UrbanFaith Editor Allen Reynolds interviewed Jon M. Chu, director of the blockbuster movie Wicked featuring Cynthia Erivo and Ariana Grande. The full interview is above. The move is in theaters everywhere. The trailer is below.
Red One from Warner Brothers and MGM Studios is now in theaters everywhere. It stars Dwayne “The Rock” Johnson, Chris Evans, J.K. Simmons, and Lucy Liu and is every bit of the action adventure movie you would think of bringing together this experienced cast. Red One goes after the question: Can Santa Claus be cool again for older kids? And Red One answers with an emphatic yes.
As a father and a minister I have to say up front that this is not a movie for younger kids, nor is it in anyway a reflection of the true meaning of Christmas, which is to celebrate the birth of Jesus Christ. This movie is about as far away from putting Christ in Christmas as you can be. It doesn’t even have the normal general Christmas movie themes of giving, love, family, or faith. Instead Red One has a different mission: showing how cool Santa Claus can be.
I saw the movie in 4DX with my daughter and if you have a chance do that, you should absolutely take the opportunity. Watching a movie in 4DX is like going to an amusement park. It is a fun ride combined with a fun film. My ten year old loved it and it made Santa cooler than she had ever seen him portrayed.
Red One pulls from the German mythology around Santa Claus including witches, monsters, elves, magic, and of course lists and gifts. The Rock and Chris Evans are exciting and entertaining as they battle bad guys, joke with each other, and try to save Santa who the surface looks like he can save himself. The acting is great as one would expect it to be, and the action is greater. If you are looking for a movie to enjoy with your older children this holiday season, this is a great time.
I would not recommend Red One as a Christian, I would not recommend it for my younger kids, but I would recommend it as an action fan. It has scary moments, a decent amount of profanity, and a lot of action violence but nothing unfamiliar to fans of superhero movies. Red One makes Santa and the ELF (you’ll get it if you see it) into superheroes and reminds us that we can’t judge a book by its cover or a person by their past.
SAN DIEGO, CALIFORNIA – JULY 25: View of costume display during The Lord Of The Rings: The Rings Of Power SDCC Press Preview Event at Venue 808 on July 25, 2024 in San Diego, California. (Photo by Jerod Harris/Getty Images for Amazon MGM Studios)
The following review is a reflection on Lord of the Rings: Rings of Power Season 2 episodes 1-3 on Prime Video. The opinions shared are those of the writer and do not necessarily reflect those of the publisher. You can stream Rings of Power on Prime Video.
I am a huge Tolkien nerd. After I dipped my toes into the fandom briefly when I was 8 and 12, the Peter Jackson movies came out when I was in high school and it became my thing. I doodled messages using Tolkien’s invented alphabets. I wrote fanfiction. I wore costumes. In recently years, I’ve even given lectures teaching Elvish. I’m in this for the long haul. I deeply love the things that Tolkien deeply loved: trees, languages, and a yearning for that better place of legend somewhere across the water (whether the Western Ocean or the River Jordan). I often wonder if that is why the Rings of Power showrunners are in it. Are they telling us these stories, using Tolkien’s world and characters, because they love them deeply? There is much to discuss in and about Middle-earth. What questions will the showrunners pose? What stories will they tell?
The first three episodes of The Rings of Power’s second season follow returning characters from all the different races of Middle-earth as they explore the dangers and mysteries the previous season left them with.
Morfydd Clark as Galadriel
The Elves:
Three Rings of Power have been made. Now, the Elves face a moral quandary. Do they use a tool that might have been corrupted by the enemy, a tool by which he could possibly corrupt them? Elrond would not. He would let the Elves fall before chancing corruption. Satan has touched so many things in this fallen world. So often we think we see him in something new, but is that true or just our fear talking? When jazz was new, it was “the devil’s own music.” Lightning rods were once thought to be satanic. Lightning bolts were obviously the finger of God’s wrath, and who were we to try to divert that wrath from its intended target? Time has proven that thought to be folly rather than wisdom. Other actions and systems are still up for debate in many circles. Is astrology inherently corrupt and corrupting? Is drinking? Is politics? Paul tells us that all things are permissible, but not all things are beneficial.
Elrond, Galadriel, Círdan, and Gil-galad have their only own ancient wisdom to cling to. Hopefully they will truly, vulnerably listen to one another. We see Galadriel come around to embracing the wisdom of Gil-galad, even though it means admitting her own weakness. Hopefully she will also take Elrond’s wisdom to heart when her time comes to face Sauron again. To whom do you turn for wisdom? Our own community of faith includes those in the pew next to us each Sunday, the church universal, and the great cloud of witnesses from all ages past. The powerful tools of Scripture and prayer also help us toward wisdom when used wisely themselves.
