Teen birth rates by age, race, and Hispanic origin were the lowest on record in 2010 and the lowest they’ve been since 1946, the National Center for Health Statistics said in a new report. The number of babies born to teenagers declined 9 percent from 2009 to 2010 (34.3 births per 1,000 women aged 15–19) and 44 percent from 1991 through 2010. Black and White teenagers saw identical declines of 9 percent, while American Indians, Alaska Natives, Hispanics, Asians, and Pacific Islanders saw a 12-13 percent decline.
“Rates tended to be highest in the South and Southwest and lowest in the Northeast and Upper Midwest, a pattern that has persisted for many years,” the report said. “Some of the variation across states reflects variation in population composition within states by race and Hispanic origin.”
Contraception and Sex Education Work
Dr. John Santelli, a professor of clinical population and family health at Columbia University told The New York Times Well blog that increased contraception usage has made the biggest difference. “In the ’90s, it was the big increase in condom use; most recently it looks like it’s an increase in the use of oral contraceptives, the patch and perhaps even the IUD.”
“There was a major change in public messaging about teenage sexual activity and condom use,” Rebecca A. Maynard, a professor of education and social policy at the University of Pennsylvania told The Times. “The former was fueled by the abstinence education advocates and the latter by public health concerns about the high rate of sexually transmitted disease among teens.”
Teen STD Rates Still at ‘Historic’ High
Valerie Huber, executive director of the National Abstinence Education Association, told Baptist Press the new numbers reflect a variety of factors including “family structure, parental expectations, socio-economics and type of sex education.” She also said sexually transmitted disease rates remain “at historic highs.”
“Even though the STD rate among teenagers is at an all-time high, the NAEA found a 1:24 disparity in federal funding of abstinence education compared to contraceptive-centered programs. From 2007 to 2012, the funding gap between the two is more than $4.2 billion — $675.9 million to $4.9 billion. The most recent budget proposal by President Obama recommends only 4 percent of sex education dollars be spent on abstinence-based programs,” Baptist Press reported.
American Teens Have Twice as Many Babies
Additionally, U.S. teens still have twice as many babies as 20 other industrialized nations, The Washington PostWonkBlog reported. The reasons cited are more economic inequality in the United States, lower contraceptive usage among American teens, and higher abortion rates abroad.
Teen pregnancy costs an estimated $10.9 billion annually and only 50 percent of teen moms will earn a high school diploma by age 22, CBS News’ HealthPop reported.
“We are in a woeful shape,” television’s Dr. Drew Pinsky told CBS News’ HealthPop. “The strange thing about the entirety of the sexual revolution is that no one even thought this sexual revolution thing hoisted by adults was raining down on teenagers and young adults. It’s had dire, dire consequences.”
What do you think?
Should sex education for teens be comprehensive or abstinence only?
While The Hunger Games received most of the attention at the box office last weekend, another film also opened that, in its own way, was equally as notable. October Baby, a small-budget Christian film with a pro-life message, earned $1.7 million, which may seem negligible when compared to the $155 million of Hunger Games, but October Baby opened on less than 400 screens (compared to more than 4,000 for Hunger Games), and was produced for a fraction of the cost. The fact that it was ranked number one for limited-release movies demonstrates the continuing demand for quality Christian films. Not that long ago, a film made by overtly Christian filmmakers and released nationwide happened infrequently. Thankfully, that is changing. The quality and quantity of faith-based movies is increasing and so are the topics these films are addressing.
October Baby tackles admittedly provocative questions like: What would you do if you discovered you’re not exactly who you think you are, and that what you assumed about your origins is not true? What if you found out that you almost weren’t born, and furthermore that someone wanted it that way? It’s not easy to approach a subject like abortion, but October Baby does it with grace, class, and love. Rather than beat you over the head, or even tap you on the shoulder, the film wraps its arms around you and simply waits for your reaction to all it has to say.
I recently had the privilege to chat with brothers Jon and Andrew Erwin, the co-directors/writers/producers behind the film, both in person and by telephone. Excerpts of our conversations follow, edited for clarity and conciseness.
