the American family, and its onslaught was so insidious that it went unnoticed for 40 years. It’s called the absent father. Fatherlessness affects more than 25 million children in America. Emotional fatherlessness affects millions more. Absent fathers are the root cause of children who are oftentimes abused, live in poverty, and suffer psychological distress, which produces: 63 percent of youth suicides, 90 percent of all homeless and runaway children, 85 percent of all children with behavioral problems, and 85 percent of all youth in prisons. Children without a father become the statistics of every negative report and they most often live with a mother burdened by the stress of a lack of support for her children.
Alex and Stephen Kendricks (creators of Fireproof, Facing the Giants, and Flywheel), realizing that fatherlessness has grown to epidemic proportions, prayerfully went about crafting a movie that would rivet our focus to the urgency of this problem. The brothers have written their fourth movie called Courageous, which addresses the issue of absent fathers. A Provident Films and Affirm Films production, Courageous depicts the lives of five men — four urban cops, and their newly found working-class friend, who through a series of tragic events are forced to look to God for guidance as fathers and husbands, as well as keepers of the law. Not since Will Smith’s portrayal of Chris Gardner in The Pursuit of Happyness has a film made a more vigorous plea for fathers to take their parenting role seriously. The intended purpose of this film is to challenge all men to have the courage to step outside their comfort zones or bad histories, and to have enough integrity to put away their excuses and be the fathers they’ve been called to be.
The actors in Courageous aren’t your dime a dozen, glitzed and spritzed glory seekers — but they are ordinary Christian men and women called out by God through the Sherwood Movie Ministry of Albany, Georgia. They have nurtured wounded spirits, jumped from moving cars, run for causes, and have sounded the trumpet call to all fathers who are out of their children’s lives in any sense, to come home and step up their game as the leaders, lovers, providers, and protectors of their families.
UrbanFaith spoke to two actors from the Courageous movie, Robert Amaya and Ken Bevel. Amaya, a Latino, plays Javier Martinez, a family man who was laid off from his blue collar job and is facing the challenge of providing for his wife and children with very few resources. Bevel, an African American who’s also an ex-Marine, plays the role of Nathan Hayes, an urban cop struggling to forgive his deceased father for not being there for him and his mother. His greatest ambition is to be a better husband and father than his father was.
QUALITY TIME: Actor Robert Amaya portrays Javier Martinez, a devoted family man who was laid off from his job.
Addressing the absent father issue in the Latino culture Amaya said, “The second most violent area in the world is Latin America and this violence usually comes from men or women raised without a father.” He offered that, violence due to absent fathers is not only a problem for Latinos, but it’s a blanket problem in America and in the world across the board, because every father leaves a mark on his child. What Amaya along with the makers of the movie are hoping to accomplish through Courageous is, “To let all fathers, Latinos included, know their responsibility under God, and reconnect them to the Lord so that they can be at home with and engaged in, their children’s lives, because it’s the father’s responsibility to call out the men in their sons. In other words, to teach them how to be men, and to show daughters what they should be looking for in the men of their future.”
Amaya, the father of a 2-year-old daughter, says, “Since working on this film, I have found that it is not enough to just listen to my daughter say her prayers at night. I must live before her and teach her the principles of the Bible that we are to live by through Scripture memory, stories, and family time that stresses the values of the Bible.”
Though Amaya’s character Javier shows a gentle, lovable man who doesn’t overtly embody machismo (a Latino concept of masculinity and power), Amaya says of Javier, “Under the light of machismo, he shows that he’s not a weak guy. His strength lies in the fact that he loves the Lord, he loves his family. He shows that men can be gentle and loving to their families, gaining the loyalty and love of their wives and children. When men are great leaders they are also loving leaders. God calls us to be the men in our families but to also be family men who don’t have to be domineering and harsh.”
Statistics show that 28 percent of white children are in single-parent homes, while 35 percent of Hispanic children are in single-parent homes, and the figure is equal to the combined totals of white and Hispanics for African American children, at 63 percent.
Phillip Jackson, the executive director of Chicago’s Black Star Project, told Reuters, “Father absence in African American communities has hit those communities with the force of 100 Hurricane Katrinas. It is literally decimating our communities and we have no adequate response to it.”