Celebrimbor, however, is isolated from the other elves. When Sauron (still disguised as the man Halbrand) arrives, he talks his way back into Celebrimbor’s good graces. Sauron, like our real enemy, is a deceiver. He understands what drives people in their hearts. Rather than choosing to use this empathy for good, Sauron uses it to gain power over others. He plays on Celebrimbor’s vanity and fear. Celebrimbor fears being forgotten, since he is a smith and not a king. The elf fears living forever in the shadow of his grandfather’s artistic legacy. Sauron commiserates with him about how artists are so often forgotten, and promises him the chance to do even greater things. If only Celebrimbor would recognize those “greater things” Sauron guides him toward are only in service to the deceiver himself! Alternatively, we see the kinds of work Celebrimbor does apart from evil guidance. He makes ithildin, a magical metal that is invisible except by the light of the moon. It is mysterious and beautiful, a marvel in its own right. But it will not grant Celebrimbor power, so he dismisses it in lieu of making more rings.
Sophia Nomvete as Disa; Owain Arthur as Prince Durin IV
The Dwarves:
The Dwarves of Khazad-dûm are as stubborn as the stones that surround them. An argument at the end of the previous season has left King Durin III and his son Prince Durin IV estranged. The prince’s wife Disa gives both Durins earfuls trying to persuade them to talk to each other. Even if Prince Durin was less incorrect in the original offence, Disa points out that he is in the wrong now, for letting this argument go on for so long. When King Durin calls his stubbornness strength, she agrees: “I imagine it does take strength to carry a grudge so heavy, to keep your wounded heart so tightly bound it can barely beat.”[1] No wonder Khazad-dûm feels some seismic activity in these early episodes, with Disa dropping so many truth bombs.
The Númenorean Men:
In the 1950s, Tolkien tried his hand at writing a sequel to The Lord of the Rings. Set one hundred years after the War of the Ring, the Men of Gondor faced a rising undercurrent of unrest as some men tired of doing good. There was to be a plot to supplant the king, which the good guys would need to foil. Tolkien said it could have been quite a “thriller,” and therefore “not worth doing.” He knew the kind of story it would have turned out to be and consciously decided not to include it in Middle-earth.[2]
Now we have the Númenorean storyline in The Rings of Power. We see quite the political intrigue as Pharazôn positions himself opposite his cousin, Queen Regent Míriel. Their positions are not clear, though, except that Míriel is a traditionalist while Pharazôn wishes to make a new Númenor. But what traditions is she actually upholding? What traditions does Pharazôn want to subvert? Tolkien’s Númenoreans might have done better to neglect a few traditions, but Míriel is the one shown sympathetically. Pharazôn seems to be able to get Míriel to do what he wants most of the time, so why the subterfuge? Amid this confusion, episode three climaxes with a political stunt Pharazôn set up with his supporters to make Míriel seem weak and duplicitous. I’m sure this season’s story of Númenorean politics will prove to be quite the thriller. And therefore, a story that wasn’t really worth doing.
Charlie Vickers as Annatar; Charles Edwards as Celebrimbor
The Bad Guys:
The first episode’s prologue shows us how Sauron could’ve chosen to do good and to be good. He had that choice every day. This is a good lesson, but I am suspicious of the showrunners. No one watching thinks Sauron will be good. Why did they spend so much time showing us he definitely chose to be evil? Will they waste time exploring this further this season, or was it just to answer a lingering doubt from season one?
Perhaps they linger on this aspect of Sauron’s story to tie it back to Galadriel’s. After all, we shouldn’t apply this lesson only to our enemies. Elrond questions Galadriel along similar lines: she has rejected glorious light before; is there darkness in her heart? Just as any person of great evil could any day decide to do good, any day any good person could decide to do evil.
The show most deeply misses the point of Tolkien by indulging in a morbid fascination with evil. Isildur’s escape from the evils of the “Black Forest” is at least more Tolkienesque, as he is fighting giant spiders (a staple of Middle-earth evil). Outside that sequence, though, there’s so much blood and gore. Black-worm-blob-Sauron is an excellent visualization of evil. So excellent I will have nightmares for days. The camera lingers on a sea monster, a warg, orcs stabbing things and being stabbed; so much time is spent on monsters. Just to marvel at it being wicked cool and gross. Tolkien is about marveling at the simple beauty of nature or the angelic beauty of elves. The first episode has no joy, nor love of beauty in it at all. Except briefly with Nori and the Stranger.
