Tamela Mann is a Grammy Award winning artist, an actress, and a co-author with her husband David Mann. UrbanFaith contributor Maina Mwaura sat down with Mrs. Mann to discuss her most recent album, her career, and how her faith has led her to be an overcomer through every trial she has faced. The full interview is above.
UrbanFaith Editor, Allen Reynolds, sat down with Gospel artist, entrepreneur, and new author Kierra Sheard-Kelly to talk about her new book Big, Bold, & Beautiful: Owning the Woman God Made You to Be. The book shares Kierra’s experience, wisdom, prayers, and insights in conversation with her faith as she has journeyed from being a young woman to adulthood. Her book is available everywhere books are sold and can be found here. The full video interview is above and excerpts are printed below which have been edited for clarity.
Good morning, everyone. Again, this is another awesome opportunity for UrbanFaith. We are excited to have with us today an absolute gem in Christian life, gospel music, and just our space. It’s an honor to have Mrs. Kierra Sheard-Kelly with us. We’ll be able to talk to her about her new book called Big, Bold, and Beautiful: Owning the Woman God Made You to Be. It’s an exciting opportunity for us.
So I know that you just have so many things that you’re doing. I mean, what a year for you. To be an artist, an actress, and you have gotten married–you just have so much going on in your life. What made you decide to take these thoughts and share them in a book, as opposed to sharing your message some other way?
Yeah, well, first, thank you, Allen, for that warm introduction and the warm welcome. Why did I want to put it in a book? Actually, I’ll say this: it was unintentional. The book was unintentional. This was really a God thing. For me, I was only journaling as a form of therapy, just my way of life. That was my way of seeking the Lord: diving into Scripture, studying Scripture, and learning the depths of what I was reading. And it came out this way.
I find myself just kind of getting answers when I write down things. Sometimes you have a whole bunch of things going through your mind. And so I’ve just trained myself to not miss those moments. Because we believe the God we serve is a Spirit. So sometimes He’ll communicate from within. So that’s literally what I did. And I said, I want to share this with the world. HarperCollins Zondervan gave me the opportunity. And it was an opportunity that was in an email account that I hadn’t been checking. And something told me to check this email–it had to be the Lord. And so now they’ve given me this opportunity to share my story and my therapeutic process that just so happens to have some answers. All along, God had been writing a book through me, and I didn’t know it. So that’s really how it came about. And then I was just able to show [my life from] being single to dating to becoming a wife. We will see if there’s another book that I got to share with y’all.
Wow, for you to be able to take what God was downloading over time and turn it into the book is phenomenal. So you just brought up that journey that you took from dating to singleness to being a married person. And of course, there are a whole lot of young women thinking and wrestling with that, so what would you say helped you prepare to become a married person? Now, on the other side of that journey, which of those lessons was really key?
That’s such a great question. It was learning to just be me, learning how to live with just myself. When you’re able to live with yourself, then that means that you’re compatible. But when you have a problem with yourself all of the time, and it’s always something to do or something to fix, you can’t be still. That is what I had to learn about myself. And [if that’s you], you’re gonna make it hard for anybody to live with you. It was also the conversations with my mother and my grandmother. I spoke about them in the first chapter.
I think, just taking trips on my own, not waiting on anyone–of course, being safe–but not waiting on a man or putting all of it on a man if he’s there or not. And that’s not me being a man basher or anything like that. But it is me just saying that I had to learn to become secure with myself and with the Lord.
God will mold you into this proverbial woman so you’re able to build your home, you’re able to be a companion, you’re able to know when to stop talking. Like this morning, I wanted to respond a few times with something to say to my husband, but I just let him have the last say. I’ve learned to submit or to hold your tongue. It doesn’t make you weak–it actually makes you very strong. It’s almost like strength behind the veil.
So those are some things that I had to learn while I was in my single space. But also, establishing the things that God has called me to do is the long, long answer, and I could go on and on about the preparation that got me to this point. But I can say in a nutshell, it was me just being and trusting God in that process. And then I developed into this woman who could be a wife.