AS FOR ME AND MY HOUSE: Ken Bevel portrays Nathan Hayes, a dedicated police officer trying to avoid the mistakes his absentee father made.
However, Bevel feels that Courageous will offer a message of motivation and hope to African American men on the importance of fatherhood and throw a lifeline to those men who are ready to change. Like the character he plays in the movie, Bevel says, “I grew up without a father — loving and yet resenting him, because I didn’t have him to give me leadership and wisdom at those critical times in my life, so I kind of fumbled my way through being a youth into being an adult — not really knowing how to treat my wife, not really knowing how to treat my family.But I determined to depend totally on God to put some strong men in my life to show me how to be a man, and He did.”
Some of the same issues affecting fathers and children today were highlighted in the film, such as physical and emotional absence. Bevel believes Courageous will show men that they can return and not only be good fathers, but great fathers, if they follow the plan God made for them as found in the Bible.
“There’s something about this movie that will cause men to see that it’s the responsibility of the fathers to guide and raise their kids. Nobody wants to have children and be a bad father. Nobody wants to go into a marriage and say, ‘Okay, I’m going to divorce my wife five years from now.’ What’s lacking among African American men who grew up without fathers is guidance, and this movie provides a model that shows them: this is how to love the Lord, this is how to follow his Word, this is how to love your wife, and this is how to love your kids.”
Bevel, the father of a 3-year-old daughter and a 1-year-old son said, “When I saw the last scene in Courageous, the man in me stood up. It caused me to want to do greater things for God, and to lead my kids and my wife in every aspect of our lives. I wanted to lead my family in Bible study, to be intentional about what we watched on TV and how we spent our time together — to be careful with what I said in their presence. I wanted my children to hear me praying for them and see me studying the Scriptures, so that they would imitate their father.”
Both Bevel and Amaya, with help from their wives, worked out an intentional plan of leadership, guidance, and love for their children with amazing results.
If you are a father who is out of touch with your children, just pause and reflect: Where will your son learn how to treat women? Who will teach your little girl her true worth? Where will they learn to stand up for what’s right? Who will instruct them on the value of an education? Where will their work ethic come from? Where will your child learn about the importance of abstaining from substance abuse and illicit sexual activities? Where will they learn to obey authority? How will your children learn to love and respect God, others, and themselves, if you don’t teach them?
Dads — please don’t turn away. The bravest thing you could ever do as a man is to be present. Your children need you. Now.
Courageous opens Friday, September 30th, in theaters across the nation. Watch the trailer here.
Fatherlessness stats taken from the Courageous website and Fathers.com, a website of the National Fatherhood Initiative.
Are you willing to obey or, more aptly put, submitto your spouse until death do you part? As Priscilla Shirer shares, there are some things a Christian couple needs to know. Shirer, the daughter of well-known preacher Tony Evans, is a gifted teacher and speaker in her own right. As the founder of Going Beyond Ministries, she reaches a diverse audience of women with “the uncompromising truths of God’s Word.”
In her latest book, Life Interrupted: Navigating the Unexpected, Shirer analyzes the story of Jonah for clues about submitting to God’s will, even when it interrupts our carefully laid plans. The book is not a marriage manual, per se, but within its pages readers can find helpful direction for making their marriage flourish and thrive in spite of life’s curveballs. UrbanFaith contributor Wanda Thomas Littles spoke to Shirer about Life Interrupted and what it means for a married couple to practice biblical submission. The interview has been edited for length and clarity.
URBAN FAITH: Newlyweds face many challenges, including life interruptions. What is a “life interruption”?
PRISCILLA SHIRER: A life interruption is something that takes place in your life that causes you to have to adjust the plans that you’ve made and is often God’s way of steering you away from what you want to do, to what He has planned for you to do for His Kingdom which is far better than what you planned. So a life interruption is God’s divine intervention.
Bunny Wilson, who wrote a great book called Liberated Through Submission, had a life interruption when as a new Christian she read a passage of scripture that caused her to ask, “God, now why would you ruin a perfectly good book by putting that a wife has to submit to her husband in it?” What would you say to woman who needs to learn the life-interrupting concept of submission?
