When The House Folds

When The House Folds

Fans of political drama certainly have gotten their plates full over the last few years. In addition to award-winning, critically acclaimed series like The Wire and The West Wing, viewers have been treated to healthy doses of political intrigue on the short-lived Political Animals, The Chicago Code, and most recently, Boss, the Kelsey Grammer vehicle.

Into the fray comes Kevin Spacey in the Netflix original series, House of Cards, which debuted last Friday in an experimental format. The early buzz is due to its novelty as the first original series produced for Netflix, but most of the critical acclaim is aimed squarely at Spacey himself for his bracing, arresting performance.

Spacey’s protagonist, Francis Underwood, is the kind of charismatic, calculating, conniving antihero that audiences can’t avert their gaze from, even when he’s doing something as viscerally disturbing as [minor spoiler alert] euthanizing an injured dog. As Underwood, Spacey fills the screen with an endless string of meetings and phone conversations with theWashingtonelite, solving problems, currying favor, and dispensing axioms left and right.

Which is to say, he’s a classic Kevin Spacey character. But there’s another figure that Spacey’s Underwood resembles – that of a pastor. The resemblance grows even clearer during the third of episode of House of Cards, when [again, MINOR SPOILER] Francis Underwood is forced to travel to his home district in South Carolina to address a local tragedy and ends up speaking at a church in the area.

Part of Underwood’s appeal is his habit of breaking the fourth wall by looking directly into the camera and telling the audience his thoughts, which often differ dramatically to whatever he’s just said to another character. So the scene where he does this from the church lectern, where he totally contradicts himself in the middle of an emotionally-charged quasi-sermon, is supposed to highlight Underwood’s depravity by juxtaposing his hypocrisy against the moral uprightness of the church.

 Unfortunately, that scene – minus a few Hollywood theatrical touches – plays out in churches all acrossAmericaevery Sunday. Except that in real life, the churches are just as complicit in the charade.

In his blog, Dr. Paul Metzger of Multnomah Biblical Seminary recently contrasted the fervor with which evangelicals tend to oppose evolution with the tacit acceptance they tend to give free-market economics, despite their being two different sides of the same ideological coin (according to Metzger, they’re both about survival of the fittest). This kind of bias creates a cultural blind spot, which invites certain pastors to speak out in favor of intelligent design in the classroom while remaining woefully silent on loopholes in the American tax code that benefit the rich at the expense of the poor.

(Then again, maybe we should be grateful for the silence, since some pastors clearly don’t understand the real-world ramifications of certain economic policies. Yes, I’m talking to you, Applebee’s pastor lady.)

The truth is, sometimes pastors make decisions for less-than-Godly reasons, and the faithful in the pews sometimes have trouble discerning when and why. In this scene, Spacey’s Underwood ends up quoting Proverbs 3:5, but it’s clear that his oratory is motivated more by political reasons than by any desire to honor God or share His truth with people.

And this wasn’t even during an election year.

House of Cards gets its name not only from its original British source material, but from the idea that our political process is effective only insomuch as people allow themselves to be shielded from the details of how it works. Otherwise, the facade is pierced and the whole thing comes falling down.

The same can be said about the church. For decades, many of our churches have been places where the primary motivation for showing up is neither worship nor Word, but to ascend the various echelons of social respectability. As such, it became easier and more popular to apply social pressure to overcome secularists who resist the church’s public agenda, rather than genuinely caring about them and allowing the Holy Spirit to use us to break down their defenses through other, non-activist means.

As long as it works, everyone’s fine – but anytime there’s a shift in the prevailing sense of morality, the whole thing falls apart.

The irony is, we revert to these top-down techniques because in many ways, they work. It’s a lot easier to demonize your opponents via press release than it is to invite your political opponent over for dinner and actually listen to what they have to say. Fortunately, people like Chick-fil-A president Dan Cathy and gay activist Shane Windmeyer have proven that it’s not impossible. But still, it’s the exception to the rule.

After all, Underwood’s Machiavellian machinations don’t just make for good television – they’re compelling because they’re effective. For men and women like Francis Underwood, that’s how things get done in Washington. But it doesn’t have to be this way in the church. It really doesn’t. And even if, as the more cynical among us might argue, it is this way in the church and nothing will change anytime soon, then let’s at least let’s have someone come up with a decent scripted drama about it. And no, the pastor’s-wives-reality-show The Sisterhood doesn’t count.

A Tale of Two Jordans

ON THE AIR JORDAN: Actor Michael B. Jordan's television work can be seen on Friday Night Lights and Parenthood.

Actor Michael B. Jordan’s compelling roles on two underappreciated TV dramas illustrate the need for biblical manhood and fatherly guidance in our society.
As an avid Portland Trail Blazer fan, I never thought I would enjoy saying this again, but I’ve been having a great time watching Michael Jordan in his prime. I’ve seen some amazing, compelling performances from him. He’s all over my TV. The only weird thing is, his dominant sport is football, not basketball.

I’m speaking, of course, of Michael B. Jordan, rising star in Hollywood. Early fans knew him as Wallace on HBO’s The Wire. Since then, he’s been on Law & Order: Criminal Intent, Burn Notice, and Lie to Me, to name a few.