Markella Kavenagh as Nori; Megan Richards as Poppy; Daniel Weyman as The Stranger
The Stranger:
One reason Tolkien did not pursue publication of The Silmarillion in his lifetime was that there were no hobbits. Hobbits are the audience-insert characters, the ones that keep the story grounded. The Silmarillion has been called the “Old Testament” of Middle-earth. For indeed, without hobbits—lo!—Tolkien’s prose abounds with thees and thous, begetting and forswearing, and everything has the cadence of King James’ English. He soars into the high beauty of the elves, neglecting his equal love for natural landscapes and plain simple country-folk. Likewise, the show gets wound up in its own drama, mystery, and exploration of evil, until it remembers the Harfoots (Harfeet?) and the Stranger they have befriended.
The Stranger struggles to remember or figure out who he is and what he is here for. He misses a home he can’t remember, one that’s “just beyond the sunset,”[3] and so do we all who sojourn here, strangers in this land when our citizenship in heaven. He does not remember his name, but he knows he already has one. That name is already part of him, even if he has forgotten it. He will not let even Nori give him something so powerful as a name. He will wait and search for that power within himself (he knows it’s there somewhere!), rather than let someone else override it. Nori’s solution to the problem is simple, easy, and good-natured; she wants to help her friend. But if the Stranger accepted Nori’s name for him, it would be a rejection of his true potential. Friends can indeed help us remember who we are when we forget, but don’t let even your friends decide who you are for you, when neither of you know for sure.
Final thought:
Providence is a great theme in The Lord of the Rings, but will it be in this show? Sauron just happens to meet a kind old man. Then he just happens to meet Galadriel. Círdan just happens to glimpse the Rings because a wave just happens to startle him. Will we see that these “coincidences” were the providential work of the Valar, those angelic servants of Ilúvatar All-Father? Will we see how the millennia-long arc of Elven history bends toward justice?
[1] Rings of Power, episode 2.2, “Where the Stars are Strange.”
[2] J.R.R. Tolkien, “The New Shadow,” ch. 16 of The Peoples of Middle-earth. The History of Middle-earth, vol. 12. Christopher Tolkien, ed.
[3] Rings of Power, episode 2.3, “The Eagle and the Sceptre.”
UrbanFaith sat down to interview Aaron Cole, a Christian rapper and singer who started out as a teenager and is now claiming his place as an up and coming star. His new album Sorry I Changed (Again) was just released and he wonderfully balances relevance with authenticity all while being faithful. More about Aaron is below.
25 year-old Aaron Cole started rapping when he was just three years old. Since then, he’s garnered the coveted Dove Award for New Artist of the Year, held 3 #1 singles on the Billboard Christian HOT AC/CHR chart and has had multiple sync uses including promos for ESPN and Fox Sports. His songs have also been featured in the Netflix original series, “On My Block” among other prominent sync placements.
Named “One of 5 Top Gospel Artists to Watch” by Essence Magazine, Cole’s musical journey included releasing six independent projects prior to his signing with Gotee Records. The Bristol, VA, native was then introduced to multi-GRAMMY-award-winning producer and artist TobyMac, who has been working with him ever since.
“Aaron Cole is where it’s going, He’s a natural,” TobyMac said. “He wakes up and breathes songs that are culturally relevant, but ever aware of the spiritual. He just gets it. He has a deep love for God and a love for people that organically works its way into the lyric. The Lord has blessed him with a deep well of talent, yet he grinds like he’s ungifted. That’s a rare combination that I will lock arms with anytime, anywhere.”
Aaron released his third major-release album called Sorry, I Changed earlier this year, which includes the featured singles “SBTN (feat. Kirk Franklin),” “Proof,” “I Love It,” “Tables Turned,” and “Have Your Way.” The Deluxe edition Sorry, I Changed (Again) was just released last month. The single “Have Your Way” is out at gospel radio and samples the Carl Thomas R&B hit “I Wish.” His album encompasses the versatility he’s known for, both rapping and singing, reflecting on major changes and challenges he’s come through faith, including dealing with the loss of loved ones, family matters, getting married, and the importance of how to navigate changes to embrace continued personal growth.
In Season 2 of Lord of the Rings: Rings of Power on Prime Video, there is a glimmer of hope in the midst of great darkness as the dark lord Sauron rises and the Harfoots, Men, Elves, and Dwarves struggle for power to restore Middle Earth.
Markella Kavenagh as Nori; Megan Richards as Poppy; Daniel Weyman as The Stranger
UrbanFaith Editor Allen Reynolds sat down with Daniel Weyman, Markella Kavanaugh, and Megan Richards who play The Stranger, Nori, and Poppy respectively, to talk about this new season’s themes and the trio of hope they bring to the series.
