In the nineteenth century, many American communities and cities celebrated Independence Day with a ceremonial reading of the Declaration of Independence, which was usually followed by an oral address or speech dedicated to the celebration of independence and the heritage of the American Revolution and the Founding Fathers. On July 5, 1852, the Ladies’ Anti-Slavery Society of Rochester, New York, invited the Black abolitionist and civil rights leader Frederick Douglass to be the keynote speaker for their Independence Day celebration. The Fourth of July Speech, scheduled for Rochester’s Corinthian Hall, attracted an audience of 600. The meeting opened with a prayer and was followed by a reading of the Declaration of Independence. When Douglass finally came to the platform to deliver his speech, the event took a jarring turn. Douglass told his audience, “This Fourth of July is yours, not mine. You may rejoice, I must mourn.” And he asked them, “Do you mean, citizens, to mock me, by asking me to speak today?”
Within Douglass’ now-legendary address is what historian Philip S. Foner has called “probably the most moving passage in all of Douglass’ speeches.”
What, to the American slave, is your 4th of July? I answer: a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciations of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade, and solemnity, are, to him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation on the earth guilty of practices, more shocking and bloody, than are the people of these United States, at this very hour.
On this and every July 4th, Americans might do well to re-read and reflect on Douglass’ famous message. It challenges us to move beyond the biases and blind spots of our own cultural privileges and consider those around us for whom, as Langston Hughes said, “America has never been America.”
Read Douglass’ complete speech here, and watch actor Danny Glover recite an excerpt from the address below.
Douglass told the audience at Corinthian Hall in Rochester, New York, on July 5, 1852, that for a free black like himself, being expected to celebrate American independence was akin to the Judean captives being mockingly coerced to perform songs in praise of Jerusalem.
Not only did it inspire the famous abolitionist, this 2,500-year-old Hebrew psalm has long served as an uplifting historical analogy for a variety of oppressed and subjugated groups, including African Americans.
Origins of the psalm
Psalm 137, the subject of my book, “Song of Exile,” is unique in the Bible. The only one out of 150 psalms to be set in a particular time and place, it relates to the Babylonian Exile – the period between 587-586 B.C. in Israel’s history, when Jews were taken captive in Babylon and the Jerusalem temple was destroyed.
Its nine verses paint a scene of captives mourning “by the rivers of Babylon,” mocked by their captors. It expresses a vow to remember Jerusalem even in exile, and closes with fantasies of vengeance against the oppressors. The Babylonian exile served as a crucible, forcing the Israelites to rethink their relationship to Yahweh, reassess their standing as a chosen people and rewrite their history.
The exile story, which echoes through the Bible, is central to the major prophets, Jeremiah, Ezekiel, Daniel, Lamentations and Isaiah. And the aftermath of exile, when Cyrus the Great conquered Babylon and allowed the Judeans to return to Israel, is narrated in books of Ezra and Nehemiah. Bible scholar Rainer Albertzestimates that “about 70 percent of the Hebrew Bible tackles the questions of how the catastrophe of exile was possible and what Israel can learn from it.”
Because the psalm deals with music – a famous verse asks, “How could we sing the Lord’s song in a foreign land?” – it has been like “poetic catnip” – intriguing to musicians and composers. Bach, Dvorak and Verdiall wrote musical settings for it. Verdi’s first popular opera, “Nabucco,” retells the story of the captivity.
Frederick Douglass, of course, claimed the message of the psalm for enslaved African Americans.
In the wake of World War II, the dissident actor and singer Paul Robeson saw deep parallels between the plight of Jews and African Americans and loved to perform Dvorak’s setting of the psalm.
Some of the most celebrated African-American preachers, including C. L. Franklin of Detroit (Aretha Franklin’s father), also preached on the psalm. C.L. Franklin answered the psalm’s central question of whether to sing with a resounding yes. So did Jeremiah Wright, who was Barack Obama’s pastor when he lived in Chicago.
Valuing the act of remembrance
So, what is the central message of the psalm for today’s world?
Meanwhile, Bible scholars are working to interpret a trove of cuneiform tablets that give a more nuanced picture of what life was really like in Babylon for the Judean exiles. And rightly so. For in the midst of all the injustices that confront us every time we check news headlines, remembering is as crucial as forgiving.
That was Frederick Douglass’ point as well. He said of his enslaved compatriots,
“If I do forget, if I do not faithfully remember those bleeding children of sorrow this day, ‘may my right hand forget her cunning, and may my tongue cleave to the roof of my mouth!’”
Remembering their history is what many Jews worldwide will do when they observe Tisha B’av, the most somber of Jewish holidays. It commemorates the destruction of the two temples in Jerusalem, first by the Babylonians and centuries later by the Romans. Jews will reflect on these two historic calamities along with many others.
And that is the message of Psalm 137 as well. It captures succinctly the ways people come to grips with trauma: disbelief, turning inward and venting their rage. There is a reason it continues to resonate with people.