But enjoy. I enjoyed my days, and I had a good time. You know what I’m saying? I even played the game. My Nana told me “Baby, you can date.” Even my dad said, “Don’t put down makeup.” That’s one thing. And I said it in the book. Don’t make a boyfriend a husband if it’s temporary. Don’t try and make a lifetime thing out of that if he’s not in agreement with you. And that was a mistake that I was making, which caused a lot of heartache and heartbreak. So those are some things that I did to prepare.
Well, the presence of [mentors] in our lives makes such a difference. And that’s such a theme that you came back to in your book, talking about how to choose the people around you wisely. And I just kept hearing boundaries. What is one of those key ways that you can distinguish or discern how to draw that boundary?
I had to learn that at a young age, because I couldn’t do what a lot of my friends wanted to do. And I’m sure a lot of us can relate to this–especially as believers–when we’re growing from high school to college, college to grad school, or just college and out. There are some sifting seasons that we go through naturally in every season. And I like to acknowledge the fall season because the leaves have to fall for the new to come. But after fall, there’s a cold season. So I’d like to highlight the fact that it’s not always the summer of everyone’s life. I mean, I know there’s Cali and I know that there is Florida, but you have earthquakes and tornadoes and hurricanes there. So there are some challenges that we have to go through.
But to answer your question directly, I think the way is to acknowledge that boundaries is a part of our reality, both naturally and spiritually. And when you see those signs, don’t ignore the red flags. I’ve had a tendency to ignore the red flags because I wanted to be a loyalist, but there’s a way to be loyal and to learn to compartmentalize relationships. And that’s what I’ve had to learn to do. Because if I can’t exist with people, then I won’t know how to exist in heaven, because I’m not the only one who’s going to heaven.
So that’s how I see it: how can I love people, but re-adjust and say: okay, you know what? This relationship has depth to it, but that relationship is one where we can go to lunch and just laugh, but we don’t need to go no deeper than that. And if there is a moment, I go by God’s leading when He’s authorizing me to go a little deeper.
So I think designing is just having that on, and not ignoring what you feel. There was a chapter that I was going to write in the book, and it was called “The Vibes You Feel,” but we took it out. I don’t know if that’s a book that the Lord is having me to wait on. But we call them vibes. Now in the church, they call them a spirit. And in the street, they call it something else. So I think it really is, when you feel something, understand that it’s the Holy Spirit helping you to navigate through life. He’ll be a GPS for you. And if that is a roadblock, then acknowledge that. I hope that answers your question.
Absolutely. I think that answered a lot of things, and it brought up another good question for me. I know you’re getting your master’s degree in clinical psychology, which is just amazing that you’re doing that kind of work. What are some of the ways, and why is it important for us to maintain good mental health? Whether we’re successful or whether we’re at our low points–a lot of people think it’s only in low times that we need to be concerned. But really, you’ve made it a holistic thing in this book. So why is it important to you to maintain good mental health?
It’s so important because first the Bible mentions it. Whenever the Word mentions something, I’m like, “Alright God.” I take it [because] it’s almost like He’s speaking to me. And there’s a Scripture that we often highlight the latter part of the clause, where it says the prayers of the righteous availeth much, but before that, it says, confess your faults one to another, that you may receive healing. Then it says, the prayers of the righteous availeth much.
When I broke down that Scripture, it was letting me know that confession is a form of therapy. You’re confessing your issues, you’re confessing your challenges, the things that may lodge in your mind–confess those things. And then it says, as you confess them, you’ll receive healing. So sometimes talking about these things and really dealing with them with a valid person, if I can say it that way, because it says the prayers of the righteous. So I like to use that as identifying a therapist, because the Bible also authorizes physicians–people who have studied the science. So, seek professional help. But maybe you’re seeking professional help from someone who has a faith-based background. They will tell you that you need to pray about this, or that’s a spirit you’re struggling with versus a mental disorder you’re struggling with. But I think it’s so important, because the Bible also talks about the emotions that have an effect on our body like jealousy.
