Finally, a Famous White Pastor Gets It

Justice or Socialist? for urban faith

Reformed theologian and pastor John Piper’s latest book, Bloodlines: Race, Cross, and the Christian, can be viewed one of two ways depending on one’s perception. Some might write it off as another paternalistic White Christian trying to sanitize issues of race and justice for the church, give them a White spin that engenders a false sense of Christian unity. On the other hand, some might approach it as a sincere message from a White leader who cares about the church in all its diversity and wants to challenge it to embrace a biblical understanding of racial reconciliation. In the spirit of reconciliation, I’m willing to go with the latter option and give Piper the benefit of the doubt. In fact, while I don’t sign on to everything he says, I believe his book is significant enough to be required reading for laypeople and church leaders alike.

Bloodlines is a combination of biblical exegesis, cultural analysis, and historical retrospective. In it, Piper methodically builds a case for a set of basic premises with revolutionary implications — that (I’m paraphrasing here) what God has done through Christ on the cross should supersede racial divisions in America, and the fact we’re not united is evidence that Christians in America have yet to fully embrace the gospel in its fullness.

He does so by taking a broad look at American history (including his own racist upbringing), by citing various pundits and intellectuals in the pursuit of societal solutions, and most importantly, walking through the Scriptures in order to demonstrate how the person and work of Christ has the power to unite us all into a singular, holy bloodline.

A 'RIGHT NOW' MESSAGE: John Piper's biblical exegesis and cultural analysis of race in the church is filled with urgency.

Like most solid biblical teaching, these ideas are not new, nor did many, if any, originate within Piper himself. Indeed, one of Piper’s smartest moves happens toward the end of the book, where he included the text of a previous speech that amply quotes, and subsequently comments on, the writing of African American theologian Carl Ellis in his seminal work, Free At Last: The Gospel in the African American Experience.

Though systematic in tone and delivery, Piper’s writing in Bloodlines has a sense of urgency, not as someone who wishes to address this matter once and for all, but as someone trying to lovingly prod and shake the uninvolved and ignorant off the fence and out of their stupor. Which is to say that, for the most part, Bloodlines is written for White people.

Not that only White people should read it, of course. Like most of Piper’s work, it’s aimed at as wide an audience as possible. But I suspect that plenty of Blacks and other people of color might find it less than satisfactory, for a variety of reasons.

Pastor and theologian Efrem Smith, for example, offered plenty of respect in his blog to the ministry of Dr. Piper, as they both have a history of cross-cultural ministry in the Twin Cities. But Smith took Piper to task for relying exclusively on a reformed, Calvinist theological framework, saying its Eurocentric bias undercuts his premise of racial reconciliation. He also criticized Dr. Piper for espousing only politically conservative solutions to the problems of entrenched racialized inequity that he tries to address.

Criticisms like these, while certainly valid, on some level miss the point.

As far as I can tell, Bloodlines is not designed to be a definitive guide for how to most effectively address and eradicate several centuries’ worth of racialized societal inequity in America. I’m not sure such a book could possibly be written at all (much less by a White person) without looking hopelessly naive, blatantly arrogant, or some combination of both. As such, the exploration of proposed societal remedies, particularly in the discussion of addressing individual prejudice versus institutional racism (highlighted by the dichotomy of approach by Dr. William H. Cosby and Dr. Michael Eric Dyson) is less of a showdown of competing ideas and more of a demonstration that there are diverse schools of thought regarding solutions. In other words, regarding solutions, Bloodlines is more of an overview, less a conclusion.

And as such an overview, it’s guilty of bias, as is any such work. A person can only speak from his or her perspective, and Dr. Piper doesn’t apologize for his, theological, philosophical, or otherwise. Nevertheless, he accomplishes several important things in Bloodlines, and they’re significant enough to be mandatory reading for ministers of all stripes.

1. He breaks down Scripture.

First and foremost, Bloodlines is a biblical apologetic that explains how the Gospel of Jesus Christ bears ultimate relevancy in the way we understand and approach racial issues as Christians. And this presupposes that Christians are, in fact, supposed to engage in racial issues — an idea that many evangelicals resist (more on that later).

But Piper does this by going systematically through various biblical passages that deal with racial discord and disunity, to show that he’s not engaging in proof-texting (manipulating Scripture in order to get it to line up with his point of view) but rather to show that choosing and promoting racial reconciliation is, and should be, a reasonable, logical response to the Gospel of Jesus Christ. In doing so, he starts with what’s most important — the message and life of Jesus as recorded and revealed in the Holy Scriptures.

