Connecting the Dots with Linsey Davis x Michael Tyler

Connecting the Dots with Linsey Davis x Michael Tyler

by | May 29, 2024 | Commentary, Headline News | 0 comments

UF Linsey Davis x Michael Tyler Interview

by Linsey Davis x Michael Tyler | UrbanFaith

 

UrbanFaith contributor Maina Mwaura sat down with Linsey Davis her co-author Michael Tyler to talk about her newest children’s book The Smallest Spot of a Dot, which explores our common humanity. Excerpts of the interview are below edited for clarity and length, the full audio interview is above. 

Maina:

How do you write these books, Linsey? Like you’re on the news every day. You have a big life going on. How do you do this?

Linsey:

Well, the very easy answer is Michael Tyler. He’s the brain trustee. We started working together on the last book, “The Small Spot of a Dot,” and that was something that had really been on my heart for a long time that I wanted to do a story about the Human Genome Project, but I couldn’t figure out how to conceptualize it in a way that would be palatable for the youngest crowd. And the idea that our DNA is 99.9% alike. So I just had a brainstorming session with Michael, and he immediately came up with the idea of spots or dots. And so every since that, I was like, “All right, Michael, you roll with me. We’re gonna do the next book together as well. And he has been my partner ever since. But you know what? The thing to me is that the kids’ books for me have always been the fun part of what I do. I’ve always considered myself to be a storyteller. It’s just that normally I’m talking about murder and mayhem and missing in chaos. And so I didn’t really always want my son to watch me doing the news, but he wanted to kind of see what mom is doing. But this to me was a way to share the good news. And with my first book, “The World is Wake,” which was really an homage, just a love letter to God, just about His majesty and His creations, including us. I always feel like you make time for the things you’re passionate about. And so as far as like, how do I have the time? I, one, it’s something, it’s a nice positive outlet. It’s something that I want to do. But also I think that we make time for the things that we want to do.

 

Maina:

Why do you think kids resonate with your book?

Linsey

Well, I’m glad to hear that that is the case. One thing I would say early on, because my son was really my muse, I would always use him as kind of the sample audience. I would look at and study what he found interesting, intriguing in books, what really grabbed his attention, the books that he wanted to keep reading again and again. And I also kind of went into this– I always feel like whatever you do, you study the greats who did it before you. And so for me, everybody would have a different opinion about who the greats are. But for me, it was Dr. Susan, Shell Silverstein. Those were the book authors who I really loved as a child. I looked at what was really effective, what really grabbed my attention. And one of the things I thought was they all had great messaging. There was meaning. They had great rhymes, but there was [meaning]. It wasn’t just about popcorn and bubble gum for the sake of it. There were things that you could really take away. And that’s what I’m hoping [to share]. It’s kind of like candy-coated medicine. Something that’s good for you but tastes good too. It goes down smooth. And I think that’s what at least I’m aspiring for. And I hope that it is resonating with kids.

Maina

So you come up with these ideas. Do you call Michael up immediately and go, hey, I got another idea? How does that work?

 

Linsey

Maybe we had two or three phone calls. Michael, you could help me remember first small spot of a dot when we were coming up with that original idea. But I want to say it was within that first phone call that you came up with the dots. You correct me if I’m wrong. Do you remember how that happened?

 

Michael

That is correct. Because I remember you calling me up after you had done a reading to a classroom of children. And I think it was. And you discussed the human genome project with a classroom of children. And you were fascinated that they were about it. And you called me up and said, there’s something here. We got to figure out how to get them to understand that. And for me, the lessons that I got in the life that lasted the longest all came by way of metaphor. My mother was a metaphor magician. And so I always thought if you give somebody a physical model to keep in their mind, they will always be able to associate the lesson with it. And then genes and double helixes and things like that are far too complex for children to comprehend. Far too complex for many adults. For me to comprehend. And so I figured particularly when Linsey and I wanted to focus on this one salient truth that came out of human genome project. And that is that 99.9% of all of our genes are alike, are identical. That only 1/10 of 1% is different than it counts for our individual looks and individual distinction. And I am thinking, how do we show them how much that 99.9 is and how much that 0.1 is? And I could do that just by getting them to understand something that’s already in their universal frame of reference. And that’s bots and dots.