I’ve had the pleasure of watching him most recently on two shows in particular. In the fifth-and-final season of Friday Night Lights (currently on DirecTV, later to air on NBC), Jordan plays quarterback Vince Howard, a troubled kid who gradually becomes a team leader under the tutelage of legendary coach Eric Taylor. Jordan also plays Alex, the unlikely love interest to teenager Haddie on NBC’s Parenthood.

The most striking thing about both of these nuanced, three-dimensional portrayals is that they seem to typify the need that young Black men have for older male role models. Every time I watch his self-assured, vulnerable humility on-screen, I think to myself, ‘that guy needs better men in his life.’

I realize the last thing we need is another piece on Why Our Young Black Men Need Fathers. It’s obvious. If you don’t already believe that, you have bigger problems than this article can address.

It’s also obvious that impartations of manhood are not limited to fathers, and that they’re most necessary in situations where fathers aren’t doing their jobs. For most of Jordan’s run on FNL, Vince’s dad was in jail. Meanwhile on Parenthood, Alex’s dad was an alcoholic.

What’s not always obvious is that this impartation happens in ways that defy our expectations and preconceptions of manhood is supposed to look like.

One man to another
But before we can explore this, we have to define our expectations. Manhood is imparted when one man calls it out in another; when he recognizes it, validates it, and supports it. That’s how it’s shown many times over in the Bible; that’s how it works. This is one of the lessons of To Own A Dragon by Donald Miller and his mentor John MacMurray. A great read, Dragon (which was recently revised and re-released under the title Father Fiction) is a window into the impact one man can have on another when he chooses to live as an open book. It’s a stunning portrait of discipleship, one interaction at a time.

It should go without saying that this impartation can only happen through men, because you can’t pass on to someone else something that you don’t have yourself. Unfortunately, this is no longer common knowledge. The Root recently featured an exploration of professional women considering single motherhood, which, considering the plight of today’s young Black male, is naïve at best and destructive at worst. Just because there have been many single Black women who have done a great job compensating for the lack of men in their sons’ lives, doesn’t mean that the need doesn’t exist.

FRIDAY NIGHT TRUTH: Michael B. Jordan portrays high school football player Vince Howard on NBC’s Friday Night Lights. He’s pictured here in a scene with his coach, Eric Taylor (played by Kyle Chandler).

The good news, though, is not just that you don’t need to be a father to impart manhood, but you don’t even have to be an official “father figure” … you don’t have to join a mentorship organization or program. You just have to keep your eyes open, and make a difference where you can.

You see this if you watch my man Mike B. in both of his recent roles. Men who were not his characters’ biological fathers were still able to make meaningful gestures to impart manhood. Eric Taylor (Kyle Chandler), Adam Braverman (Peter Krause), and Vernon Merriweather (Steve Harris) all made decisions and had conversations that served to affirm the character of Vince or Alex. None of them were particularly affectionate or emotional, yet all of their interactions were meaningful.

(I’d say more, but you know … spoilers.)

Great results, great expectations
In a recent interview, Michael B. Jordan admitted mild frustration at having such a famous namesake. On that level, I can sympathize. Yet, I believe it’s no coincidence that he’s turning out such impressive performances. With famous names come great expectations. And there’s something about high expectations that help young people respond well.

This is the main lesson we’ve learned from the Tiger Mother phenomenon, as documented by right here at Urban Faith by writer Kathy Khang. We do our young ones a disservice when we lower our expectations for fear of them crumbling under the pressure. As Cliff famously said to Theo, it’s the dumbest thing ever.

And yet, it’s not enough to have high expectations. We’ve got to be able to help our young men navigate the battery of hazards and pitfalls that accompany great talent and great expectations. My heart was heavy as I watched fictional quarterback Vince Howard’s father illegally negotiate with Division-I schools, knowing that real-life quarterback Cam Newton of the newly-crowned BCS champion Auburn Tigers, is still under investigation for the same thing. (And by the way… Newton’s father is a reverend. Lord, have mercy.)

Clearly, we need more men in our country who can and will continue to take the opportunities around them and make positive impacts in the lives of our youth.

Find a spot, and take it
That’s one thing I consistently saw from my own father, a reverend himself, growing up. If I had to pick only one positive attribute that I could take from him (trust me, there are dozens), that’s the one I would want to emulate. Even now that he’s retired, during outreach events, church services, or on afternoon bike rides, my father is always on the lookout for a young man who needs an impartation of hope and destiny. And when he sees an opportunity, he goes for it.

It’s for this reason that, as I’ve continued to grow as a musician, he implores me to continue doing hip-hop music that offers hope and models discipleship. And that’s why, if someone is feelin’ our material, they should just go ahead and take it.

Because whether it’s in the context of doing Christian hip-hop music, coaching football, leading a church ministry, or just talking straight with the young man who wants to date your daughter … every man has an opportunity to call out manhood in a young man who needs it.

And you don’t have to be Michael Jordan to make it happen.

The series finale of Friday Night Lights airs Wednesday, Feb. 9th, on DirecTV. NBC, which co-produces the series, will begin its broadcast of the final season on April 15th.