This sounds really basic, but in an age of biblical illiteracy, this is huge. Televangelists, pundits, and politicians regularly get away with saying, “the Bible says [such & such]” without actually showing where in the Bible these things are being said. It’s a way to assume the appearance of a Christian worldview without actually demonstrating it. In Bloodlines, Dr. Piper appeals to the Bereans among us, those who, like the believers in Acts 17, don’t just take preaching and teaching for face value, but diligently search the Scriptures to see if what is being taught lines up to the truth of God’s Word.

2. He provides a biblical basis for diversity and racial reconciliation in the church.

Using Scriptures like Luke 4:16-30, Matthew 8:9-15, and many, many more, Piper demonstrates the heart of God for the ethnic outsider, and traces the evolution of God’s favor as residing as a result of faith in Jesus, as opposed to Jewish ethnic identity.

Having a biblical foundation for diversity and racial reconciliation is critical, especially for church leaders, because it’s easy for these issues to be framed as purely sociopolitical, demographic, or pragmatic issues. Especially since diversity continues to be a huge buzzword in corporate and academic circles, a lot of the conversation surrounding diversity in the church is about how churches can grow and adapt in diverse settings, as if it’s a foregone conclusion that the church must incorporate all of the latest models to survive.

In contrast, Piper calls believers toward doing the right thing for the right reason. We don’t pursue diversity just because it’s popular or expedient, he’s saying, we do it because it’s central to the heart of God, and because Christ’s love compels us.

That compulsion leads to a third, even more important thing Dr. Piper does in this work:

3. He doesn’t let anyone off the hook.

One of the many truths of White privilege is the idea that White people have a choice about how and when they choose to deal with race issues, because most of the societal institutions that people lean on for support or authority have, historically speaking, been dominated and controlled by White people. And if this is true for American society, it’s especially true of the American church.

There have been many factions of the American church, particularly among conservative evangelicals and their counterparts in the political establishment, who have consistently sought to minimizedistort, or even deny outright the culpability that White people bear for centuries of racism in America. These folks may contribute to hilarious segments on The Colbert Report, but the egregiousness of their claims often overshadow a bigger problem — the inertia that their half-truths create.

To be fair, the same faction of the religious left helped create the problem by aligning themselves with people who are all about social justice but don’t take God or the Bible very seriously. (These are some of the same people who eschew religion and instead embrace Jesus-flavored spirituality.)

But no matter how it happened, eventually a false dichotomy emerged, whereby the (mostly Black) Christians who kept bringing up the racial issues were viewed by (mostly White) defenders of the status quo as secularized radical troublemakers. According to their ilk, real Christians would never associate with such extremism. And so we have a whole generation of predominantly White churches and church leaders, content to attend an annual MLK community event, recite a few well-worn Black History Month facts or poems once in awhile, and call it enough.

It is into this thick cloud of inertia that John Piper forcefully asserts the truth — no, it is not enough.

He doesn’t use incendiary language, but in terms of clarity, Piper’s reformed tautology is as about as subtle as a Molotov cocktail. All of us are guilty, all of us need forgiveness, and we’re mistaken if we think we can use the excuses of others to get ourselves off the hook.

Consider this final plea from his concluding chapter:

No lesson in the pursuit of racial and ethnic diversity and harmony has been more forceful than the lesson that it is easy to get so wounded and so tired that you decide to quit. This is true of every race and every ethnicity in whatever struggle they face. The most hopeless temptation is to give up—to say that there are other important things to work on (which is true), and I will let someone else worry about racial issues.

The main reason for the temptation to quit pursuing is that whatever strategy you try, you will be criticized by somebody. You didn’t say the right thing, or you didn’t say it in the right way, or you should have said it a long time ago, or you shouldn’t say anything but get off your backside and do something, or, or, or. Just when you think you have made your best effort to do something healing, someone will point out the flaw in it. And when you try to talk about doing better, there are few things more maddening than to be told, “You just don’t get it.” Oh, how our back gets up, and we feel the power of self-pity rising in our hearts and want to say, “Okay, I’ve tried. I’ve done my best. See you later.” And there ends our foray into racial harmony.

My plea is: never quit. Change. Step back. Get another strategy. Start over. But never quit.

Here Dr. Piper is clearly and unmistakably talking, with gravitas and candor, to White people. And yet, by appropriating so much of Carl Ellis’ Free At Last at the end, he doesn’t let Black people off the hook either:

Black is truly beautiful, but it is not beautiful as a god. As a god it is too small. Afrocentrism is truly magnificent, but it is not magnificent as an absolute. As an absolute, it will infect us with the kind of bigotry we’ve struggled against in others for centuries. . . . Whenever we seek to understand our situation without [the] transcendent reference point [of the Word of God] we fail to find the answer to our crisis.