So the Lord lets us know that these emotions that have to do with our mental housing can eventually wear and tear on our bodies. And it can overflow into our lives with how we treat people. When we’re tired, some of us get antsy, and we get snappy. We’ll say things with our tongue, because the Bible talks about how the tongue can be like a fire that just hits a tree and it sets a forest on fire. I think it all goes back to mental health.
And then I think, if the Lord speaks to us, and He’s an invisible being, and if your mind is always clouded, and you’re not there mentally, then your judgment and your discernment can be clouded. So that’s why mental health is everything to me, because the enemy will use that against us. And [the enemy] can just weigh us down and keep throwing stuff at us to where we’ll become more anxious. The Bible talks about being anxious for nothing. So if the Word is speaking about it, then I think it’s something that we should pay attention to. And that’s why it drives me. I also have family members who have wrestled or struggled with mental health. So that’s [another reason] why I’m an advocate of mental health. I could go on and on and on.
Yeah, and I love how you connect your faith in the Scriptures to that, because so many people don’t get to hear that we read the Bible, and we may not see it, or we may not hear it spoken about enough. But it’s living in you, and you talked about that so much in this book. And so one of the things that I really like about the book is that in each chapter, you had those Scriptures and those prayers. Why did you decide to do that?
In the dedication, I said something like, I hope that this book blesses other people [like] the book Nana gave me did for me. And that book was Rick Warren’s Purpose Driven Life, which she gave me when I was 18 or 19. I read it at least two or three times, and it just changed my life. It transformed my way of hearing, listening, living. And [because of it] when I went to Bible study, I was more attentive to what my father was teaching. So me seeing what that book did for me [inspired me]. And it has Scriptures in there. I don’t remember if it has prayers in there, but I was happy to dive in deeper into God’s word and really elevate in my relationship with the Lord.
So that’s why I wanted to put those in here. Because we think that, as you mentioned, we think there’s a disconnect when it comes to the faith way of living [versus the practical way of living]. And it ties in together, So that’s why I wanted to give Scriptures, because sometimes we don’t know where to start. We don’t know how to tie these Scriptures to our everyday life. And I wanted to give basically a dose of what my father, Bishop J. Drew Sheard, gives me in a week–and I wanted to give a dose of what I got from Pastor Rick Warren. And then I wanted to give a dose of the home girl approach that I get from my mother, my Nana, and my home girls. So that’s why I wanted to give that, because I felt like it was more digestible.
Yeah. And I think that one of the impacts that it has, as I was reading through, is that it helped us to ground ourselves–not only in who God is–but to see your groundedness. You’re not just up somewhere in a tower sitting there reading your Bible, but you’re living this thing–you’re living out God’s word. And so I want to know, what’s one of the most important memories that you have as you navigated? What are your favorite memories that you have from this book, or that you shared? Something that you had to overcome, or something that really struck you?
I think one of the challenges that I had to navigate–and I spoke about it, I don’t remember what chapter it was – was being young in the recording industry. They only wanted to take pictures from the waist up. And I was like, you know, I want to show who I am. There’s no such thing as me being a big girl and still being fly. And I was younger, but I was also bigger. I think even talking about the experiences with former relationships, where the first thing that they could do was call me a “fat B” or just go like ham with names and words.
The Lord just assured me and had me to see if that’s all you have on me–my look– then I have a reason to celebrate myself. You have nothing to say about my character. And we forget to celebrate those beautiful parts of ourselves, because the world is so locked in and zoned in on what you look like externally. But how do you look internally?
I think that even goes back to the mental health piece. There’s a peace that I have about myself now that no man can move or shake. And that’s not just speaking to men, but that’s man as in humanity in general. I used to be ready to go off, and now I’m just ready to move differently. Like, my father taught me something. He said, Kierra, if people can get you to step outside of yourself, and to step out of what you really want to give in that moment, then they have control of you. And I was like, oh, then that means I don’t have control of myself. So those are some things that I had to get over. Whether people say you are beautiful or not, how will you live your life?
