Black History 365 includes originally composed music by Grammy-nominated producer Dr. Kevin “Khao” Cates, who has worked with notables such as Jay-Z, the late Nipsey Hustle, and Ludacris. This snippet of video is from a webcast about the project.
Dr. Walter Milton, Jr., remembers the shame he felt back in elementary school when his teacher announced to the class that they were going to learn about Black history and then started with slavery. He said he wanted to hide under the table. But later when he returned home that night, he also remembers the impact his parents had on his spirit when they explained that African Americans are descendants of ancient kings and queens. Dr. Milton and his partner, Dr. Joel Freeman, want other children to have that same impactful, eye-opening experience about Black history and that’s why they created the Black History 365 education curriculum.
“We want to give the students this whole experience about the Moors, the hunting, fishing, gathering, agriculture, all these different aspects how the civilizations began throughout ancient Africa,” said Dr. Freeman, who has included his personal photo collection of artifacts from Africa in the curriculum. “So, there’s images from the collection, where I’ve had people of African descent say, ‘Wow, I almost feel like I’m in that picture. I see my ancestors. I see myself there.’”
Both Milton and Freeman have strong educational and professional bonafides to take on a mission of bringing Black history to life in an innovative and technological way that will capture the heart and spirit of a new generation. Milton served as a school superintendent for twelve years in the states of New York, Michigan, and Illinois, and he taught at several universities across the United States. He’s also published several books addressing issues related to Black parents, schools, and education. Freeman served as player development mentor and character coach for the Washington Bullets/Wizards For 20 NBA seasons. He has also worked with the Association of International Schools for Africa (AISA), traveling extensively throughout the continent of Africa and conducting a number of training events for educators, government, and business leaders. Genuine documents and artifacts from Dr. Freeman’s personal collection have been showcased in exhibitions at the United Nations, White House, and Clinton Presidential Library.
“I met Joel when I was a superintendent back in Springfield, Illinois,” said Milton, adding that a friend of his insisted that he’d have a lot to talk about with the historian, who he called a “brother, but not a brother.” Milton was perplexed. “He’s a white guy? I said, okay, a white guy with Black history. No problem. So Joel and I met each other and the rest is history. He was one of the first persons that I called to start this project,” said Milton.
A Peek Inside Black History 365
When you first see the Black History 365 curriculum book, it looks like any other textbook. But take a peek inside and that’s where the ordinary becomes extraordinary. The artifacts from Dr. Freeman’s collection are sprinkled throughout the beautifully designed schoolbook, which begins with a chapter on Ancient Africa and ends with George Floyd. Students can scan QR codes with their smart phones that lead to originally composed music by Grammy-nominated producer Dr. Kevin “Khao” Cates, who has worked with notables such as Jay-Z, the late Nipsey Hustle, and Ludacris. Cates has a doctorate in education and through his own educational program called Bridging Da Gap, he has produced more than 600 songs for K-12 grade levels. The music is meant to engage listeners, but the QR codes also link to relevant people and places related to the subject matter. The eBook version of the book will have music and videos embedded right in it, no WIFI needed. An app is in development, too, as a way to integrate current events.
“Everyone around the country who downloads the app will get a spritz of information every morning. And then it creates this technological ecosystem where a teacher can start a class with that,” said Dr. Freeman. “Hey guys, what did you think about what you saw this morning…at the dinner table…in the grocery store? Whatever it might be, it can be sparked with these conversations.”
That said, the opportunity to bring in conversations is already a staple in the book. The “Elephant Experience” is a sidebar area to the core content of the text. It represents an opportunity to talk about hot topics that are often not so easy to discuss. In other words, the “elephant in the room.” The co-founders wanted to provide a resource that would invite students, educators, parents, and anyone else who engages with the material to become critical thinkers, compassionate listeners, fact-based and respectful communicators, and action-oriented people with solutions.
“One of the things we wanted to do with this elephant experience is deal with topics like three fifths of the human being and reparations. What about tearing down statues? And are we in a post-racial society since we had a Black president for two terms? Did Africans sell Africans into slavery? Topics that people butt heads about or talk past each other or just unfriend each other on Facebook,” said Dr. Freeman.
The Black History 365 project has expanded beyond the talents of Dr. Milton, Dr. Freeman, and Dr. Cates. The team now includes 30 additional expert educators, trainers, and instructors. Learn more at BlackHistory365education.com.
So another Black History Month is here, and for artists, writers, musicians, and other creative types that hail from the Black community, it’s an opportunity that comes with a burden.