No, Bloodlines is not a perfect book. It’s understandable, though a bit regrettable, that so much if it is devoted only to the Black/White dynamic, when we know that America is much more complex, racially and culturally. Dr. Piper does acknowledge this, and explains his reasoning.

But the good news is that the main point of the book is something that people of all races, cultures, and ethnicities can embrace. More than simple political compromise (an oxymoron for sure), Christians are called to a deep, gut-level commitment to live out the gospel by tenaciously pursuing cross-cultural relationships and initiatives. That is what the church and the world need so desperately.

I don’t always live up to this idea, but no doubt … I get it.

And now it’s fair to say that when it comes to the race problem in America, John Piper gets it too.

The question is …

Will we all?

Are We Destroying Black Hollywood?

ALWAYS THE MAID: Actress Viola Davis won numerous acting honors but also faced criticism for her role as Aibileen Clark in "The Help." (Image: Dreamworks/Touchstone Pictures)

“When they called my name, I had this feeling I could hear half of America going, ‘Oh no! Oh come on, why her? Again!’ ” Those opening lines of Meryl Streep’s acceptance speech at the Academy Awards this past Sunday verbalized my sentiments exactly, and I’m sure the sentiments of many others. Though Streep is an excellent actor, I was disappointed that Viola Davis, the gifted actor who played Aibileen Clark in The Help, wasn’t chosen as this year’s Best Actress by the committee handing out those coveted Oscars.

While I know I wasn’t alone in my disappointment, I’m sure there were also African Americans who were actually relieved that Davis did not win. That’s just how strong the displeasure among many African Americans was regarding Davis’ role as a ’60s-era Jackson, Mississippi-based maid in The Help. Based on the bestselling novel by Kathryn Stockett, The Help was a source of controversy almost from the beginning, with the African American community up in arms about the movie and Ms. Davis’ decision to play a maid. In an impromptu Facebook survey of my friends, I found mostly mixed emotions about The Help. “African American actors, as well as other actors of color must be selective in the roles they choose to play,” said one friend. “They must really know the purpose behind the film, the targeted audience, and avoid stereotypical roles.” Her view seems to represent the opinion of many.

FROM PAGE TO SCREEN: The film adaptation of Kathryn Stockett's bestseller, 'The Help,' features Emma Stone as Skeeter, Octavia Spencer as Minny, and Viola Davis as Aibileen.

The general consensus, as seen in the news media, is that African Americans are weary of seeing Black actors in subservient roles, as well as the lack of quality leading roles and films that offer a broader view of the African American experience. It didn’t matter that Ms. Davis did a superb job in her portrayal of Aibileen, personalizing the character through knowledge of her family’s heritage of domestic workers. Many people simply were ambivalent about the notion of another Black actor playing a stereotype. Ms. Davis, however, saw the importance of her role when she told Fresh Air host Terry Gross, “You’re only reduced to a cliché if you don’t humanize a character. A character can’t be a stereotype based on the character’s occupation.”

Ms. Davis makes a good point, but even she has acknowledged the dearth of quality roles for Black actors. This has led to the enduring perception that the Academy Awards voting committee, which a recent Los Angeles Times report observed is 94 percent White and 77 percent male, is naturally disinterested in seeing non-White actors in substantial leading roles that transcend standard stereotypes.

I confess that I had my own reservations about seeing The Help initially, having grown tired of movies with Black domestic servants raising white people’s children while often neglecting the needs of their own families. I had seen enough of it, and even heard many real-life stories about it from my own family. Many, if not most, of our ancestors in the 1960s and prior — from the North to the South and everywhere in between — cooked, cleaned, sewed, chauffeured, handled the interests of, and had a part in raising the children of white families. Most of us don’t want to be reminded, preferring instead to highlight past and current achievements of many highly accomplished African Americans in our community. So was this movie a proverbial push back in line and one of “knowing one’s place,” as the Old South would remind us? Or could it be a realistic portrayal of a not-so-distant time in American history?

Another issue raised by the film is this: Should Black people continue to be angry about Hollywood’s shortsightedness when it comes to making films that authentically reflect African American life? Or, should we simply be grateful and celebrate whenever African American actors do their jobs well, no matter the roles they’re given to play?