And then me learning to speak up for myself. Like, when they would say, oh, you’re going to just get pictures from the waist up, I had to eventually say, No. I want a full body shot. This is who I am. And it was a challenge. But out of that challenge came peace, security and audacity. And I think that that is so important for us to have, especially because the enemy will use any and everything against you. And if you’re operating with a spirit of timidity, he’ll walk all over you. You’ll just be somewhere stuck in the dark and that’s it. But I made it up in my mind, like, no, yeah, I’m not gonna do that to me, period. That’s it. So that’s the challenge that I had to get over.
Absolutely. And you know, we’re talking so much to young people and young women, especially, [as well as] young men. I as a man was just impacted. I have three daughters, and I’m just thinking about the lessons that they can learn from this book and from your work. And I want to know, what is a message, what’s a takeaway that you would want to pass down for those younger generations and even the young girls?
Man, it is to stand up for yourself, but remain a student [of] who you can trust and know that the village is not just for the child, the villages for you, too. So don’t get so grown for your own good to the point where you can’t listen to anyone. In the Bible it says that there is safety in the multitude of counselors. I think I flipped it, but you get what I’m saying. And I think it is so important that we bask in that part. The Lord speaks through people, and the enemy uses people also. So I would tell them to not be too grown for their own good, because even the Word says that in order to enter into the kingdom, you have to take on the disposition in the heart of a child. [A child’s heart is] innocent, but if I know it all, “can’t nobody tell you nothing.” They can’t even tell you the truth about yourself, because you’re just always on the defense. So that’s what I would tell a young woman.
And I would tell her, “You’re beautiful, and a relationship does not validate that.” A relationship does not give you your identity. You go with your identity to that relationship, and you empower it. You make it into what you want it to be. But I would also encourage young women [by saying] that whoever you connect with is almost a preview of your life. You know, your conversations are almost a preview of your life. So don’t waste so much time. But listen. There are some things that I wish I had listened to that my parents told me as I look [back on] it now. And it’s like golly, I could have saved so much time and so much money. So those are some things that I would tell young women.
Wow. So, this is your opportunity. Is there anything else you want to leave with our audience, Christian young adults all over the country and across the world? Is there any last thought that you want to share from this book or your work? We want to hear from you.
Yeah, I would like to say, as young believers, we kind of feel like outcasts. But remember that we’re living for life after this one. And I know, it can be hard. I know it can be a challenge, especially if we’re single. And [if] we’re, you know, dating and if he’s fine, if she’s beautiful, I’m sure we can get [tempted], I understand. But I want to encourage you that there’s more to life than just that moment. And remember, our goal is to make the Lord smile. So do what you need to do to uphold your standard, to say no. Not just in those sensual moments, but even saying no for your sanity. Like, I’m not even gonna deal with this. I can’t deal with it. You can’t afford to deal with it.
So I’ll stop there. But really download what heaven is saying to do with your life, because tomorrow isn’t promised. And I think when we get that understanding that the carnal man doesn’t understand what the spiritual man understands. I think there’s more to life than bliss, if you understand what I’m saying. So hopefully, that is something.
Each semester I greet the students who file into my preaching class at Howard University with a standard talk. The talk is not an overview of the basics – techniques of sermon preparation or sermon delivery, as one might expect. Outlining the basics is not particularly difficult.
The greatest challenge, in fact, is helping learners to stretch their theology: namely, how they perceive who God is and convey what God is like in their sermons. This becomes particularly important for African-American preachers, especially African-American women preachers, because most come from church contexts that overuse exclusively masculine language for God and humanity.
African-American women comprise more than 70 percent of the active membership of generally any African-American congregation one might attend today. According to one Pew study, African-American women are among the most religiously committed of the Protestant demographic – eight in 10 say that religion is important to them.
Yet, America’s Christian pulpits, especially African-American pulpits, remain male-dominated spaces. Still today, eyebrows raise, churches split, pews empty and recommendation letters get lost at a woman’s mention that God has called her to preach.
The deciding factor for women desiring to pastor and be accorded respect equal to their male counterparts generally whittles down to one question: Can she preach?
The fact is that African-American women have preached, formed congregations and confronted many racial injustices since the slavery era.
Here’s the history
The earliest black female preacher was a Methodist woman simply known as Elizabeth. She held her first prayer meeting in Baltimore in 1808 and preached for about 50 years before retiring to Philadelphia to live among the Quakers.