February is a time when your workplace, school, or church might be more open to forms of artistic expression that highlights the achievements of Black people, particularly for those of you who live and/or work in a predominantly White community. And while it’s obviously a great opportunity to highlight the best of our tradition as a community, it also means that from an exposure standpoint, it’s an opening to get your songs, poems, plays, or paintings seen and heard by people who might be able to support you financially.
But the burden is the challenge of successfully executing your art without being swallowed whole by the bitterness of the struggle. I mean, let’s just be honest: struggle might be the catalyst that serves to incubate powerful works of art, but it’s terrible as a sales technique. No one can alienate their audience through their art and simultaneously persuade them to become financial supporters.
The truth is, we’ve come a long way as African Americans. No longer are we restricted to the kinds of gigs and roles that kept us docile and subservient in the minds of the majority. In recent years, there has been a greater level of visibility to the everyday struggle that Black Americans endure, and it’s also helped place a premium on authentic Black art that helps to articulate that struggle.
Still, if we’re not careful, we’ll fall into a false dichotomy, where we feel like either we must keep it fully 100 at all times with our art, or we’re selling out for the money.
But there’s a middle ground.
Discerning the Difference
Ten years ago, I was in a hip-hop duo traveling to a Christian camp to do a concert for a bunch of youth from the inner city. When I arrived onto the campus, I headed to the most logical place for music performance—the chapel.
As I walked into the chapel, I walked up to the sound booth, and told the guy that I was with the hip-hop group that was supposed to perform. He gave me this blank stare, so I thought, “Hey, it’s loud in here, so maybe he can’t hear me that well.” I tried again, a bit louder.
“I’m with the Iccsters… y’know, the hip-hop group.”
Again, he gives me this confused stare. And then he says, “This is Christian camp.”
Right then and there, I almost lost it. I could tell that he didn’t really mean to say anything offensive to me, but it was like all the years of being stereotyped as a young Black man, overlooked and misunderstood as a rap artist, all the times hip-hop had been blamed for all of society’s problems—by other Christians, no less!—almost overwhelmed me. I wanted to set him straight and tell him that there are Christians who perform hip-hop, and his assumption was shortsighted, racist, and insulting.
But I had somewhere to go, so I swallowed that rage, walked out of the room, called my contact, and located my actual destination (a different building with a smaller setup).
Often, when I’m invited to share hip-hop as a form of worship music and find myself in spaces that remind me of that day, I’m tempted to go back to that moment, tap into that rage, and give the audience a piece of my pain.
The wisdom and maturity of age helped me learn how to posture myself, not as someone with an axe to grind, but as someone with something of value to share. And when I share my pain, I do it with an eye toward giving others an opportunity to join me in my struggle, instead of guilting them for not already being onboard.
Sometimes God calls us to stand up and fight; other times, He simply gives as an opportunity to share who we are and how we got here. As an artist, my prayer is for us to flip the script and learn to discern the difference.
Around the Web: Critical Race Theory still stirring emotions; Pastor Warnock misunderstood; Obama responds that he didn’t do enough for Blacks, and more…
Politics
Coalition of Black pastors slam Loeffler campaign ads as a ‘broader attack against the Black Church’ (CNN)
Two Prominent Pastors Break With SBC After Critical Race Theory Statement (Christianity Today)
A response to critiques of Rev. Warnock, Black theology, and the Black Church tradition (Baptist News Global)
“…herein lie buried many things which if read with patience may show the strange meaning of being black here in the dawning of the [Twenty-First] Century. This meaning is not without interest to you, gentle reader; for the problem of the [Twenty-First] Century isthe problem of the color line.”
Thanksgiving has arrived and that can only mean one thing. African Americans across the nation are about to enjoy some delectable soul food. A colleague from seminary asked me a seemingly simple question one day: What is the soul? To really understand my struggle with this query you have to appreciate my background. While attending a majority white seminary, it’s safe to say that I had a bit more melanin than some others. My flesh tone was a hue that resembled many from our historical past who were considered African Americans or Negroes.
He asked a question that evoked thoughts of pride as I pondered my godly heritage. Soul (at least from my perspective) was inextricably interwoven in my DNA. Soul music from the Harlem Renaissance resounded within as I began to recount the great jazz artists of the time (ranging from Cab Calloway to Duke Ellington). I thought of the great James Brown, who is deemed the “Godfather of Soul.” If anybody knew soul, it was my people. And soul in the African American community wasn’t just limited to melodic harmony and sound. Soul had a significant role in food preparation. Soul food, as we know it in this country, originated in the African American community. This delectable culinary genre included a wide range of items including, but not limited to, collard greens, ham hocks, pig’s feet, pork neck bone, fat back, and chitterlings a.k.a. pig intestines. (If that last sentence didn’t make you hungry, please check your pulse.)