In an appearance on ABC’s The View, Ms. Davis talked about her initial reluctance to take on the role. “You knew there was going to be a backlash from the African American community,” she told Barbara Walters and the other ladies. “It is a story set in 1962 about maids who are not educated, and I thought that people would look at that and they wouldn’t see the work.”

Seeing the work for what it was, I appreciated the film’s artistry. After counting the few films of Davis’ I had seen, I read her filmography of 40 films to date, including titles like Law Abiding Citizen and Antwone Fisher, but also Tyler Perry’s Madea Goes to Jail. I wondered about the attention or lack thereof, garnered from Davis’ previous roles, like the characters she played as the BBF (i.e., Black Best Friend) opposite Julia Roberts in Eat, Pray, Love and Diane Lane in Nights in Rodanthe, providing a shoulder to cry on and mother wit, to boot. And let’s not forget Doubt, where Davis earned Oscar and Golden Globe award nominations for Best Supporting Actress. In that film, Davis played opposite Meryl Streep (again!), who was nominated for Best Actress. Surely, we all saw those movies. Didn’t we?

In that Facebook poll I conducted, some of my friends stated that African American directors should correct the problem of limited film choices for Black actors by creating films with great Black characters. While that’s an understandable sentiment, do we need to be reminded that it takes ambitious amounts of funding and the blessing of countless (usually White) Hollywood decision makers to get any type of movie made today? Hollywood finances what the majority of moviegoers will pay for (notwithstanding the bootleg copies of released films that probably sell exponentially above the few actual ticket sales at the box office). If Hollywood won’t fund the films we want to see, we get angry with directors like Spike Lee, John Singleton, and the Hughes Brothers for neglecting to make them (as if these directors owe us.) How many times have you heard people in our community complain about the latest gangsta film featuring do-wrong black characters? Rarely.

When Hattie McDaniel became the first African American actor awarded the coveted Oscar for her 1939 portrayal of Mammy in Gone With the Wind, we applauded even as she poignantly expressed her hope that she would “always be a credit to my race and to the motion picture industry.” Was anyone complaining then? Fast forward some 70 years later and many of us are complaining, as Tavis Smiley did on his PBS show, about Davis’ nomination.

During his interview with Davis and her Help costar Octavia Spencer (who went on to win the Oscar for Best Supporting Actress), Smiley remarked: “There’s something that sticks in my craw about celebrating Hattie McDaniel so many years ago for playing a maid … [and] here we are all these years later … and I want you to win … but I’m ambivalent about what you’re winning for.” The actress shot back: “That very mindset … that a lot of African Americans have is absolutely destroying the Black artist.”

As Hollywood continues to finance movies it deems profitable, we may continue to see characters like Aibilene Clark and the young, white, savior-esque character, Skeeter. And know that the majority of the Academy is White and male.

Whether refusing to support Black artists will contribute to their ultimate destruction, as Davis contends, is up for debate. But while you stand your ground waiting for Hollywood to showcase those artists in more desirable roles, think about supporting them in the meantime. Honor their attempts to make strides in a nearly impenetrable industry that still gives crumbs to Black and other minority actors, compared to the whole slices of cake the majority often receives.

Jeremy Lin and the Perils of Racial Progress

HEAD CASES: Linsanity reigns as fans hold up faces of the New York Knicks's sudden sensation Jeremy Lin during a Feb. 15 game at Madison Square Garden. (Photo: John Angelillo/Newscom)

After a Friday-night defeat, the frenzy surrounding the New York Knicks’ sudden superstar Jeremy Lin threatened to settle down just a little after Lin’s nine turnovers helped end his team’s seven-game win streak. But then Lin went out on Sunday afternoon and tallied 28 points and a career-high 14 assists to help take down the defending NBA champion Dallas Mavericks and we were right back to fever-pitched “Linsanity.”

Suddenly, Jeremy Lin has become that kind of sports phenomenon that broadcasters adore — the exciting, charismatic athlete that even casual sports fans must tune in to watch. Indeed, the causal fans are confirming what hardcore NBA junkies have known for a while now — this Jeremy Lin is something else.

Lin, for those comfortably ensconced beneath a rock, is not only the first Asian American bona fide star in the NBA, but the hottest name in sports right now.

AERIAL LIN-PACT: Lin shoots over Sacramento Kings guard Isaiah Thomas. (Photo: Mike Segar/Newscom)

After enduring plenty of bench-warming on his third team in two years, Lin finally got his number called by Knicks coach Mike D’Antoni on February 6, and delivered a breakout performance — 25 points and seven assists to lead New York to victory. Since then, he’s continued to string together impressive performances as a starter, and until that inevitable loss on Friday night, the Knicks rode Lin’s breakout heroics back to NBA respectability after a long search for team identity.