CHANDRA WHITE-CUMMINGS: Considering that this is your first foray into filmmaking, why did you pick such a provocative and emotionally charged subject matter?
ANDY ERWIN: If you had asked us a few years ago, what would our first feature film be, we would have probably picked something other than this one. Not because it’s not a compelling story, but because it’s such a risky subject, and there’s so much heated emotion attached to both sides of this issue. I think as a filmmaker, sometimes you go out to find a film, but nine times out of ten the story finds you. Jon heard a woman speak named Gianna Jessen. She gave her testimony of surviving a saline abortion and having cerebral palsy as a result. She just has a beautiful spirit, and when we heard her story, Jon was so moved by hearing her speak.
CWC: Jon, what was it about her story that captured your attention and moved you?
THE STORY FOUND THEM: 'October Baby' filmmakers (and brothers) Jon and Andrew Erwin decided to tell a story that is a 'celebration of life.'
JON ERWIN: Andy’s right — sometimes a movie finds you, and when I heard Gianna speak … just the concept of an abortion survivor, those are two words I had no idea fit together. I was jarred, surprised, and shattered by it all at the same time. The more I researched it, the more I couldn’t stop thinking about it. I just felt this was a unique take on the topic, and it made a political issue become very real. When you look at it through that lens, when you put a face on it, you look at the person. You look beyond the politics to the human issue. And the whole thing moved me. People have said, “You’re very brave taking on this issue.” It’s really not that at all. I’m an artist and whatever is going on in my life works its way out in what we do. In this case, God moved in my life, shattered me over the issue, and it worked its way out into a movie. I felt like we’d been given a gift, a tool to shed light on the issue, but the challenge became how to do that. We ruled out a documentary, so we thought maybe we could take a different approach and make an entertaining film about a beautiful young girl.
AE: Yes, we used the context of Gianna’s life and inserted it into a coming-of-age love story in which a 19-year-old girl finds out that she’s a survivor of an abortion, goes on a road trip to find answers, and ultimately finds forgiveness. But our goal going into it wasn’t to do a political film but to do a human film, a human story that looks at the issue of abortion as a human rights issue, not as a political debate. So it was very interesting that through the eyes of the victim the story became much more entertaining and engaging. That’s when we knew this was the story we wanted to tell.
CWC: So the film was really story motivated and story driven, rather than message driven?
AE: Any movie should be. I think the movies that engage me the most as a viewer are not the ones that try and get a message or agenda across. I think that comes across as propaganda. Our goal is to tell a good story. The story that captivated our hearts as filmmakers was hearing Gianna’s testimony of survival. That’s what motivated us to tell this story of Hannah in October Baby. Being story driven allowed us to speak on a lot of topics we’re passionate about in a way that was not forced.
CWC: Let’s talk for a moment about the idea of “messaging” in films, especially those made by Christian filmmakers. I know you weren’t message driven with this film, but if you had to identify a message, what would it be?
AE: The message of October Baby is very much about forgiveness and healing. Those are universal and relatable topics and they allow you to address issues that you normally wouldn’t. This film deals with everything from abortion to adoption, from abstinence to post-abortive realities. There’s a line in the movie that says to be human is to be beautifully flawed. I think the reality that some films miss out on is that as humans, we are broken and we have issues. We use that reality to touch on these topics through the eyes of grace and through the eyes of the gospel in a way that I think a secular world can engage with.
JE: We hope the film doesn’t tell anybody what to think, but the biggest thing we wanted the movie to confront was indifference and inaction. This is one of the crucial issues of our time, and we very rarely stop and think about it. We wanted to address that apathy.
CWC: Do you consider this a pro-life movie? Are you comfortable with that term?
JE: Yes, I do consider it a pro-life movie. Is this a political movie? Absolutely not. The movie is about celebrating the value of life. In my opinion, that should be the definition of pro-life. It’s not an “anti-anything” movie. This film has a broad brush and encompasses not only the abortion/pro-life issue, but also adoption and caring for those who can’t care for themselves. I believe there’s an awakening in our culture, especially among our youth, to the value of life. I think we can all agree that we haven’t valued life enough, which manifests itself in a lot of different ways. So I would even go beyond pro-life and say the film is a celebration of life.
