SHINING STARS: Whitney Houston and Jordin Sparks star as a mother and daughter in ‘Sparkle,’ the remake of the 1976 classic about the highs and lows of a family singing group during the Motown era.
Sparkle hits movie theaters this weekend with a star-studded cast of black actors and entertainers. Based on the 1976 classic, this remake is a cautionary tale that chronicles the story of three sisters in their rise to fame as they navigate the twists and turns of the music industry.
American Idol-winner Jordin Sparks, in her film debut, plays the lead role of Sparkle, while pop star Cee Lo Green, actors Derrick Luke and Carmen Ejogo, and comedian Mike Epps appear in supporting roles. But there’s no doubt that throughout the film, all eyes will be on the late Whitney Houston, who plays the mother of the aspiring girl group.
In the film, the three sisters (Sparks, Ejogo, and Teka Sumpter) move up the record charts as they sing and dance in high fashion. In their search for fame, the girls are swept away by mesmerizing men, challenged by the demands of life, and overcome by the dreams that almost tear their family apart.
It’s quite ironic, then, that this is the last project Whitney Houston completed before her untimely death on February 11, the night before the Grammy Awards. At 48 years old, Whitney accidentally drowned in her hotel bathtub. The coroner’s report later revealed that cocaine was a contributing factor in her death.
After her tragic passing, the world reflected on Whitney’s life and how we watched her grow up to fulfill her dreams. Much like the girls in the movie, she was beautiful, rich, and famous. She had it all, and yet there was immense sorrow which ultimately led to her demise. Until her final days, she continued to smile, pursue her dreams, and to profess her love for Christ. And she continued to sing!
Singing, of course, will be a highlight in Sparkle, which features songs from the original film written by the great Curtis Mayfield as well as new compositions by R. Kelly. The movie was preceded by a soundtrack release which includes Whitney’s final musical recordings. In what is sure to be a highlight of the film, she sweetly sings “His Eye is on a Sparrow,” a song that encourages us to sing even in the midst of suffering and sorrow. And even in her absence, Whitney’s performance emanates with hope.
Yet I wonder, what is a proper response when singing and dream chasing is the catalyst for sadness? The painful reality is there are almost too many parallels between Whitney’s life and the lives of the girls in the movie. I wonder what kind of responses that will elicit in the theaters this weekend. As we sit and watch, I wonder if we will “Celebrate” as she and Jordin encourage us to do in their recently released single from the soundtrack. I wonder if we will shed a tear at the new images of Whitney, her gentle grace, or the sound of her voice as she lifts her hands to worship God during the church scene. Will we pause and reflect?
You see Sparkle causes us to consider important questions. What happens when we get exactly what we want? Will we hold on to our family, faith, and friendships? Will we hold fast to our dreams at all costs? And what happens to us — our identity — when those dreams are lost or deferred? How will we respond when our dreams are fulfilled? Will we sparkle? Will we shine like a light, or will our lights flicker and go out like an ember in the darkness?
Whatever the case may be, Sparkle opens tomorrow, August 17, in theaters everywhere. So grab your girlfriends, get a date, and head to a cineplex near you. And then let us know what you think.
BRIGHTER DAYS: Whitney Houston onstage in 1986. (Photo: Peter Mazel/Newscom)
A friend of mine and I secretly joke about people’s dramatic, gushing proclamations after a celebrity death. We often wondered how someone could be honestly “devastated” by the passing of an individual whose music/voice/personality we’ve only digested through a middleman such as the radio, a Letterman interview, or a blockbuster film.
I wondered this until Saturday, February 11, 2012. I was in Baltimore doing community outreach when MSNBC released a breaking news text that Whitney Houston had passed in her hotel room. My immediate reaction was disbelief. And then the calls came in from my family and friends, checking to see if I knew yet and asking if I was okay. Every call seemed like a damning confirmation and I thought, “Maybe if people stop saying it, it won’t have really happened.” So I got into my car for the long drive home, too numb to really display any emotion. I started the engine and before I could stop it, I heard the pure, clear voice often called “America’s Voice” lean into the gospel classic “I Love the Lord.”
Then it hit me.
This was the voice of a woman who was no longer with us.