This would be impressive on any NBA team. But by playing with such passion and fire in a media-saturated environment like New York, Jeremy Lin has captured the attention of fans, players and celebrities across the nation, garnering an undeniably palpable buzz. He’s showing up not only on ESPN Sportscenter, but on The Colbert Report and the Huffington Post.

How big is Jeremy Lin right now? He got a standing ovation after hitting a game-winning three-pointer — by fans of the opposing team.

Lin-sane reactions

It’s no wonder that Lin has been called the Taiwanese Tim Tebow — on top of all the basketball hype, Jeremy Lin has taken a public stand as a Christian. He’s spoken at length about his faith in God and how it fuels him as a player and as a person. He even gave a shout out to gospel rapper Lecrae when asked about his favorite music.

And yet, I can’t help but wince, just a little bit, when I hear all of this effusive praise. I worry a little for Jeremy Lin, and it has little to do with basketball.

Lin’s ascent into the spotlight reminds me of another popular ball-playing Harvard graduate-turned-rock-star. Like J-Lin, our 44th president burst on the scene by making a big splash — instead of February at MSG in 2012, it was July at the DNC in 2004.

And just like Barack Obama in 2008, Lin is attracting, along with the waves of adulation, an undertow of bitter resentment. A national sportswriter made a tasteless putdown regarding his sexuality. Boxer Floyd Mayweather asserted via Twitter that if Lin were Black, he would not be getting so much hype. And even though that smacks of more than a little jealousy, and probably resonates with a history of racial hostility between Blacks and Asians, there is a grain of truth there. Would there be this much hype for a non-Asian player? If he were White, maybe. If he were Black, probably not.

Then there was the offensive and racially charged headline used by ESPN after the Knicks’ Friday loss that eventually led to the firing of one of the sports networks employees and the suspension of another. Even if we wanted to play down Lin’s ethnic background and simply appreciate him as a good basketball player, we cannot. One cannot log a significant racial milestone in this nation without stirring up a little drama.

The fact is, Jeremy Lin is Asian, and that matters a lot. It matters to other Asian Americans, and it matters to Blacks. (It even matters to white Americans, though they might not say it.)

Lin and the politics of identity

Watching Lin as a Black man gives me a little bit of insight into what it might have felt like watching Obama as a White person in 2008. See, competition is often a zero-sum game, where one person cannot win unless another person loses. So J-Lin’s staggering celebrity touches a place of insecurity for some Black folks, because it feels like an intrusion into a place of previously held dominance. Larry Wilmore of Jon Stewart’s Daily Show provides an over-the-top but thought-provoking commentary on the issue. Watch it below:

The unspoken assumption is that Asians are supposed to beat you with a calculator, not a crossover. Sorta like a decade ago when Tiger Woods started tearing up golf courses left and right, and all of the White golfers who never expected that kind of performance from someone so young and non-White were more than a little miffed. When someone comes in and violates all of your assumptions, it can be a little disconcerting.

And that’s part of the reason why I want folks to slow down a little on the Linsanity hype train. It’s not because I don’t think he’s a good player. He’s clearly a very good player, and he has a chance to become great. But in the group-centered ethic of Asian American culture, Lin must know, on some level, that he is representing Asian Americans every time he steps on the court. The brighter the lights, the bigger the pressure. I know that Jeremy Lin doesn’t want to be seen as simply a marketing ploy or a gimmick, but the further out-of-proportion the hype gets from reality, the more he looks like exactly that.

I worry that Lin will be fed into the grinder of 21st century mass media, where we put our celebrities on pedestals just so we can knock them down when they displease us.

And the pedestal is much higher for a professing Christian.

Cult of Christian celebrity

Seems like every time there’s a high-profile young person with a Christian persona, the gatekeepers of the Christian establishment trot them out in front of the impressionable even-younger people, so that they’ll have a good role model. So I imagine that Jeremy Lin will soon have a publicist. If that person is good at her job, she’ll have him at conferences, concert appearances, and basketball camps throughout the offseason.

None of those things are wrong, of course, but I just hope he also has someone else in his life screening some of that stuff out, so that he can continue to work on his game and develop as a person. If sports is the ultimate reality TV, then Jeremy Lin deserves more than to become the next Christian reality TV star.