During an oppressive era beginning in the late 17th century, slaves were afforded the “opportunity” to have the leftover pig parts from their masters’ tables. This normally included the parts the slave masters felt were unfit for human consumption. The slaves took them, carefully cleaned them, salted them up to make them flavorful, and served them to their families. As a result, soul food became a staple in the African American slave community.
So an inquiry about my soul transposed the generally perceived idea of soul in society (and the Christian community generally). It involved retained customs and traditions that accompanied thousands on an infamous Trans-Atlantic journey hundreds of years ago. When my colleague asked that question about my soul, many images, tastes, and sounds came to mind.
“One ever feels his twoness, — an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.” —W.E.B. DuBois, The Souls of Black Folk
Despite those elicited proud images of soul defined in my own experience, I can appreciate DuBois’ “twoness.” I live it out every day. There is a soul dualism that perpetuates itself. I am both an American and a Negro. For many, this is a comfortable idea. However, in reality this duality presents two warring ideals that have a profound impact on the way I live my life. Even in a seminary, where a majority of the books read were by white, middle-aged men, this duality impacted my experience. I’m quite sure this twoness had some role in issues presented in the “Jena Six” and Trayvon Martin stories. Both painted portraits of cities that still have some “color line” issues. When a group of black boys respond violently to a “noose” incident in a schoolyard, how could one not surmise that color line issues are still prevalent in society? When distrust of a local Central Florida Police Department mobilizes thousands of African American, how could we question the existence of the color line?
As I sat on the seminary campus and reflected, I realized that it was this twoness that led me there. I figured out that it wasn’t enough to say that I casually associate with people outside of my own ethnic group. Instead, I wanted to be able to experience community, fellowship, and dialogue with people who did not share my ethnic background. As I walked from class one week, I stopped to have a conversation with one of my classmates. We spoke about diversity and its real meaning for our seminary (and the Church generally). We both explained frustrations with tossing around diversity labels without authenticity. During our conversation, I had to apologize for assuming that he understood what I was talking about when I mentioned the acronym HBCU (Historically Black College and University) or when I spoke freely about tendencies in black church leadership.
Ultimately our conversation reassured me that there are others who wrestle with duality of the soul (whether a white Christian trying to genuinely understand other cultures or a minority Christian doing the same). I have learned that some people want to be able to function in that “twoness” to better understand others outside of their culture. Isn’t the body of Christ called to this kind of unity and understanding? Will we stand by idly as the color line widens? If the Church isn’t called to unite how can we expect it from a fallen world?
So as I lay into some Soul Food this holiday season, I remain grateful. I am grateful for the African American story. I am appreciative that my life is being grafted into a story of struggle and triumph. But the soul “twoness” is ever present. Reminding me that our story as a people is tied into God’s greater story of redemption. And for that I am thankful. Now pass me those collard greens.
Since 1985, the month of October has become known throughout the United States as Breast Cancer Awareness Month. During this annual health campaign, charities, hospitals, retailers and others commit to raising funds earmarked for programs that aim at discovering a cause and a cure for breast cancer. Many of these programs also focus on helping women learn what they can do to minimize their risk of ever developing breast cancer in the first place.
Which would you rather do—reduce your risk for breast cancer or race around hoping for a cure? Most women, quite sensibly, would rather reduce their risk for breast cancer as much as possible. So what can you do to reduce your risk? Well, there are at least six strategies that are known and proven to reduce the risk for breast cancer: exercise regularly, maintain ideal body weight, avoid smoking, avoid alcohol, avoid oral contraceptives, and avoid hormone replacement therapy. Let’s take them one at a time. But before we dive into them, let’s first take a look at some important breast cancer facts as they relate to African American women.
According to the American Cancer Society (ACS), breast cancer is the most commonly diagnosed cancer among African American women and is the second most common cause of cancer death among African American women right behind lung cancer.
In addition, Breastcancer.org reveals on its website that while white women are slightly more likely to develop breast cancer than African American women, breast cancer is more common in African American women than white women in those under the age of 45. Research also indicates that Asian, Hispanic, and Native-American women have a lower risk of developing and dying from breast cancer than African American women. So, why is breast cancer so much more common — and deadly — among African American females?
Scientists are not certain why this is the case. Early studies suggested that African American women have, on average, fewer healthcare resources at their disposal. But further analysis shows that there is a distinctly more lethal form of breast cancer stalking black women. Until doctors can figure out precisely what is causing this different pattern of breast cancer in African American women, it just makes for them to use every means available to reduce their risk for breast cancer. So, while early diagnosis and treatment are important for improving survival from breast cancer, it is a wiser strategy to try to prevent the disease in the first place. And this leads us to the above-mentioned strategies.