AE: I don’t think people will be offended at the way it’s presented. We don’t vilify or demonize anybody as much as we look at a very harsh reality, the very hard subject of abortion in a fresh way — through the eyes of someone who survived one.
CWC: But given that October Baby speaks to so many universal themes, like forgiveness and healing, do you have any concerns about people pigeonholing it as just a theatrical vehicle for the pro-life movement? Conversely, are you at all concerned about groups intentionally minimizing that aspect of the movie?
AE: My job as a filmmaker is to stir the pot and get people talking. If I can do that, then I’m able to step back from the process and trust that God will allow it to be productive. There are a lot of hurting people from all walks of life that will watch this film and it will stir all sorts of emotions and issues in them, and they will need to deal with those things. This is why our ministry partners are so valuable. For example, a ministry like Surrendering The Secret can step in and minister to post-abortive women. Or Care Net and Heartbeat International can minister to girls that are in a crisis pregnancy and don’t know what to do. I’m very excited about that.
I’m very comfortable with how Jon and I present the message in October Baby. I think we took an honest look at it. So I’m not ashamed at all, because I don’t think there’s anything about the way the story is told that I would apologize for. I think one thing my generation craves is a positive way to engage these issues. We’re tired of the negativity and the hurtful rhetoric. But we do want to stand for life and to raise awareness of the value of human life.
CWC: The value of human life is an important theme in the film. How have you extended that theme beyond the movie-going experience?
AE: Every life deserves a chance. Every life has value, no matter what. Jon and I decided that our film needed to be a catalyst for active involvement on these issues, so we started the Every Life Is Beautiful Fund. We and our distributors agreed that once the movie turns a profit, 10 percent of that profit will be set aside and distributed to frontline organizations that work with crisis pregnancies, post-abortive care, and care for orphans and adoption. We’re still working out all the details on that, but we’re excited to be able to give back with our movie.
CWC: Given the disproportionate incidence of abortion in urban communities, what do you think is an effective way to bridge the gap and use a film like this to penetrate that audience?
A DIFFERENT ROLE: Actress Jasmine Guy's time on screen is brief, but her character is pivotal in 'October Baby.'
JE: Great question. I think one of the biggest ways is to persuade people in all communities to wake up to the value of life and realize that faith without works is dead. Let’s get beyond politics and bring help to girls making this incredibly difficult decision, especially in our urban communities. As Andy stated, that’s one of the reasons we started the Every Life Is Beautiful Fund. We want those funds to go straight through to pregnancy care centers, including those in black and other urban communities.
CWC: One potential draw for the black and urban community is the role of Jasmine Guy. So many of us remember her from her role as Whitley on A Different World. Talk about the significance of her presence in this film.
JE: Without giving away the story line, she plays a character that ends up being the key that unlocks the mystery for Hannah. Hannah understands exactly what happened to her after her encounter with Jasmine. The whole movie hinges on Jasmine’s scene. If we didn’t have her, we wouldn’t have a movie. You can get ostracized for taking a role like this, so I’m just grateful she was bold enough to take it.
October Baby released nationwide March 23, 2012. Check the official film website for a list of cities where it’s showing and for resources related to the issues and themes presented in the film.
Just weeks before Thanksgiving, taking in a film at a movie theater, I saw it.
Intrigued, at that moment, I was sucked into the phenomenon. The it that I saw was the preview for Breaking Dawn, the latest release from The Twilight Saga based on the bestselling series of young-adult novels by Stephenie Meyer.
Though familiar with the hit series, I hadn’t seen the other films or read the novels. Yet after seeing the preview I wanted to see the matrimonial bliss birthed from a forbidden love affair between Edward and Bella. I was even more curious about the fate of Bella and the half-human, half-vampire child she carried inside her womb.