An unbroken legacy of African-American women preachers persisted even long after Elizabeth. Reverend Jarena Lee became the first African-American woman to preach at the African Methodist Episcopal (AME) Church. She had started even before the church was officially formed in the city of Philadelphia in 1816. But, she faced considerable opposition.
AME Bishop Richard Allen, who founded the AME Church, had initially refused Lee’s request to preach. It was only upon hearing her speak, presumably, from the floor, during a worship service, that he permitted her to give a sermon.
Lee reported that Bishop Allen, “rose up in the assembly, and related that [she] had called upon him eight years before, asking to be permitted to preach, and that he had put [her] off; but that he now as much believed that [she] was called to that work, as any of the preachers present.
Lee was much like her Colonial-era contemporary, the famed women’s rights activist Sojourner Truth. Truth had escaped John Dumont’s slave plantation in 1828 and landed in New York City, where she became an itinerant preacher active in the abolition and woman’s suffrage movements.
Fighting the gender narratives
For centuries now, the Holy Bible has been used to suppress women’s voices. These early female black preachers reinterpreted the Bible to liberate women.
In a skillful historical interpretation of the scriptures, in her convention address, Truth used the Bible to liberate and set the record straight about women’s rights. She professed:
“Then that little man in black there, he says women can’t have as much rights as men, because Christ wasn’t a woman! Where did your Christ come from? From God and a woman! Man had nothing to do with Him.”
Like Truth, Jarena Lee spoke truth to power and paved the way for other mid- to late 19th-century black female preachers to achieve validation as pulpit leaders, although neither she nor Truth received official clerical appointments.
The first woman to achieve this validation was Julia A. J. Foote. In 1884, she became the first woman ordained a deacon in the African Methodist Episcopal Zion AMEZ Church. Shortly after followed the ordinations of AME evangelist Harriet A. Baker, who in 1889 was perhaps the first black woman to receive a pastoral appointment. Mary J. Small became the first woman to achieve “elder ordination” status, which permitted her to preach, teach and administer the sacraments and Holy Communion.
Historian Bettye Collier-Thomas maintains that the goal for most black women seeking ordination in the late 19th and early 20th centuries was simply a matter of gender inclusion, not necessarily pursuing the need to transform the patriarchal church.
An important voice was that of Rev. Florence Spearing Randolph. In her role as reformer, suffragist, evangelist and pastor, she daringly advanced the cause of freedom and justice within the churches she served and even beyond during the period of the Great Migration of 20th century.
In my book, “A Pursued Justice: Black Preaching from the Great Migration to Civil Rights,” I trace the clerical legacy of Rev. Randolph and describe how her prophetic sermons spoke to the spiritual, social and industrial conditions of her African-American listeners before and during the largest internal migration in the United States.
In her sermons she brought criticism to the broken promises of American democracy, the deceptive ideology of black inferiority and other chronic injustices.
Randolph’s sermon “If I Were White,” preached on Race Relations Sunday, Feb. 1, 1941, reminded her listeners of their self-worth. It emphasized that America’s whites who claim to be defending democracy in wartime have an obligation to all American citizens.
Randolph spoke in concrete language. She argued that the refusal of whites to act justly toward blacks, domestically and abroad, embraced sin rather than Christ. That, she said, revealed a realistic picture of America’s race problem.
She also spoke about gender discrimination. Randolph’s carefully crafted sermon in 1909 “Antipathy to Women Preachers,” for example, highlights several heroic women in the Bible. From her interpretation of their scriptural legacy, she argued that gender discrimination in Christian pulpits illustrated a misreading of scripture.
Randolph used her position as preacher to effect social change. She was a member and organizer for the Woman’s Christian Temperance Union (WCTU), which led in the work to pass the 18th Amendment, which made prohibition of the production, sale and transport of alcoholic beverages illegal in the United States. Her affiliation with the WCTU earned her the title “militant herald of temperance and righteousness.”
Today, several respected African-American women preachers and teachers of preachers proudly stand on Lee’s, Small’s and Randolph’s shoulders raising their prophetic voices.