Exercise, Exercise, Exercise
Moderate exercise, defined as 30 minutes of brisk walking four times per week, reduces the risk for breast cancer by 30 to 50 percent. A pair of tennis shoes is all you need. No pills; just walk! And if you are a breast cancer survivor, the same amount of exercise can reduce your risk of death by 50 percent. As far as I’m concerned, every woman newly diagnosed with breast cancer ought to be given a brand new pair of tennis shoes and told to use them regularly!
Find Your Fighting Weight
Maintaining ideal body weight is also important. Simply put, it is a matter of keeping extra body fat to a minimum. The reason this is beneficial is that estrogen — which is known to increase the risk for breast cancer — is manufactured in fat cells. So the more fat you carry around, the more estrogen you make. By maintaining ideal body weight, you reduce the amount of circulating estrogen and that will reduce your risk for breast cancer. Here’s a link you can use to calculate your ideal body weight.
Where There’s Smoke …
Steer clear of cigarettes because smoking definitely increases the risk for breast cancer; don’t let anyone tell you otherwise. And it most definitely increases the risk of death from breast cancer in those women who do smoke. Although doctors haven’t quite figured out why smoking increases the risk of death in women with breast cancer, there is no doubt that it does.
Rethink That Drink
For reasons that are not entirely clear, but may be related to elevated estrogen levels associated with alcohol intake, drinking increases a woman’s risk for breast cancer. Even half a glass of wine per day increases one’s risk. I know, cardiologists are proclaiming the heart-healthy benefits of drinking red wine, but alcohol increases your risk for breast cancer. So I recommend women steer clear of it.
Other Risk Factors
Oral contraceptives and hormone replacement therapy are also known to increase the risk for breast cancer. As a matter of fact, the World Health Organization (WHO) declared them to be Group I carcinogens, which are substances or agents that are known to cause cancer in humans in 2007, as compared to other WHO categories in which the cancer link is either questionable to yet to be confirmed. Although the FDA has not yet included the WHO analysis in the package inserts for these medications, it would be wise to avoid the use of oral contraceptives and hormone replacement therapy if you want to reduce your risk for breast cancer.
The Good News
Now, here’s some very good news: the world’s first preventive breast cancer vaccine was developed at the Cleveland Clinic in 2010 and is awaiting funding to begin clinical trials to see if it is safe for use in women. It is a very promising discovery, for the vaccine was 100 percent effective in preventing breast cancer in three different animal studies. The results were vetted by a panel of experts and published in the prestigious journal Nature Medicine in May 2010. The scientist who created the vaccine, Professor Vincent Tuohy, received the Cleveland Clinic’s Sonnes Innovation in Medicine Award that same year, and this year the vaccine has become the centerpiece of the Cleveland Clinic’s fund-raising efforts, a mark of the Clinic’s endorsement of Tuohy’s work.
In addition to this amazing development, Drs. Beatriz Pogo and James Holland, scientists working at the Mount Sinai School of Medicine in New York City, have found a virus that appears to be involved in 40-75 percent of breast cancer. They presented their results to the annual meeting of the San Antonio Breast Cancer Symposium in 2006–a very tough and demanding crowd of breast cancer experts. In fact, Pogo and Holland are just one step away from proving this virus causes breast cancer in women. Both of these areas of research, the virus and the vaccine, are now our best hope for ending breast cancer worldwide … just like we ended small pox and are ending polio.
But in the meantime, exercise regularly and maintain ideal body weight. And don’t drink alcohol, smoke, use oral contraceptives or hormone replacement therapy. Though nothing can guarantee you won’t get breast cancer, you’ll reduce your risk and be healthier for it.
Resources for the Fight
Visit the following websites for additional information and resources:
1. National Breast and Cervical Cancer Early Detection Program http://www.cdc.gov/cancer/nbccedp/screenings.htm
This is a government program created to help low-income, uninsured, and underinsured women gain access to breast cancer screenings and diagnostic services.
2. Sisters Network Inc. (SNI) http://www.sistersnetworkinc.org/index.html
SNI is a national organization that strives to educate African American women around the country about breast cancer, as well as provide support to survivors. Visit the website to locate a chapter near you.
3. Are You Dense Inc. http://www.areyoudense.org
Formed to educate the public about dense breast tissue, this organization espouses the value of adding screening ultrasounds to mammograms to increase detection of breast cancer. It also has a government relations affiliate, Are You Dense Advocacy, which aims at helping more women have access to an early breast cancer diagnosis and helps them find out what their state is doing to facilitate this. — By Shelley Bacote