I could tell you how the tollbooth guy seemed genuinely concerned by my tear-streaked face during our transaction, but I’d rather share something more useful. Whitney’s life and music taught me a few things:
1. Sexy doesn’t have to mean blond and blue-eyed or skimpy and short. Whitney burst on the scene in the ’80s with big hair, leg warmers, and off-the-shoulder tanks. With her mother Cissy Houston’s guidance and her cousin Dionne Warwick’s backing, Whitney Houston became the face of the All-American Girl, and she didn’t even have to writhe around the stage or downplay her “Blackness.” The world hasn’t been the same since, and it isn’t a good karaoke night until someone sings “I Wanna Dance with Somebody.”
2. Love is a contact sport. As the child of a minister, there were few secular artists whose music made it into our house, but there was no avoiding the big, powerful and family-friendly sound of Whitney Houston. Furthermore, my military elementary school in Texas followed the National Anthem with “One Moment In Time” as a form of civic inspiration, every single morning. Before I got to find out for myself, I learned that sometimes love hurts so bad, love is timeless (“I Will Always Love You”), and that anxious, nervous feeling I got whenever I saw that boy from my class was normal (“How Will I Know”). She even taught us a little healthy self-love with “The Greatest Love of All.”
3. Women are multidimensional. These days, filmmakers anxious to sell tickets give acting gigs to anyone with a recognizable face, making the “singer slash actress” role almost assumed. Whitney, though … she did it right. Whitney not only headlined the soundtracks for The Bodyguard, Waiting to Exhale, and The Preacher’s Wife … but she acted in them. Let me say that again, she ACTED in them. Whitney was more than a pretty face who could sing; she was a mother, a wife, a philanthropist, an actress, and a producer. She truly epitomized “I’m Every Woman” and taught me from an early age that I could be too.
4. Everyone makes mistakes. For four years straight, I was Whitney Houston for Halloween. And not just because it was a relatively cheap costume, but because she was gorgeous, well spoken, had an amazing talent, and seemed like such fun to be around. She wasn’t human to me; she was larger than life. But while Whitney’s voice inspired and brought joy to millions, her life was often spotted with rough times. Unlike you and me, Whitney didn’t have the luxury of enduring these trials with a finite spotlight cast by her family and friends; Whitney went through it all publicly. While this glaring spotlight may have laid bare her pain, it served to remind us that everyone has problems and everyone stumbles.
The woman that I most wanted to be like growing up has died at 48, leaving her 18-year-old daughter motherless. Her well-known battles with addiction offer cautionary lessons of their own, but they don’t tell us anything about her private struggle to overcome them. That is now between Whitney and her Creator. I won’t speculate about the cause of her death, because big picture-wise it doesn’t matter. What matters is that we recognize the very human quality of the entertainers that enrich our lives.
Whitney’s voice made her unique. But Whitney’s troubles made her one of us. And for that, I am grateful.
I haven’t stopped missing Whitney since I got the news. But while I’m sorry she’s left us, I’m thankful that her music itself provides a salve to help heal the wound in our hearts.
SOUL CONDUCTOR: Don Cornelius, dead at 75, transformed American culture with 'Soul Train.'
“Peace, Love, and Soul.”
That’s how he used to bid us adieu at the close of every show, that bespectacled man with the velvety voice and cool disposition. The apparent suicide death of Soul Train creator and host Don Cornelius caught us all off guard, while immediately transporting us back to those more soulful days of yesteryear — pre-MTV days, when the music wasn’t just an afterthought but the main event.
We tuned into Soul Train each week to see our favorite soul and R&B stars, sometimes for the very first time. (The four sisters of Sister Sledge looked as cute as they sounded, and imagine my shock as a 6-year-old to discover that Elton John was white!) But we mostly showed up for the array of colorful dancers — to check out their moves, to see what they were wearing, and to imagine ourselves right there with them. We knew that if we didn’t see any other black images on TV all week, we could at least see ourselves on Soul Train every weekend. Don Cornelius, the radio-deejay-turned-television-impresario, gave that to us — a refuge for African American pride and empowerment disguised as a TV dance show.