The Forgotten Voices of Race Records: Pullman Porters, the Rev TT Rose, and the ‘Man with a Clarinet’
In the 1920s and 1930s, record sales of black artists were very lucrative for the music industry. As a June 1926 article from Talking Machine World explained:
The Negro trade is…itself…an enormously profitable occupation for the retailer who knows his way about…. The segregation of the Negro population has enabled dealers to build up a trade catering to this race exclusively.
Yet record companies routinely took advantage of the more unschooled, vernacular performers – especially black ones, who were already denied access to broader markets. It was standard operating procedure back in the days of “race music” – the name given to recordings by black artists that were marketed to the black buying public.
“Some will rob you with a six-gun…and some with a fountain pen.” So said Woody Guthrie in his song “Pretty Boy Floyd.”
Bottom line: if record companies could get away with it, there was no bottom line. No negotiated contract to sign. No publishing. No royalties. Wham bam thank you man. Take a low-ball flat fee and hit the road. Anonymity was also implicit in the deal, so many black artists were forgotten, their only legacy the era’s brittle shellac disks that were able to withstand the wear of time.
One of the most prominent early race labels was Paramount Records, which, between 1917 and 1932, recorded a breathtaking cross-section of seminal African-American artists.
In 2013 I learned that Jack White of Third Man Records (in partnership with Dean Blackwood’s Revenant Records) would be putting together a compilation of Paramount’s historic recordings. The project would be a grand collaboration of two deluxe volumes that would contain a stunning 1,600 tracks.
I was part of a team of researchers and writers tasked with unearthing new information about the featured artists and their songs. For me, it was an opportunity to put a face on some of Paramount’s more enigmatic artists. Listening to track after track, a zeitgeist began to coalesce. As voices from the grooves accrued to tell a story of a collective black experience, I came to see these performances as cumulative cultural memory – each track a brushstroke in a painting of a long-forgotten landscape.
Here’s a taste of what I found.
Pullman Porters Quartette
The Pullman Company, manufacturers of railroad passenger cars, was magnanimous towards its African-American workforce. Among other benefits, they provided in-house musical instruction, which included a cappella quartet singing lessons.
The Pullman quartets, I learned, were a franchise: multiple configurations of singers performing concurrently under the company banner. They put on concerts, either performing live on the radio, or on long haul train routes as a form of passenger entertainment. The men who made the records were billed as the “President’s Own” – the working Pullman porters considered the company’s premier lineup.
In the late 1920s, The Pullman Porters Quartette of Chicago recorded a number of sides for Paramount. One tune was “Jog-a-Long Boys,” where they sang of sad roosters and being turned down by widow Brown, the “fattest gal in town.” The chorus went:
Jog-a-long, boys, jog-a-long, boys,
Be careful when you smile,
Do the latest style,
But jog-a-long, jog-a-long boys.
Jog-a-long, boys, jog-a-long, boys,
Don’t fool with google eyes,
That would not be wise,
But jog-a-long, jog-a-long boys.
At first, it seemed as if it were no more than a silly ditty performed in upbeat counterpoint harmony. Then it hit me: they were making light of a horrific reality – specifically, that a black man who dared to smile or even look askance at a white woman was putting himself in grave danger.
Look your best, but don’t forget your place…and just jog along, boys.
Horace George of Horace George’s Jubilee Harmonizers was a showman and an opportunist, a versatile musician who performed in whatever style sold, whether it was novelty gospel, blues, comedy or jazz.
His gospel group cut one record for Paramount in 1924, but he first surfaced as early as 1906, advertised in the Indianapolis Freeman as “the great clarinetist, comedian, and vocalist.” A few years later, George found himself in Seattle as the “Famous Colored Comedian…who gives correct images,” and later as the “Man with the Clarinet” in a touring black vaudeville troupe, the Great Dixieland Spectacle Company.
In the late 1910s, a black newspaper – the Indianapolis Freeman – called Horace George “a novelty on any bill.” The novelty? He could play three clarinets at once!