Lured by the preview, there was a part of me that wondered if this movie was something I should even want to see as Christian. Vampires, werewolves, humans marrying vampires, complicated love triangles and a half-human and half-vampire child, it just seemed so dark on the surface. But those concerns were the furthest thing from the minds of the swarms of mostly tween, teen, and female fans who flocked to see The Twilight Saga: Breaking Dawn—Part 1 when it opened last month. After just four weeks, the film has brought in more than $633 million in global ticket sales.
The day before the movie hit theaters I listened to a Moody Radio program and heard an expert talk about the hidden spiritual themes in the series. Dr. Beth Felker Jones, an associate professor of theology at Wheaton College and author of Touched by a Vampire: Discovering the Hidden Messages in the Twilight Saga, talked about the relationship between Bella and Edward and gave insight into their backstories. Bella came from a broken home. She moved to Forks, Washington, to live with her father. She is an outsider trying to fit in. Then comes Edward, who sweeps Bella off her feet. But there was something different about Edward; he was a vampire—albeit a good one. Bella and Edward practice abstinence in their relationship — a direct reflection, no doubt, of author Stephenie Meyer’s Mormon faith.
It all sounds harmless at first. A true coming-of-age love story that promotes celibacy, but there’s another side to look at. Edward is drawn to Bella’s blood and has to fight his own urges to have it—and ultimately her. He even sneaks into her bedroom at night and watches her while she sleeps. Bella is so desperate to become like Edward, she is ready to willingly forgo her humanity. After hearing all of this, I had more questions about The Twilight Saga. Was Edward really controlling? Was Bella insecure? Was she losing herself in a toxic and abusive relationship? Was I reading too deeply into this?
Despite my questions, I admit, I succumbed to the invisible force that so cunningly reeled me in and I saw Breaking Dawn. Later, I watched the third film from the series and quickly realized that many of the points raised in that Moody interview were valid. While many of the messages in the series are subtle, it reminded me about the subtle way in which the enemy works. In Genesis 3:1 we see this played out with the cunningly sly serpent and Eve in the Garden of Eden. The serpent didn’t force feed Eve fruit from the tree. He merely asked Eve a question that caught her attention. Intrigued, a seed of doubt was planted within in her and she ate from the tree—convincing Adam to do the same.
Like Eve, we too are enticed with all types of fruit (in the form of media) that contain both good and bad messages—some subtle and some not so subtle. In Ephesians 6:12 the apostle Paul says, “ … we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world …” This is not to say that you should stick your head in the sand and never read a secular book or see a secular movie. And it’s surely not to pass judgment if you like the Twilight series. However, with all that said, we can certainly be informed and prepared to take a closer look at what we are watching—and reading. After all, what really are werewolves or vampires and are they all that bad?
In European folklore a werewolf is a man who turns into a wolf at night and devours animals, people, or corpses. By definition a vampire is a supernatural being, commonly believed to be a reanimated corpse that sucks the blood of people while they sleep at night. Another description refers to the vampire as a demon that periodically leaves the grave and disturbs the living. In the Twilight series, Edward is portrayed as a good vampire because he only hunts the blood of animals. Jacob is the werewolf friend of Bella who would do anything to protect her and win her love. They sound like really good guys that just happen to have the wrong DNA, right? But wouldn’t that be like saying, if you’re a good demon you’re okay. Which when you think about it would be like saying if you’re a good sinner you don’t need a Savior, your own desire to be good and exercise self-control is enough. And if we could save ourselves we wouldn’t need Jesus. Though you may not be a vampire or werewolf, we’re all born into sin and in need of a Savior.
Maybe movies like these serve as good talking points and avenues to open up conversations about the true Light of the world — Jesus Christ. But what expense does it take on our souls when we open ourselves up to films like Breaking Dawn? These are just a few things to consider as we navigate through a world where blood-sucking vampires and bare-chested werewolves woo the hearts and minds of fans — both young and old.
Let’s be realistic: There’s no way we’re going to curb the fanaticism of the throngs of young girls — many of them in our own households — who have pledged allegiance to either “Team Edward” or “Team Jacob.” But perhaps we can be more discerning about the messages found in these popular books and films.
What do you think? Should we search for light in the darkness of the Twilight series, or is it best for Christians to keep their distance?