After all, the last NBA player that I remember having so public a faith-based persona when he entered the league was Dwight Howard. And that reputation has since taken a beating, not only for the hysteria surrounding his trade demands, but for fathering several children out of wedlock.

I hope that Jeremy Lin can be more than a bright star who flames out too soon. But part of what he’ll be needing to accomplish that is a little more time — to work on his game, and to find more ways to meaningfully engage his eager public. After yesterday’s game, he politely pleaded with the media to respect the privacy of his family in Taiwan who are apparently being bombarded with attention in the wake of Lin’s success. So if you really want to support him, the best thing you can give him right now is give him breathing room to play basketball without the added weight of being the latest Christian celebrity or the shining representative of all Asian Americans.

Just don’t give him too much room, ’cause I hear he’s getting pretty good from distance.

Curb Your Lin-thusiasm

HEAD CASES: Linsanity reigns as fans hold up faces of the New York Knicks's sudden sensation Jeremy Lin during a Feb. 15 game at Madison Square Garden. (Photo: John Angelillo/Newscom)

Casual sports fans are confirming what hardcore NBA junkies have known for a little while now — this Jeremy Lin is something else.

Lin, for those living under a rock, is a point guard for the New York Knicks, and is not only the first Asian American bona fide star in the NBA, but the hottest name in sports right now.

After enduring plenty of bench-warming on his third team in two years, Lin finally got his number called by Knicks coach Mike D’Antoni on February 6, and delivered a breakout performance — 25 points and seven assists to lead New York to victory. Since then, he’s continued to string together impressive performances as a starter, and until an inevitable loss last night, the Knicks rode Lin’s breakout heroics to a seven-game win streak.

This would be impressive on any NBA team. But by playing with such passion and fire in a media-saturated environment like New York, Jeremy Lin has captured the attention of fans, players and celebrities across the nation, garnering an undeniably palpable buzz known simply as “Linsanity.” He’s showing up not only on ESPN Sportscenter, but on The Colbert Report and the Huffington Post.

How big is Jeremy Lin right now? He got a standing ovation after hitting a game-winning three-pointer — by fans of the opposing team.

Lin-sane reactions

It’s no wonder that Lin has been called the Taiwanese Tim Tebow — on top of all the basketball hype, Jeremy Lin has taken a public stand as a Christian. He’s spoken at length about his faith in God and how it fuels him as a player and as a person. He even gave a shout out to gospel rapper Lecrae when asked about his favorite music.

And yet, I can’t help but wince, just a little bit, when I hear all of this effusive praise. I worry a little for Jeremy Lin, and it has little to do with basketball.

Lin’s ascent into the spotlight reminds me of another popular ball-playing Harvard graduate-turned-rock-star. Like J-Lin, our 44th president burst on the scene by making a big splash — instead of February at MSG in 2012, it was July at the DNC in 2004.

And just like Obama in 2008, Lin is attracting, along with the waves of adulation, an undertow of bitter resentment. A national sportswriter made a tasteless putdown regarding his sexuality. And boxer Floyd Mayweather asserted via Twitter that if Lin were Black, he would not be getting so much hype. And even though that smacks of more than a little jealousy, and probably resonates with a history of racial hostility between Blacks and Asians, there is a grain of truth there. Would there be this much hype for a non-Asian player? If he were White, maybe. If he were Black, probably not.

But that’s beside the point. The fact is, he is Asian, and that matters a lot. It matters to other Asian-Americans, and it matters to Blacks.

Lin and the politics of identity

Watching Lin as a Black man gives me a little bit of insight into what it might have felt like watching Obama as a White person in 2008. See, competition is often a zero-sum game, where one person cannot win unless another person loses. So J-Lin’s staggering celebrity touches a place of insecurity for some Black folks, because it feels like an intrusion into a place of previously held dominance.

AERIAL LIN-PACT: Lin shoots over Sacramento Kings guard Isaiah Thomas. (Photo: Mike Segar/Newscom)

The unspoken assumption is that Asians are supposed to beat you with a calculator, not a crossover. Sorta like a decade ago when Tiger Woods started tearing up golf courses left and right, and all of the White golfers who never expected that kind of performance from someone so young and non-White were more than a little miffed. When someone comes in and violates all of your assumptions, it can be a little disconcerting.

And that’s part of the reason why I want folks to slow down a little on the Linsanity hype train. It’s not because I don’t think he’s a good player. He’s clearly a very good player, and he has a chance to become great. But in the group-centered ethic of Asian American culture, Lin must know, on some level, that he is representing Asian Americans every time he steps on the court. The brighter the lights, the bigger the pressure. I know that Jeremy Lin doesn’t want to be seen as simply a marketing ploy or a gimmick, but the further out-of-proportion the hype gets from reality, the more he looks like exactly that.