 

Maina

I’m talking to people all across here who are asking me, are we going to make it through this? And when I see you on in the morning times, sometimes when you’re filling in, I always go, how does she do it? There’s so much bad news. So here’s a simple question. Are we going to make it through this season? I mean, are we going to come out OK, remembering the 99% here?

 

Linsey

Oh, yeah. I mean, to me, there’s no benefit in being a pessimist. Right? It goes back to one of my favorite quotes to Henry Ford, whether you think you can or you can’t do something, you’re right. And so, if we set out thinking, oh, boy, this is the end, then that is going to just be the beginning of the end for you personally. Right? And so I’ve always been a glass half full kind of a girl. I feel like whether it was Vietnam, whether it was the series in the ’60s, where you had JFK, MLK, RFK assassinated, I’ll bring up this quick point. I was fortunate enough to be able to do an event with Carol Simpson at the beginning of the year. And I was telling– we were talking to a class of journalists that teach at Franklin College in India. And I was saying to her– and really, they were asking questions, but I had a question for her. And that was about are things as bad now as they were then? And she felt like even though, yes, the world is on fire right now, it was so much worse in the ’60s. That was her perspective. And so the people then in the ’60s, maybe they had that same mindset of, boy, how are we going to make it? Is this the end? But they’re just like everything in life. It’s cyclical. They’re upturns and they’re downturns. The leaves fall off. They dry up. But then in spring comes the warm weather and the sunshine. And they’re back again and new revitalized. And I just feel like that’s my outlook on life. So even when things seem like, boy, just can’t get any worse and somehow it still does, I think that’s where my faith comes in. I mean, I just have to believe that as Jeremiah 29:11 says, God has a plan. And it’s for good. It’s for hope. And I just kind of live by that. And I think to not have faith is when we would become so down and out and really feeling like nothing good can come of this. I just choose to be optimistic and choose hope.

 

Maina

All right, Michael, I’ve got to ask this question, man. Where do you come up with these things? You take them. And it seems like you take them to another level, man. I appreciate you saying that. Do it, man. I really appreciate you saying that. I think part of it, a large part of it for me, is intrinsic. I think that everyone has a certain intrinsic trait, quality, ability that is their genius. For some people, we see them flying through there and dunking basketballs. For some people, we hear virtuosity on a horn when I listen to John Coltrane. There’s a genius there. And so for me, part of it was I had this ability, that no matter what I looked at, I had to break it down to its least common denominator. But through the years, my brain was always trained to constantly breaking things down, analyzing things. And then that gave me the ability to do reverse order on it. How do I construct it? And as quickly as I could break it down, I was able to bring it back together again and have a different understanding of it. And my fascination with words was what really drove me to be able to do this with respect to writing. Because as long as I can remember, five years old, I was always fascinated with how language came to be. Why do we even have words?

Maina

So one of my questions is, where do you get these words from? That I ended up writing? Yeah. Because the poor children, which the books are hard, Michael, they’re not easy, right? Where does that come from?

 

Maina

It’s really– you hit it on the head. It’s really not easy. The hardest part is the rightful for me, our children, because you have the fewest amount of words that you have to work with. And I think what enabled me is, early on in life, when other people were– for the second, third, fourth, grade, fifth, grade, sixth grade reading books, I was reading dictionaries. Because I looked at dictionaries as a way to people look at crayons. And to me, crayons allow you to draw a beautiful picture. And to me, words allow you to speak a beautiful picture. And I always wanted to be able to create the best image possible about what was in my head by using my mouth. And that meant that I had to paint with words. I had to draw with words. I couldn’t do it with tempered paints. I couldn’t do it with finger paints. I couldn’t do it with crayons. And so instead of having that eight crayon box, I was always trying to get that 148 crayon box. And that’s what’s in my head. So it started for you early. It’s what you’ve got here.