I am the product of the American public school system. There was only one high school option in the city where I was raised; I assimilated to this school where approximately 96 percent of the student population was African American. Like so many others, I had big dreams, so I did the best that I could for the possibility of exploring opportunities outside my small town. Thanks to the love, support, education, and training that I received from teachers, guidance counselors, and administrators in that school, I was able to walk across the graduation stage and shake the hand of former Vice President Dick Cheney as I received my bachelor’s degree from the United States Naval Academy in 2002.
Less than ten years later, I find myself perplexed at the lack of preparation of so many students graduating from the public school system, if they graduate from high school at all. The 2010 Waiting for Superman documentary revealed that there are over 2,000 high school “dropout factories” in the United States. These are failing schools in failing neighborhoods where students do not have the caring guidance counselors, mentors, or teachers that I had while growing up. These kids do not have choices, so their dreams die, and as far as they are concerned, all of their life’s hope dies with them.
My brother attended schools where the cafeteria ran out of salad before his lunch hour, or maybe the leaves on the remaining salad were brown. I have seen first hand the old, worn textbooks with missing pages. I have tutored middle and high school students that were making As and Bs in the public school system, yet could not read, write, or walk you through the steps of a basic algebra problem.
What happens to all of these children? They sometimes end up in prison or on the streets. And many rich and middle-class (or what used to be middle-class) Americans sit idly by as we have victimized these children and forced them to fail for no other reason than being born into the wrong womb in the wrong neighborhood where they attend the worst schools. They are not prepared to embrace the opportunities that are now failing even some of the most educated and hardworking Americans.
It is comfortable to pretend as if this tragedy is not going on because it is not happening in your neighborhood, but I ask this question: “What about the least of those among us?” We are raising an illiterate generation; what does that mean for the church?
It means that young people are not being taught to know God intimately and grow in their relationship with Him. After all, mature Christians frequently point to the Bible for revelations of our faith. We point to the Bible for those who desire to know God. The Bible is a book that consists of various genres of literature: narratives, poetry, similes and metaphors, allegory, and other types of figurative language that are not all accurately interpreted in the same manner.
Instead of confronting this challenge, we set the standards lower. In the same manner that the public school system is passing students through school, American Christians are giving the silent nod in support with sound-bite theology for our young people — give them a devotional, show a video, invent a quick phone app, after all their attention span is not that long (so there are no expectations for them to sit and learn through the oral traditions of old). Our young people need to be educated and they need to know the Bible.
When addressing issues of abstinence, life’s purpose, failing expectations, homosexuality, developing Christian character and the like, Bible literacy is more important than ever for our young people. Here’s the bottom line: it is our responsibility to teach our youth, to come alongside them, and help them see the importance of getting a good education. It is also our responsibility to paint the big picture for them about how a solid academic foundation can lead to God’s greater good for their lives.
I believe that the failing educational system is one of the greatest domestic justice issues of today’s American church. God requires us to act justly, love mercy, and walk humbly with Him. We are to care about the same things that He cares about and the last time I checked, “Jesus loves the little children, all the children of the world.”
I wonder what would happen in this country if the church rose to lead the charge to provide educational options. What would happen if churches spent money to build and resource more schools to support free Christian education instead of building bigger sanctuaries for themselves? Or what would happen if those same churches with resources bought buses to bring students to their churches and financially support a tutoring ministry for the children who need it?
What would happen if the homeschool moms decided to also homeschool a child who lives across the tracks or across the bridge? If they had the same concern for their neighbor’s children as they do for their own?
What would happen if Christian men made this injustice a priority? Or if housewives, stay-at-home moms, singles and widows, unemployed and part-time workers, and retirees committed their time and resources to tutoring youth in the neighborhoods where the schools are failing? There is more than enough work for all of us to do.
I wonder if the church stood up, would we continue to see a lost generation of children whose lives of struggle are sure to end in poverty, prostitution, jail, unhealthy relationships, or homelessness? I wonder if any of this matters to the church.
LOST SOUL: Amy Winehouse in London on July 23, 2009, exactly two years before her death. (Photo by Shaun Curry/Newscom.)