In honor of Mr. Cornelius, we asked our UrbanFaith columnists and regular contributors to share their favorite memories of Soul Train. Check out their reflections below the video, and then share yours in the comments section. — Edward Gilbreath, editor
MEMORIES OF ‘SOUL TRAIN’
It was soon proven otherwise, but Don Cornelius through Soul Train, told me I was a good dancer. Every Saturday morning after cartoons went off, feeling like a grownup, I’d tune in to move to the music any kind of way just like the Soul Train dancers. Going down the Soul Train line, some of them looked so crazy. But at home, bounding through an imaginary line of people, so did I. Don Cornelius made it cool to love music enough to dance no matter what. By the time I came along, his ’fro wasn’t as big, but the cool he carried was bigger than life. And I felt just as hip rhythmlessly dancing with my own portion of soul. — DeVona Alleyne, staff editor and contributing writer
I am very saddened by the death of Don Cornelius, a black legend! Back in the ’70s and ’80s before the dominance MTV or BET, there were very few outlets to see my favorite R&B acts like Michael Jackson, New Edition, or DeBarge perform on television. Since my parents were pretty conservative at the time, I wasn’t allowed to watch Soul Train but as a lifelong R&B and pop culture aficionado, I found ways to watch this great show without “technically” breaking the rules. I wasn’t allowed to go inside of childhood friends’ homes either unless my parents knew their parents. I remember I had one friend who allowed me to literally sit on the pavement outside of her apartment. We would speak to each other through the open window, and if she happened to have Soul Train on the television behind her, who was I to say what she could watch inside her home? I remember that one light-skinned woman with extra long black hair that whipped around her body (pre-Willow Smith) as she danced on what seemed like nearly every episode for years! I couldn’t wait until I got a perm so I could whip my hair around like that! A towel wrapped around my head sufficed until I finally got a perm. I remember all of the fresh dance moves that would not be duplicated on American Bandstand, even though I was a fan of that show too. Simply put, there was nothing else like that show at that time, an oasis of black grooves and moves in a desert of white programming. RIP Don Cornelius … —Jacqueline J. Holness, contributing writer
I’ll never forget Soul Train, from the chugging train at the intro to the various incarnations of the Soul Train dancers. Don Cornelius made this show an institution that definitely shaped the culture and gave us memorable performances on the stage and dance floor. — Dr. Vincent Bacote, contributing editor
Being in a military family, every so often we’d get stuck in the boonies with no television we could relate to. When my dad got orders to a big urban city, we kids were ecstatic. It was my job to watch my younger siblings on Saturdays while my parents worked, and at the time when I announced SOUUULLL TRAINNNN is on, my brothers and sisters would run from outside like they’d lost their minds. Oh, and then the party was on. We bumped, spanked, wormed, or whatever the latest dance craze was, along with the hippest kids in America. If there had been just two or three more of us, we could have formed a Soul Train line right there in the living room. It grieves me to know that Don Cornelius couldn’t find another way; which serves to remind us that we must get the word out about the only One who can bring us out of our troubles, the only One Who can bring us out of the lies that Satan tells us when we see no way out. There is a world of hurting people who don’t really know Him. Someone needs to tell them. We need to tell them. — Wanda Thomas Littles, contributing writer
Despite being a child of the late 70s and 80s, I didn’t have many actual experiences of watching Soul Train. Most of my memories regarding Soul Train were at various school dances and wedding receptions growing up, when folks would start up “the soul train line” and line up to cut a step. Most of the influence of Soul Train I witnessed were in derivative television shows (like Solid Gold), subtle homages (like when Theo and Cockroach fought over who was getting into Dance Mania) or actual parodies (like In Living Color‘s “Old Train” sketch). Still, I got a little misty when I got the news of Don Cornelius’ passing. No one will ever really replace him and what he meant to the black community. — Jelani Greenidge, columnist
As a girl growing up in small-town New Jersey in the 1970s, my primary exposure to black culture was Soul Train, and oh how I loved Soul Train! It was sandwiched between Saturday-morning cartoons and Saturday-afternoon roller derby on our television station. It never occurred to me that by introducing me to some of that era’s best music and most accomplished musicians, Don Cornelius was drawing me into a richly textured world that was not available to me then. I just knew I loved hearing his smoky voice and dancing to the sounds of soul. It saddens me deeply to learn that, like my son, this gifted man apparently died by suicide. I’m reminded that depression and despair don’t only visit the downtrodden, but even the most accomplished among us. My thoughts and prayers are with his family. — Christine A. Scheller, news & religion editor