I worry that Lin will be fed into the grinder of 21st century mass media, where we put our celebrities on pedestals just so we can knock them down when they displease us.

And the pedestal is much higher for a professing Christian.

Cult of Christian celebrity

Seems like every time there’s a high-profile young person with a Christian persona, the gatekeepers of the Christian establishment trot them out in front of the impressionable even-younger people, so that they’ll have a good role model. So I imagine that Jeremy Lin will soon have a publicist. If that person is good at her job, she’ll have him at conferences, concert appearances, and basketball camps throughout the offseason.

None of those things are wrong, of course, but I just hope he also has someone else in his life screening some of that stuff out, so that he can continue to work on his game and develop as a person. If sports is the ultimate reality TV, then Jeremy Lin deserves more than to become the next Christian reality TV star.

After all, the last NBA player that I remember having so public a faith-based persona when he entered the league was Dwight Howard. And that reputation has since taken a beating, not only for the hysteria surrounding his trade demands, but for fathering several children out of wedlock.

I hope that Jeremy Lin can be more than a bright star who flames out too soon. But part of what he’ll be needing to accomplish that is a little more time — to work on his game, and to find more ways to meaningfully engage his eager public. So if you really want to support him, the best thing you can give him right now is give him breathing room to play basketball player without the added weight of being the latest Christian celebrity or the shining representative of all Asian Americans.

Just don’t give him too much room, ’cause I hear he’s getting pretty good from distance.

Marriage Is for Black People‚ Too

In September, UrbanFaith columnist Jacqueline J. Holness wrote passionately about why she wouldn’t be reading Stanford law professor Ralph Richard Banks‘ new book, Is Marriage for White People? How the American Marriage Decline Affects Everyone. After receiving a complimentary copy of the book, I read it, then spoke to Professor Banks about its themes and the controversy surrounding them. We also talked about another book that deals with the decline in marriages. That book, Coming Apart: The State of White America, 1960-2010, was written by the polarizing political scientist Charles Murray, who previously co-authored The Bell Curve. The interview has been edited for length and clarity.

CHRISTINE A. SCHELLER: You teach family law at Stanford Law School. What is the relationship between family law and the decline in marriage rates among African Americans that you talk about in your book?

RALPH R. BANKS: The book chronicles some of the changes that were part of the evolution we’ve seen in the last half century. The legality of birth control, abortion, laws regulating people’s intimate lives–those are all part of the master shift that led to people being less likely to marry and more likely to have relationships outside of marriage.

TAKING THE ISSUES SERIOUSLY: Dr. Ralph Richard Banks.

Do you want the law to encourage marriage?

That’s a difficult issue. It’s one of those areas where it’s not clear that we have the right tools to surgically repair what might be a social problem. The big divide in marriage now is between the economically disadvantaged who decide not to marry and whose children are in less stable circumstances and those who are affluent and tend to marry and have much more stable marriages. I don’t think we can easily move people from one category to the other. The best thing to do is to provide more of a safety net for children: improve their educational systems, provide pre-school, high-quality day care for families, even for those who can’t afford it. And then, try to create an economy in which more people are able to be successful. Those are the indirect solutions.

You wrote that in Sweden, people often don’t marry but have long-term committed relationships so their children grow up in more stable homes than some American children whose parents are married. Have you given any more thought to what it is that makes the Swedish arrangement successful?

Sweden is a whole different cultural setting. In the United States, we put a lot of emphasis on marriage. We’re a much more religious nation than a country like Sweden. Marriage is more revered culturally. That’s part of the difference between the U.S. and many of the Northern European countries.

Are there any lessons to be learned from these countries in creating more stable families whether or not parents are married?

The government should do more for those who are disadvantaged generally. It would be great to have a nation where it didn’t matter which school one went to because all the schools are great, where poor kids go to schools that are as good as the schools that the rich attend, where everyone has healthcare. These are issues that are hugely important in helping the next generation to thrive. Our approach in our nation is to privatize too much, so that it depends on your family and your family’s resources. Marriage decline among the poor, in particular, is just one consequence of the fact that privatization hasn’t worked for that segment of the population.

I read lot of compassion in the book, especially for the struggles black women have in the relationship market, that critics seemed to have missed.