Rev TT Rose
Beyond the rollicking piano-driven gospel sides he cut for Paramount in the late 1920s, nothing was known of Rev T T Rose. Rose’s “Goodbye Babylon” was the title track of Dust-to-Digital’s 2004 Grammy-nominated collection, Goodbye, Babylon. It was also inspiration for a rock ‘n’ roll tune by the Black Keys. And Rose’s recording of “If I Had My Way, I’d Tear This Building Down” – later performed by artists ranging from Rev. Gary Davis to the Grateful Dead – is one of the earliest known recorded versions of that song.
Rev Rose’s personal story was the most heartening of all. He lived in Springfield, Illinois, and I located his 90-plus-year-old daughter Dorothy, who described her father as a man on a mission to end racism and institutionalized segregation.
As a child, Rose had witnessed the aftermath of the infamous 1908 Springfield Race Riots, an event that precipitated the formation of the NAACP. In the late 1920s Rose moved from Chicago to Springfield, in order to minister the city’s black community.
In an oral history recording, Rev Rose described Springfield as “just really a type of Southern town” with an “overpowering resentment of the Negro…distrust and the fear that the Negro might someday become stronger.” When he returned to Springfield, he observed that the time that had elapsed since the race riots was “a very short span of time to erase all the scars and the prejudices and the hate that was engendered…in that very unfortunate affair.”
It was a hate, he continued, that “Kind of hung like a cloud from an atomic bomb over the whole neighborhood” causing the black citizens of Springfield to go “into themselves quite a bit.”
After his short recording career with Paramount in the late 1920s, Rev Rose went on to become a regional bishop in the Church of God in Christ. He recorded because he thought songs could both uplift and spread messages of hope and perseverance in the struggle for Civil Rights. When he sang “If I Had My Way,” it’s clear that the building he wanted to tear down was no less than the edifice of racism.
Lord, if I had my way,
Oh Lord, if I, if I had my way,
In this wicked world, if I had my way,
God, knows I’d tear this building down.
This article was originally published on The Conversation.
The 58th Grammy Awards were everything we expected filled with great music, interesting acceptance speeches (Taylor, we’re looking at you.), and phenomenal live performances. And in case you missed it, here’s a recap on which of your favorite gospel artists walked away with the highest honors during music’s biggest night of the year.
“Destined to Win [Live],” Karen Clark Sheard
“Living It,” Dorinda Clark-Cole
“One Place Live,” Tasha Cobbs
“Covered: Alive in Asia [Live] (Deluxe),” Israel & Newbreed- WINNER
“Life Music: Stage Two,” Jonathan McReynolds
“Worth [Live],” Anthony Brown and Group Therapy
“Wanna Be Happy?,” Kirk Franklin- WINNER
“Intentional,” Travis Greene
“How Awesome Is Our God [Live],” Israel and Newbreed featuring Yolanda Adams; Neville Diedericks, Israel Houghton and Meleasa Houghton, songwriters
“Worth Fighting For [Live],” Brian Courtney Wilson; Aaron Lindsey and Brian Courtney Wilson, songwriters
Contemporary Christian Music Album
“Whatever the Road,” Jason Crabb
“How Can It Be,” Lauren Daigle
“Saints and Sinners,” Matt Maher
“This Is Not a Test,” Tobymac- WINNER
“Love Ran Red,” Chris Tomlin
Contemporary Christian Music Performance/Song
“Holy Spirit,” Francesca Battistelli- WINNER
“Lift Your Head Weary Sinner (Chains),” Crowder; Ed Cash, David Crowder and Seth Philpott, songwriters
“Because He Lives (Amen),” Matt Maher
“Soul on Fire,” Third Day featuring All Sons & Daughters; Tai Anderson, Brenton Brown, David Carr, Mark Lee, Matt Maher and Mac Powell, songwriters
“Feel It,” Tobymac featuring Mr. Talkbox; Cary Barlowe, David Arthur Garcia and Toby McKeehan, songwriters
Roots Gospel Album
“Still Rockin’ My Soul,” the Fairfield Four- WINNER
“Pray Now,” Karen Peck and New River
“Directions Home (Songs We Love, Songs You Know),” Point of Grace