Maina

One thing I’d like to draw before we get off is– ask Lindsay, are we going to make it through?

Michael

Yeah. We’re going to make it through this season. I do wonder sometimes. She was optimistic about it. She was optimistic. And she used the word hope. And I want to give a definition for that word. Because oftentimes what I’ve learned in life is people use words and they won’t fully understand what we’re saying. That’s why we have so much communication, confusion. If you were asked a 50-year-old and a 5-year-old to define the word hope, both of them would struggle with it. If you asked them to define a word trust or truth, they would both struggle with it. And so one of my exercises in life growing up was always a write-down my own definition for a word. And the way I describe hope– and I think it varies on to what Linsey’s optimism is– to me, hope is an emotional alignment to possibility. Where you see no possibility, you are hopeless. And hopelessness to me is the most dangerous thing to the human mind. That’s what causes us to completely give up on everything. And so as long as you can align yourself to the possibility of something being better or something being more or something being recovered or something being redeemed, as long as you can align yourself to that possibility, even if it’s a 1% chance, a 1% chance is a 100% greater than no chance at all. And so I always try to align myself to the possibility of what humanity can excel to, because we’ve nowhere near gotten to that level. And there’s a big margin for us to go ahead and move towards.

Lessons from an Anthem

Lessons from an Anthem

by | Feb 23, 2019 | Heritage |

James Weldon Johnson, poet, essayist, and author of Lift Every Voice and Sing. Johnson’s magisterial work is often referred to as the “Negro National Anthem”. (Photo courtesy of ASCAP.com)

Around 1900, the legendary African-American author and composer James Weldon Johnson penned Lift Every Voice and Sing. He didn’t mean for it to become “The Negro National Anthem” but the song was so powerful and inspirational that it was informally adopted as such. People of all races and religions – from America to Angola to Japan – have been invigorated by it ever since.

Rabbi Stephen Wise, an NAACP member during the 1920s, once wrote that it is “the noblest anthem I have ever heard. It is a great upwelling of prayer from the soul of a race-long wronged but with a faith unbroken.”

One hundred and thirteen years later, I pray that African-Americans would once again be galvanized by the words of this song. In addition to being historic and spiritual, the words of Lift Every Voice and Sing could serve as a guidepost for us as we strive to “Return to Royalty” and be all God created us to be as individuals and as a people.

Let’s look at a few of the lyrics:

 “Sing a song full of the faith that the dark past has taught us…”

Johnson wrote that the intense oppression we suffered during slavery made our faith in God strong. With nothing else to latch onto, with nothing else to put our hope in, we clung to God. This is biblical, as the children of Israel did the same thing whenever they were oppressed.

Even as individuals, we have a tendency to call on God when times are tough, yet to ignore Him when He prospers us. As a people, we must fight the urge and the temptation to forget God now that we have more money, more political clout, more opportunities, and more education. We have to remember that “every good and perfect gift comes from above” (James 1:17) and that God has not given us these gifts for us to leave Him out.

Keeping our faith in God cannot be mere lip service either, like thanking Him for an award we’ve won for a song with vulgar and ungodly lyrics, or like going to church every Sunday but living like a hellion the rest of the week. We must show our faith in God through our actions and our words – in the way we treat our spouses, in the way we raise our children, in the way we talk to and deal with others. The Lord Jesus Christ showed his love for us through His actions – dying on the cross – so we should show our love for Him through our actions as well.

Johnson also talked of singing about this faith. A song is something that’s recited repeatedly. So in other words, we should consistently remind ourselves of the journey God has brought our people through. Again, this was the case with the Israelites, who constantly taught generation after generation about how God brought them out of Egypt and showed Himself strong to them.