Thank you. Most of the critics haven’t read the book. Maybe I’m old fashioned, but I think it’s utterly indefensible and so dismaying that people would write about something they haven’t read. Imagine if you were a teacher in a classroom and you gave students an assignment to review a book and they wrote about why they would not read the book, you would fail them. With blogging, that has become acceptable and I think that’s just bizarre.

Some black women who don’t want to read your book said they are tired of people like Steve Harvey, who you mentioned, telling them what is wrong with them and their lives.

I understand that.

You’ve been invited to speak to African American women’s groups, so obviously that is not the overall consensus. A Chicago Tribune article about one event said the majority of women in the audience appreciated what you had to say.

The women in that audience who read the book said it changed lives. It’s like global warming. People have been hearing about global warming for so long, they don’t want to hear anybody else talk about it. Actually, the information might be useful information for someone who wants to understand something.

Do you think it taps into pain and that explains some of the response?

It does. I think that explains a lot of it, but I think over time that’s going to change. The issues are tough. Black people say they want their issues to be treated seriously, but when the issues are treated seriously, people can’t take it. They’re so accustomed to sensationalism and superficial treatment that when something comes along, they’re actually too wounded or too resistant to acknowledge it and consider it. This happens with a lot of issues in society where they’re treated very superficially and people get upset by that. But then the reason they’re treated superficially in part is because the serious treatment is something that is not always easy to take. Frankly, it requires all of us to examine ourselves and to think more deeply about things that we might prefer to not think about.

One area of criticism was the suggestion that black women more seriously consider having relationships with men of a different race.

I don’t at any point suggest that black women should think more seriously about having [interracial] relationships. I don’t ever make a suggestion. I don’t ever offer advice. You’re getting that from people who, again, by their own admission haven’t read the book.

I got that sense from reading the book, whether you used the words directly or not.

This is the thing: there’s a genre of books, self-help books, and this is actually not a self-help book. This is a book for somebody who wants to understand some major changes in American society, with respect to marriage and family. That’s what this book does. That’s how I started writing the book, but we have such an anti-intellectual society that people don’t actually want to understand stuff. They just want to know, “What should I do?” So, the book has been sliding into the advice category, but in the actual writing of the book, I don’t say that.

But the reaction that you’re getting seems to indicate that people are, on some level, looking at it as a relationship manual.

I think people slide it into that, but this is not an advice book. It’s not an opinion book. It’s not a Steve Harvey book. This is a book that provides information based on actual research. It’s the most comprehensive distillation of the research ever on these issues. It’s written for a popular audience in a way that people will find accessible. It took an extraordinary amount of work to bring all this to bear. It’s hard to control how people construe it, especially when many of the people writing about it haven’t read it.

In the chapter on fears black women have about interracial relationships, particularly with white men, you discussed their concerns about having biracial children. One woman is quoted as saying to her white fiance, “If we have twins, one dark and one light, we’re putting the light-skinned one up for adoption.” As a white mother who gave birth to a biracial child, that was a very difficult thing for me to read. I thought it sounded incredibly racist.

I know it does. I was on a radio show in San Francisco and a black woman called in and said, “If my daughter married a white guy, I could understand that, but if my son married a white woman after all the energy we’ve put into him, I wouldn’t know what to do with myself.” The next caller said, “This woman called in to say that and if she were white, we’d be ready to sign her up for the local Ku Klux Klan, but because she’s black everybody thinks it’s okay.” This is an honest story. There are lots of black people who feel that way.

I’ve experienced that anger.

So it’s not a surprise that people feel that way. I’ve had resistance even from family. One of my sisters, who’s since come to be a big champion of the book, basically said, “Why are you going to write about this stuff in a way that white people can read it.” There are a lot of things that we know and feel are true in our lives, but we don’t want other people to know about them. People don’t want to expose some of that, and it is difficult.

It’s our perspective at UrbanFaith that we need to be talking about these difficult issues in ways that aren’t polarizing.

With race, what typically happens is people prefer to have very superficial, simplistic, meaningless conversations rather than real ones. It’s kind of like your social friends rather than your real friends. You’re not actually revealing things that are deep and meaningful to social friends because once you do that, people are vulnerable. What a lot of people don’t want, frankly, is to be vulnerable to people of other races.

What has the reaction been to the chapter on the fear of interracial dating?

I don’t have a random sample, but the people who read it love it. That’s what they want to talk about, not only African Americans, everyone, because, again, these are issues that might arise in the context of African Americans, but they are actually universal issues about fear of the other. One of the points I make in that section is that black women in particular are asking themselves, “Will he accept me and will his family accept me.” For non-black men, there’s a similar worry: will she accept me and what will her family say?

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