I remember the Jackson 5 barely had enough room to dance on that stage. Fans could literally touch Marvin Gaye as he sang (and they did). You could feel the sweat dripping off of Barry White’s collar. This was Soul Train, Black America’s debutante ball. As a child it always felt RAW, like a grown-folks party that I could only watch from the stairs. It seemed fun enough, but in reality Soul Train was about rebellion: finding a way to create in the midst of the chaos of injustice. Black people were thrown into America’s basement, and Don Cornelius found a way to host a house party there every Saturday. It remains our challenge to find hope in the midst of great darkness; to dance when the forces of life threaten to steal all rhythm. And when I look at black music today — videos that portray the worst potentialities for our young men and women, dancing that has turned into “Sex Lite,” and artists that lack intimacy and authenticity — we need not ever forget Soul Train. The truth is, we need it back. Thank you Don Cornelius, from the little boy who watched your party from the stairs. — Julian DeShazier, contributing writer
Sitting in my parents’ living room, the back of my legs sticking to the plastic covering mom’s gold velvet couch, the funky music from the Jacksons, the Sylvers, and Joe Tex would blare from the black-and-white screen. I would fix my eyes on the Afro puffs, braids, wide brim hats and bellbottoms, imagining their psychedelic colors (mom and pops did eventually get a color TV) as they danced the funky chicken or the robot. As Jermaine sang, they would be “movin, she’s groovin. Dancin’ until the music stops now, yeah” down the Soul Train line. My older sister and brothers would bust all the moves, blocking my view of the TV along the way. But back then, when you were the baby brother, you just kept quiet and thankful that they let you hang out with them on Saturday morning. We were raised in a 12th floor apartment in The Tilden Houses (The Projects) in Brownsville, Brooklyn (NY). Watching Soul Train was more than a temporary escape from what was immediately outside the door, down an elevator that often stuck, or the stairwell that was owned by depressed brothers and sisters high on dope. Soul Train was a weekly, encouraging dose of positive black life, of people who were happy, talented, and free. And they looked like me. Mr. Cornelius, you did a great thing, sir. I pray that your soul has found the peace that you wished for us all. — Wil LaVeist, columnist
BYE-BYE BORDERS: The erstwhile retail giant announced last week that it's closing its book covers for good. Stores like this one in Augusta, Ga., began liquidating inventory last Friday. Photo: Newscom.
Last week, I learned that Borders Books and Music is about to leave this earth forever. While I was truly saddened to learn of its demise, there is something I have to get off my chest. So let this serve as an admission of my guilt and an official confession.
I am a murderer. I killed Borders.
First of all, I suppose I should come clean. Borders was not my first “brick and mortar” bookstore experience; I remember spending hours in B. Dalton and Waldenbooks in my youth, as well as Barnes and Noble. And of course there was the Beloit Public Library. But for the last half-decade plus, there has been something special about Borders. Whether it was the proximity to our house, or the convenience of being able to hang out there before and after seeing a movie at the mall, I’m not sure. But my heart has held a special place for Borders, which by definition makes this a crime of passion.
Borders was where I saw my wife for the first time. We shared a coffee and smiles, and I bought her a copy of The Time Traveler’s Wife there. We kissed in the parking lot. Over the years our daughters have enjoyed numerous story-time sessions and have come to view Borders as a shopping destination second only to Target in sheer awesomeness.
We have parted with much coin at our local Borders. But that doesn’t change the fact that there is blood on my hands. I may not have pulled the trigger, but my hands were on the grip. I killed Borders.
Can I be blamed for falling victim to the seductive wiles of free shipping, unlimited selection, and low price guarantees? I love the indescribable pleasure that my finger feels after I’ve clicked my mouse and made a purchase …
My mistress — let’s not be coy; her name is Amazon — first courted me years ago by offering me half-price DVDs on Tuesdays. Now I consult her for everything; she has replaced Best Buy, Fry’s Electronics, eBay, and, yes, Borders as my preferred shopping destination for the cool stuff that I think I need. I’ve even used my phone to take pictures of books I’ve leafed through at Borders in order to check the price on Amazon.
It’s embarrassing to admit that, but confession is good for the soul, I guess.
When I explained to my 6-year-old about online shopping and Borders’ demise, she asked, “Why would anyone get in their car and drive to the bookstore?” Why indeed.
I mourn the loss of Borders. And as the guilty party, I can only offer my sincere condolences to the victim’s family. I feel, however, that I must also share this troubling fact.
I can’t stop.
While I’m not sure who my next victim will be, I do know that this isn’t over.
Singing, of course, will be a highlight in Sparkle, which features songs from the original film written by the great Curtis Mayfield as well as new compositions by R. Kelly. The movie was preceded by a soundtrack release which includes Whitney’s final musical recordings. In what is sure to be a highlight of the film, she sweetly sings “His Eye is on a Sparrow,” a song that encourages us to sing even in the midst of suffering and sorrow. And even in her absence, Whitney’s performance emanates with hope.