This appears to be something we have lost as a people as much of the younger generation seems cut off from, and oblivious to, our history. When the younger generation not only glosses over the idea that hearing the N-word upsets their elders (many of whom may have seen brutal treatment associated with that word), but actually fights adamantly to defend their usage of it, the importance of our history clearly is not being transferred from old to young.

When a platinum-selling artist who has the ears of millions of youth has no shame in saying, “Shout out to the slave masters. Without them, we’d still be in Africa. We wouldn’t be here to get all this ice and tattoos” – and an even bigger superstar rapper can compare having rough sex to “beat(ing) (it) up like Emmett Till” – we obviously have not adequately passed on a knowledge of, and respect for, our past or our people.

“Sing a song full of the hope that the present has brought us…”

At the turn of the 20th century, when there were far fewer reasons for Black folks to be optimistic, Johnson wrote about being full of hope. Today, even though we’ve got a Black president, even though we’ve got superstar entertainers and athletes, even though we have prolific individuals in practically every field of endeavor, too many Black children are afraid they’ll die at the hands of another Black person and won’t grow to see adulthood. And more and more young Black males are killing themselves. Throughout slavery and Jim Crow segregation, Blacks had astonishingly low rates of suicide, especially considering the racism and oppression they experienced on a daily basis. But since the 1980s, the suicide rate for Black men has been rising rapidly. Too many of our youth can’t sing a song full of hope.

Hope is a sign of our connection to God, for knowing God and how awesome, powerful and miracle-working He naturally gives us hope. That significant numbers of Black kids don’t think they’ll live past 18 years of age or feel compelled to take their own lives shows that we haven’t adequately shown them how to be connected to God through Jesus Christ.

How could a people less than 40 years out of slavery, who had all the gains of Reconstruction taken away, sing of hope, and yet today, with all the progress we’ve made, many of our children are hopeless? What’s the difference?

Jesus Christ and the church was the hub of the Black community back then. Not so anymore. Johnson sums it up in his final chorus:

“Lest our feet stray from the places, our God, where we met Thee,

Lest our hearts, drunk with the wine of the world, we forget Thee…”

As a people, let’s restore the place the Lord Jesus Christ once had in our personal lives, in our families, and in our communities. He showed Himself strong to us. In much bleaker times than this, He enabled us to produce newspapers, mutual aid societies, insurance companies and more. He gave us the strength to “keep hope alive” and to endure slavery and to believe that “we shall overcome” against the most tremendous of odds.

Though the Black family had been decimated during slavery, when Christ was our center, roughly 90% of Black children were born into a home where the father was present in 1920. In 1960, that number was 80%. Today, it’s less than 30%. It seems that as our faith in Christ has gotten weaker, we as a people have gotten weaker as well. Let’s learn from the song and stay true to its closing lines:

 “Shadowed beneath Thy hand,

May we forever stand,

True to our God,

True to our native land”

This is not to belittle the systemic, institutional and racist obstacles that still work against us; it’s just to say let’s take responsibility for what we can control, first and foremost by having true and sincere faith in the God Johnson wrote about all those years ago.

Editor’s Note: This article was originally published on KingMovement.com. Click here to read the full lyrics of Lift Every Voice and Sing.

Scandal: What to Do With Our Power

by | Mar 7, 2013 | Entertainment, Headline News | 7 comments

Ebony magazine just released its March “The Real Life Scandal” Issue, which highlights real life scandals from the black community and features actress Kerry Washington on the cover, sharing her perspective as an A-list actress, political advocate, and health-conscious feminist. Truth be told: We know little of Washington’s personal life and that’s exactly how she plans to keep it. She would much rather prefer that we talk about the nature and accomplishments of her body of artistic work, and since its origin last April, everyone is talking about her hit television show Scandal.