Sound of Hope: The Story of Possum Trot is a film based on the incredible true story of the Martin family from Possum Trot, TX. The husband and wife team of Bishop W.C. Martin and Lady Donna Martin ignited a movement in their small town to adopt 77 children from the foster care system and fostered over 20 themselves. We at down with Nika King who plays Lady Donna to talk about the film and her own reflections on faith and advocacy. The interview below has been edited for length and clarity. Sound of Hope will release in theaters July 4!
Allen
Alright, well thank you so much for the time, Nika. Sound of Hope: The Story of Possum Trot explores the themes of faith, community, and perseverance. And you played First Lady Donna Martin in the film. Can you talk about how she contributes to those themes of faith and community and perseverance in the film?
Nika
Well, first lady, Donna Martin, she received what I’d like to say the call. You know, she got the vision first from God to be an advocate for these vulnerable kids who, you know, were suffering and going through horrible situations. And based on the script and based on what I know, it wasn’t an easy decision because she had to convince her husband as well as her church and community to go on this journey with her. So she’s definitely a pivotal character in this story because without her, there is no moving. There is no sound of hope. You know, there is no possible faith story.
Allen
Right, which is, it just makes so much sense because that’s how our communities work, right? Can you talk about what impact or message you want audiences to get from this film?
Nika
The main message I think most people will leave the theaters with the sense of is faith. We talk a lot about faith as believers and I think sometimes your faith is tested, sometimes you have doubt about a situation or a career or a job. And I think this film really touches the heart of what faith truly is. And I think for me, you know, I can only, I can speak from being an actor as well as being a believer. You know, faith is everything for me. It’s my currency. It’s my cash app. It’s my Zelle, my Venmo. It’s the things I see and the things I don’t see, the things I touch and the things I can’t touch. So I have to really lean on that. And in the film, I think a lot of the characters go through their own journey of what faith looks like at different times in their lives.
Allen
Absolutely. Particularly your character, Donna, I mean, she stands out. You said she’s the first lady. Can you talk about what drew you to her as a character in the film?
Nika
Well, first and foremost, the script was amazing. I immediately wanted to be a part of it. And I let my mom read it because this is my mom’s story. Her mom’s mother was murdered when she was very young, which is still a cold case. And she, as well as my three uncles ended up in foster care. And so eventually, they were adopted by a pastor and his wife, and they were brought up in the church. And so, what immediately grasped me was the idea of playing this very strong woman who literally changed people’s lives and did so with such a burden in the midst of such chaos. I think we also have to understand that this is not an easy thing to do, but if we are truly God’s people, and we’re truly called by God, we have to take care of the vulnerable and in the widow. And this is a calling that, thank God, she didn’t ignore and that she basically was obedient to. And here we are 20 odd years later, and we have a film that the world is going to see.
Allen
And absolutely, you talk a little bit about calling. You recently you Spoke at Better Together, the mental health storytelling summit, you founded this nonprofit organization Rose of Sharon. How does your personal experience with mental health challenges shape your work as an actor and now an activist and your sense of calling and doing both of those things?
Nika
I grew up in a very rough part of Miami. And my childhood by I mean, listen, you know, my childhood wasn’t the best. Let’s just say that my mom was also an addict. She also dealt with mental health [issues]. Rightfully so, right, when You grow up in this world, not knowing who your mother is, not having a relationship with your father until later in life? So for me, it was important to attempt to break generational curses. I didn’t know what was happening as it’s happening. But now in hindsight, looking back, I see that God positioned me and put me in a situation where I was able to use all the pain and all the hurt and everything that I had gone through as a child to bring such powerful dynamic characters to life. And I always say, “hey, I’m glad I worked out that way.” I was able to use it to show people that these wonderful characters like First Lady Donna Martin and like Leslie Bennett on Euphoria, to really show that black women are really the matriarch of our families. And if they’re not well, then the family isn’t well.
Allen
And I love just how you’ve talked about your mom. And it seems like you’ve really gleaned a lot from her and really value that transmission from generation to generation. What advice would you give to aspiring actors or filmmakers or folks who want to tell stories even in our churches that are meaningful and impactful like sound of hope?
Nika
I would say don’t spend too much time trying to be something that you think Hollywood wants. I spent most of my time in LA, you know, 20 plus years molding myself into what I thought I needed to be. And in reality, I was everything I needed to be already because I had God. You know, the gifts and the talents that I had were God given. Nobody gave me talent. I went to class. I studied. I did the work. But ultimately, the Most High was my guiding light. And so I decided from here on out to only do projects that glorify him. Now, that’s not going to be easy. You know, they may be far and few in between, but I know that I have enough talent and creativity and I can do anything that I put my mind to because the most high is on my side. So, I would tell people to really find your voice, spend more time finding your voice than trying to be in a box because they’re going to put you in a box. So find your voice and let God guide you to projects because I’m telling you, it will happen if you if you surrender to that.