This week, Amy Winehouse’s official cause of death was finally announced, three months after the singer was discovered dead in her London home on July 23. After initial autopsy results came back inconclusive, the coroner determined that Winehouse died from consuming an extreme amount of alcohol. According to test results, the 27-year-old singer’s blood alcohol level was five times the drunk-driving limit. Her doctor said the troubled star had resumed drinking in the days prior to her death, after a short-lived period of sobriety.
Besides being a talented artist, Winehouse was emblematic of the numerous celebrities today whose public battles with substance abuse are regularly in the headlines. By the end of her life, Winehouse’s struggles had stretched to the point of becoming fodder for jokes and riddles (“Q: What was Amy Winehouse’s biggest hit? A: Her last one!”). Sadly, our society has grown so accustom to addiction that we now laugh it off. But for those in its grips, it’s no joke.
We asked LaTonya Mason Summers, a Charlotte, North Carolina-based mental health therapist, to comment on the realities of drug and alcohol addiction and what we can do to help those affected by it.
UrbanFaith: After Amy Winehouse’s death, the Huffington Post featured a commentary by Rabbi Shais Taub which asked the question, “Was the World Powerless to Stop Amy Winehouse?” In other words, are there addictions so strong and pervasive that they’re beyond human understanding and control? How would you answer that?
LaTonya Mason Summers: The word choice is interesting here, and I agree: the “world” was powerless to stop Amy Winehouse. But it was the “world” that fueled Winehouse’s addictions. Not “world” in the sense of the “earth,” but “world” as defined by Winehouse’s frame of reference — the background, culture, and lifestyle out of which she lived. Addictions are strong, pervasive and hard to understand and control, but it’s even more difficult when one tries to stop addiction by their own strength and understanding. It is reported that Winehouse died from alcohol poisoning. Drug and alcohol abuse is a byproduct of something far deeper. Oftentimes, it’s a symptom of low self-esteem, unresolved trauma and abuse, rejection and abandonment, and mostly fear. We do a great disservice to addicted persons when we focus on their addictions and ignore the underlying problems.
We see so many celebrity drug and alcohol addicts today that our culture has almost grown cold and callous to it. For instance, before her death there was a website devoted solely to the question of “When will Amy Winehouse die?” We see celebrities such as Winehouse, Lindsay Lohan, Whitney Houston, and Charlie Sheen, and we make jokes about them. How does this affect our culture’s understanding of addiction?
When we have a culture entertained by reality TV shows, court and crime TV, and sensationalized Web broadcasting — not to mention today’s popular music — we can’t help but have a desensitized society. We are no longer afraid of or empathetic toward anyone or anything because we’ve been there and done that through TV and the media. So, why wouldn’t we have a “When will Amy Winehouse Die?” website?
Unfortunately, we live in a society that “dumbs down” addictions but tacitly gives a “thumbs up” to its portrayals. Remember when there used to be cautionary documentaries on drugs and alcohol, and on people who struggled with them? Now, we have reality shows that glorify dysfunctional behavior. No wonder we are ignorant. Understanding addictions is no longer newsworthy.
How do you counsel a person with a serious drug addiction? Where do you begin, and what kinds of things should family and friends understand as they’re trying to help that person?
I used to set up and run treatment programs for adolescent and adult substance abusers. I absolutely loved that line of work, but it was emotionally tough. After 11 years of doing it, I stepped away to work solely with mentally ill people. The public sees addicted persons as weak people who lack self-control and deserve every consequence they face. But can you imagine the level of shame, guilt, frustration, and hopelessness that those substance abusers felt by the time they got to me? Imagine having failed everyone, including yourself, family, friends, employers, and the legal system — not to mention God. I always started treatment by instilling hope and restoring the addicted person’s sense of worth. It was much easier to establish rapport, trust, and motivation that way.
God forbid I say this, but oftentimes the families were more sick than the addicts. In fact, family members would wind up on my couch before the addict would. Family work is important in substance-abuse treatment, because the family members can make recovery hard. They help too much. Their helping sometimes hurts the addict. When my patients had toxic families, I’d send my patient to a treatment program in another city or state so they could get better.