Concerning that show, I got caught up. I love seeing intelligent, articulate, attractive, powerful, relevant, and well-dressed Black women on movie and television screens as much as the next sista. Trust me. The scenes are all the more interesting and impactful when played by such a well-versed and talented actress as Washington. But when all of that window dressing simply becomes trapping for yet another powerful woman who succumbs to the desires of her lustful heart (especially with a married man), all of the respect stored up for the character burns up in smoke. It’s hard to keep cheering for Washington’s character, Olivia Pope, when you know her affair will ultimately result in a loss for all parties involved. Olivia, her lover, and his pregnant wife all lose and that’s the real sad story for many in today’s society.

Actress Kerry Washington accepts the Outstanding Actress in a Drama Series award for “Scandal” during the 44th NAACP Image Awards. (Photo Credit: Jim Ruymen/Newscom)

I want more for Olivia and I want more for us. Behind the camera lens of Scandal is the show’s creator and writer, Shonda Rhimes. Rhimes’ writing is outstanding and the story lines are compelling. She constantly keeps us on the edge of our seats. That’s what makes the show great and so easy to watch. All of her characters are power players, fast talking, and quick on their feet as they engage in a game of chess with each other’s lives. The actors are all phenomenal, but at the end of the day, it’s Rhimes who is in the ultimate position of power.

Through this political drama, Rhimes uses her power to celebrate the stories of those thirsty for greed and power, those with murderous hearts, those who are unapologetic about living lives of lies and deceit, and those involved in unhealthy, adulterous and unnatural relationships. Although Olivia’s entourage refers to themselves as “gladiators in suits,” there are little redemptive qualities in any of the show’s primary characters. It doesn’t take long to figure out that there are no good guys or gals, and that’s the gist of Rhimes’ creation.

Yet my primary issue is neither with Washington nor Rhimes; my concern is with the Christian women and men like me who watch this show weekly with no discernment. I have seen professing Christians defend the show to the nth degree. “Why criticize a work of fiction?” they ask. My first conviction concerning this question came on the day of the Newtown school shootings. The night prior to that horrific event, I watched an episode of Scandal where an assassin killed an innocent family including two small children and their dog. The next day, a Facebook acquaintance and fellow Christian found it hard to reconcile approving of the murder of innocent children on a television, while at the same time being appalled when a similar, yet worst, event happens in real life.

The sad truth of our culture—and Ebony’s publishers play on this reality—is: The lines between fact and fiction, what’s real and what’s fantasy, have become quite blurry. This is the result of a booming market for “reality” shows, over exposure to strangers through virtual lives and social media, the sensationalism of our news reporting (How often do you witness a positive news story?), and the senseless pandering of our politicians. I won’t forget how angry I was when Sarah Palin used careless “lock and load” language all over a news broadcast, and the young man who locked and loaded just days after Palin’s rant. Was this a coincidence? His response resulted in the deaths and injuries of several human beings, including U.S. Representative Gabby Giffords. Because this is the culture we live in, we must all be more responsible concerning the use of our power and how we choose to engage our mediums of communication.

We should not use our power to only serve our own self-interests. Many thoughtful African-Americans thought this was the case with BET’s founder, Bob Johnson, and hence they tuned him and the station out. We should not neglect the opportunities to use our power for good in this world, and I believe the messages and images of Scandal present a missed opportunity. Ebony reports that Washington “is the first Black woman to star in a major network American TV drama since 1974.” Therefore, Washington’s accomplishment is worthy of celebration. In addition to Scandal, Rhimes is also the creator, head writer, and executive producer of the dramas, Grey’s Anatomy and Private Practice, both of which at the core tell the stories of flawed humans who are helping and healing other people. Am I looking for all perfect characters on every show? No. Am I advocating for an all Christian line-up with shows full of Christianese language? Not at all.