It was soon proven otherwise, but Don Cornelius through Soul Train, told me I was a good dancer. Every Saturday morning after cartoons went off, feeling like a grownup, I’d tune in to move to the music any kind of way just like the Soul Train dancers. Going down 
I am very saddened by the death of Don Cornelius, a black legend! Back in the ’70s and ’80s before the dominance MTV or BET, there were very few outlets to see my favorite R&B acts like Michael Jackson, New Edition, or DeBarge perform on television. Since my parents were pretty conservative at the time, I wasn’t allowed to watch Soul Train but as a lifelong R&B and pop culture aficionado, I found ways to watch this great show without “technically” breaking the rules. I wasn’t allowed to go inside of childhood friends’ homes either unless my parents knew their parents. I remember I had one friend who allowed me to literally sit on the pavement outside of her apartment. We would speak to each other through the open window, and if she happened to have Soul Train on the television behind her, who was I to say what she could watch inside her home? I remember that one light-skinned woman with extra long black hair that whipped around her body (pre-Willow Smith) as she danced on what seemed like nearly every episode for years! I couldn’t wait until I got a perm so I could whip my hair around like that! A towel wrapped around my head sufficed until I finally got a perm. I remember all of the fresh dance moves that would not be duplicated on American Bandstand, even though I was a fan of that show too. Simply put, there was nothing else like that show at that time, an oasis of black grooves and moves in a desert of white programming. RIP Don Cornelius … —
I’ll never forget Soul Train, from the chugging train at the intro to the various incarnations of the Soul Train dancers. Don Cornelius made this show an institution that definitely shaped the culture and gave us memorable performances on the stage and dance floor.
Being in a military family, every so often we’d get stuck in the boonies with no television we could relate to. When my dad got orders to a big urban city, we kids were ecstatic. It was my job to watch my younger siblings on Saturdays while my parents worked, and at the time when I announced SOUUULLL TRAINNNN is on, my brothers and sisters would run from outside like they’d lost their minds. Oh, and then the party was on. We bumped, spanked, wormed, or whatever the latest dance craze was, along with the hippest kids in America. If there had been just two or three more of us, we could have formed a Soul Train line right there in the living room. It grieves me to know that Don Cornelius couldn’t find another way; which serves to remind us that we must get the word out about the only One who can bring us out of our troubles, the only One Who can bring us out of the lies that Satan tells us when we see no way out. There is a world of hurting people who don’t really know Him. Someone needs to tell them. We need to tell them.
Despite being a child of the late 70s and 80s, I didn’t have many actual experiences of watching Soul Train. Most of my memories regarding Soul Train were at various school dances and wedding receptions growing up, when folks would start up “the soul train line” and line up to cut a step. Most of the influence of Soul Train I witnessed were in derivative television shows (like 
As a girl growing up in small-town New Jersey in the 1970s, my primary exposure to black culture was Soul Train, and oh how I loved Soul Train! It was sandwiched between Saturday-morning cartoons and Saturday-afternoon roller derby on our television station. It never occurred to me that by introducing me to some of that era’s best music and most accomplished musicians, Don Cornelius was drawing me into a richly textured world that was not available to me then. I just knew I loved hearing his smoky voice and dancing to the sounds of soul. It saddens me deeply to learn that, like my son, this gifted man apparently died by suicide. I’m reminded that depression and despair don’t only visit the downtrodden, but even the most accomplished among us. My thoughts and prayers are with his family. — 
I remember 
Sitting in my parents’ living room, the back of my legs sticking to the plastic covering mom’s gold velvet couch, the funky music from the Jacksons, the Sylvers, and Joe Tex would blare from the black-and-white screen. I would fix my eyes on the Afro puffs, braids, wide brim hats and bellbottoms, imagining their psychedelic colors (mom and pops did eventually get a color TV) as they danced the funky chicken or the robot. As Jermaine sang, they would be “movin, she’s groovin. Dancin’ until the music stops now, yeah” down the Soul Train line. My older sister and brothers would bust all the moves, blocking my view of the TV along the way. But back then, when you were the baby brother, you just kept quiet and thankful that they let you hang out with them on Saturday morning. We were raised in a 12th floor apartment in The Tilden Houses (The Projects) in Brownsville, Brooklyn (NY). Watching Soul Train was more than a temporary escape from what was immediately outside the door, down an elevator that often stuck, or the stairwell that was owned by depressed brothers and sisters high on dope. Soul Train was a weekly, encouraging dose of positive black life, of people who were happy, talented, and free. And they looked like me. Mr. Cornelius, you did a great thing, sir. I pray that your soul has found the peace that you wished for us all. — 