Over the summer, former NBA star Jalen Rose was sentenced to 20 days in jail for drunk driving. Some wondered if the treatment was overly harsh because he was a black celebrity, since others have gotten off easier. Do you think jail time is an effective way to steer people clear of destructive behavior involving alcohol and drugs?
In my experience working in the court system as an advocate for my clients, the courts made it worse. The punishment given rarely fit the crime. The probation officers were inconsistent. The judges sent mixed messages by punishing minor crimes with maximum sentences and vice versa. Jail time is punitive, and punishment does not work when the drug or alcohol use is secondary to something else. Addicts don’t mind punishment because they typically feel useless and worthless anyway. That kind of punishment affirms what they believe about themselves. However, I am not saying they should not suffer consequences for drunk driving, drug use, etc. I am saying that offering them rehab while they’re incarcerated might yield greater results.
What kinds of miracles have you seen in your work with people battling addictions?
LaTonya Mason Summers
Goodness, the stories I can tell. I’ve had a hand in imparting into the lives of addicted persons who are now pastors, business owners, and even addictions counselors. I had a 15-year-old girl whose parents brought her to me as a last resort. She had refused other counselors, and I assumed she would do the same with me. After I asked her parents to leave, the girl opened up to me like a book. (It wasn’t because of anything special that I said to her, but other professionals simply had failed to remove the parents.) The girl was a cocaine user and held me by her confidentiality rights, so I could not tell her parents. We made a pact that if she stopped using I would keep her secret. I cannot tell you the anxiety I had for weeks thinking something would go wrong. I collaborated with her physician to drug test her weekly to ensure the girl’s abstinence. After three months, her parents called thanking me for my help. The girl had returned to a healthy weight, her appetite had been restored, and her mood had improved. Today (four years later) she is a successful college student studying psychology.
Among the celebrity success stories that stand out are Robert Downey Jr.’s eventual victory over substance abuse. It only came after several stints in jail and a long, public battle. What kinds of things contribute to a successful road to recovery, and when do you know that someone is legitimately recovered?
My biggest weapon is instilling hope. I do this by challenging the addicted person’s mentality and perspective. I am a cognitive behaviorist, which means I help change the way people think. I do not know what works, as I have often thrown up my hands on clients who later recovered. Then I have lost clients whom I thought had arrived. All I really know is, pray hard in each session. I ask for God’s help. I ask Him to give me the words to say, and I hold on to Isaiah 50:1-7, believing I am called as a therapist.
I honestly don’t know when a person is legitimately recovered, as I believe it’s a lifelong process. Like those of us who are not addicted, we have our own lifelong battles — we try to stop lying, cheating, stealing, yelling, cursing, overeating — everyone has a Goliath they must face. And can any of us say we’ll ever arrive in this world? From my perspective, messing up is just as much part of the recovery process as getting it right is. And, if you get it right all the time, how do you know you’re recovered?
Is it possible to effectively treat addiction without addressing the spiritual aspects of the problem?
Absolutely not! I’ve had to learn how to minister without saying “God” and “Jesus,” so that I can reach everyone. However, I know how to make others want what I have. I was mentored by a man who told me, “I may not be able to make a horse drink the water, but I should be able to make him thirsty.” And that’s the approach I take in therapy. I see myself as sowing seeds, believing someone will come behind me and water them, and eventually increase will come.
Addiction is spiritual. I believe an addict’s zealousness can be indicative of the great calling on his life. He just needs to move that zealousness away from destructive behavior to purposeful, life-giving behavior.
LaTonya Mason Summers is the founder and executive director of Life Skills Counseling and Consulting in Charlotte, North Carolina, and the cofounder of the NC Black Mental Health Professionals Alliance, which aims to educate African Americans about mental health issues and wellness.
While The Hunger Games received most of the attention at the box office last weekend, another film also opened that, in its own way, was equally as notable. 
Just weeks before Thanksgiving, taking in a film at a movie theater, I saw it.