However, I do believe in a culture where the line between fiction and nonfiction, truth and lies, and fantasy and reality is becoming more unclear, we have to question what is means to have power, and consider the consequences of how we use our power to engage the world. I agree with Kerry Washington that, “Power is always about choices.” Washington chooses which roles she plays. Rhimes decides how she uses her power to tell stories and send messages into the world. As a consumer, I no longer choose to watch Scandal. As a writer, I challenge you to consider: What kind of empowerment do we, as a community of Black people, really want? What will you do, and what should we all do with power once it is obtained?

First Black ‘Bachelor’? Please, No

by | Apr 30, 2012 | Entertainment, Feature, Headline News, Jelani Greenidge | 1 comment

A DISTINGUISHED BREAKTHROUGH?: Will this man, Lamar Hurd, become the first Black "Bachelor" on ABC's popular reality show?

When I stumbled upon the news that Lamar Hurd launched a campaign to become the first Black man cast on ABC’s The Bachelor, I sighed and shook my head.

Let me say this up front: I hold no ill will toward Lamar Hurd. A late-20s sportscaster based out of my hometown of Portland, Hurd is the type of guy I should have no problem finding likeable. He was a standout ballplayer at Oregon State, and went on to play pro ball overseas for a year before returning to build a career in broadcasting.

So what I want for him is the same thing I want for me, my loved ones, and really for all people in general — to have lives of significance, spent in the pursuit of our God-given purposes, developing meaningful relationships along the way. According to a recent interview, his faith is an important part of his life, so I think that he probably wants the same thing for himself.

Which is why I hope he changes his mind and stops trying to get on that show.

Because 20 years from now, I don’t think being the first Black guy on The Bachelor is something he’ll look back on with much pride or accomplishment. Even if we ignore the lawsuit that two other African American applicants filed decrying The Bachelor’s lack of diversity, the political or cultural implications of achieving diversity goals via class action litigation in general, and how it might negatively impact Hurd if he’s cast as a result of public pressure to fulfill a quota … even if we ignore all of that … it’s still a bad idea.

Not that I don’t understand the allure, though.

Having grown up in the Pacific Northwest, I understand the whole First Black Guy thing. My dad was the First Black Guy in his region to take a full-time staff role at a particular faith-based nonprofit. I was among the first few Black guys to graduate my elite private high school. There is a certain element of privilege at being able to break through a perceived color barrier, which is part of the reason why President Obama will always occupy a special place in history, regardless of the efficacy of his political legacy.

But we’re not talking about politics, or academics, or even sports. No, Lamar, we’re talking about reality television.

(Can I call you “Lamar?”)

This is the genre that made household names out of Kato Kaelin, Omarosa, and Jon Gosselin. Is this really the venue where you want to establish your reputation, a show where the male protagonist is encouraged to sample ladies like hors d’oeuvres at the supermarket? It’s not exactly consistent with the kind of sterling character and integrity that you spotlight in your campaign video below.

C’mon, Lamar. Not only does this have the potential to make you look bad, but seriously … do you really want to select a wife from a pool of women who are incentivized to actively compete for your attention? When the woman in Proverbs 31 is mentioned as being shrewd in the marketplace, she’s supposed to be the seller, not the product on display.

Plus, even if we assume that you and your prospective wife both succeed in participating in the show without degrading yourselves — a long shot, to be sure — it’s still no way to prepare for a long, committed, prosperous marriage. Because anytime she disappoints you by not living up to your expectations, you’ll be tempted to compare her to one of the other dozen ladies who caught your eye before, and think, “Shoot, I should have picked her instead.”

If you’re really serious about your faith, then put more of it in God than in a reality TV show. You may be surprised by how well He can meet your deepest needs and desires, even those you’re not aware of.

Or, if you prefer, think about this like a basketball player. Do some scouting. Research the last ten guys cast as The Bachelor. Find out how many of those guys are still dating or married to the woman they selected. Then ask yourself if this show will get you the best, highest-percentage shot at a successful marriage.

And if none of that works … just hit me up, bro. I know a few ladies who could be a good fit for you. I don’t know if they share any of your likes or dislikes, but I know they have more sense than to audition for The Bachelor.