Submission is a gift given to us by God so that we can relate to His established authority properly. It is the voluntary yielding of one to another. This is not just about marriage; this is about every aspect of your life. Everybody has to be obedient. And when people, male or female, step outside that chain of leadership they have to answer for that and they cause disaster and destruction along the way.
There are many men that are seeing destruction and chaos and lack of peace and passion in their marriages, and in their homes, and it is largely due to the fact that they have not responded in obedience to the Lord, and responded to Him as their head.
If, as a married woman, you choose to be submissive to the man that God has given you, then what you are doing is basically ducking so that God can hit your husband. Your husband has to answer to God in terms of the leading of your family, and you’re trusting that God is going to steer your husband. Even when your husband goes against your preferences, even when the choices he makes aren’t the choices you would make, as you submit to your husband you are in essence submitting as unto the Lord. In doing so you’ll find that the blessings rain down not only on you, but on your husband, and your children as well.
For many people, the term submit carries with it the stigma of subservience.
It is unfortunate that submission has really been given a bad rap. There is nothing that is supposed to be subservient, “doormat-ish” so to speak, or abusive about this word and its meaning. In Ephesians when the Lord began to describe submission in the family dynamic, the majority of the chapter was used to tell husbands how they were supposed to lead, not to tell women how they were to submit. If men do it the right way, if they are the kind of leaders described by God, then it will be the joy of the wife to submit to a husband like that.
What about the husband who has the wrong view of submission and is, in essence, a tyrant?
It is never the woman’s role to submit to a man who is leading her to sin, or if he is in any way being abusive to her whether emotionally or physically. In those cases, she should get away to safety. Submission has long been a ploy to get vulnerable women to stay with a guy who is not treating them appropriately. In its purest meaning, it is a gift given to a woman who does have a man that is seeking to lead in the way the Bible describes.
What about the man who is content to take a backseat in guiding his wife and family, or who truly has no leadership skills?
I would encourage a wife to ask herself, When we were dating, did he take the backseat? If the answer is no and he showed initiative and drive and leadership when you were dating, then the reality probably is that you have, over time, usurped his authority. And in those cases, I want you to know that what has been done can be undone. Prayerfully give him back the reigns.
For the woman whose mate just doesn’t have leadership skills, I want to suggest two things: Number one, if she is not yet married to this man and she is very clear that he does not yet have leadership capabilities, if that disturbs her in any way now, it is going to be exponentially disturbing once they get married and there are lifetime decisions to make and he’s supposed to be guiding the family. You should question whether this is someone you should be building a life with.
Secondly, if this is a man who you see leadership character in, then the question you have to ask yourself before you get married is, Is this man accountable to someone else? If you know that this man is accountable to other men and allows them to tell him the truth and can help him to get it together, then you’re on the road to a really great marriage.
What are some reactions women have when you explain the concept of submission?
I think that deep down most women would love to be in a relationship with a great man — they might not call it submission, but when you think about the dynamics of it we love to be in a relationship when a man has taken charge. When you water down submission to the bare parts, most women desire that. But there is a fear that has been instilled in us predominantly by the feminist movement. The feminist movement has given us many things, but one thing it has stolen from us is the right not to feel like we’ve lost our dignity when we choose to submit to the leading of a good guy.
Do you have any other thoughts on submission?
To a young couple, or even to an older couple, I would say, before you say I do, would you please make sure that you are going into this relationship with a servant’s attitude? As a wife, you want to do whatever you can so that when this man meets Jesus face to face, he gets to hear from the Lord, “Well done, my good and faithful servant.” He’s going to hear that if you’re the right helper that you should be. And husbands, she is going to hear that if you are washing her with the water of the Word of God and sanctifying her by being the leader to her that God has called you to be. That does not happen by stifling her, causing her to submit in a way that is not healthy. That happens when you encourage her gifts, her skills, talents. … When you help her to hone those talents to see how she can use them for the kingdom of God and in the service of her family, which is our primary and privileged ministry. To submit or not submit becomes the framework from which to build either a good, balanced, strong marriage, or a bad, lopsided, weak marriage.
PLAYING THE GRACE CARD: Oscar winner Louis Gossett Jr. (right) and newcomer Michael Higgenbottom star in The Grace Card.
A Memphis optometrist, his Tennessee church, and a Hollywood legend join forces to tell a story of faith, forgiveness, and racial healing.