Walker, widely documented to have been America’s first self-made female millionaire, made her fortune building an Indianapolis-based beauty products company that served black women across the U.S. and overseas. Today it offers a product line through Sephora.
Oscar-winner Octavia Spencer stars in the miniseries about the African American entrepreneur originally named Sarah Breedlove. Born shortly after emancipation in 1867 on a cotton plantation in Louisiana to a formerly enslaved family, she later adapted the initials and last name of her third husband – played by Blair Underwood in the series. The show imagines Walker’s struggles and successes in a dramatic reinterpretation of the historical record.
Her philanthropic legacy didn’t make the cut – aside from a few visual footnotes just before final credits roll. Those footnotes touch on her charitable giving to black colleges, social services and activism with the NAACP.
While viewers will enjoy the series, I want them to learn that Walker didn’t just live a life of hard-won opulence. She exemplified black women’s generosity. Her philanthropy and activism imbued every aspect of her daily life. “I am not and never have been ‘close-fisted,’ for all who know me will tell you that I am a liberal hearted woman,” Walker told the audience of the 1913 National Negro League Business meeting sponsored by prominent black leader Booker T. Washington.
More than money
Walker distinguished herself on a philanthropic landscape dominated by white people. Men like John D. Rockefeller and Andrew Carnegie turned to large-scale philanthropy after spending their lives accumulating wealth. In contrast, Walker’s giving began in earnest when she was a poor, young, widowed mother struggling in St. Louis. She gave along the way from what she had, rather than waiting.
She had much in common with other black churchwomen, club women, educators and activists. Like Mary McLeod Bethune, Nannie Helen Burroughs and Ida B. Wells-Barnett – and tens of thousands of other working and middle class black women – Walker embodied a versatile generosity that sought to meet communal needs and topple widespread discrimination.
Walker was a highly prized donor in the black community. Constantly solicited, she gave money to black-serving organizations across the Midwest and the South.
The Netflix miniseries briefly references her gifts to social services. She supported organizations like Flanner House in Indianapolis, which helped African Americans get jobs, an education and childcare. She made sure that poor families could eat at Christmastime.
The “Indianapolis Freeman,” a black newspaper, reported in 1915 how her company’s office resembled a grocery store due to all the gift baskets that were filled with food. In 1918, she gave US$500 to support the National Association of Colored Women’s campaign to purchase and preserve Cedar Hill, home of abolitionist Frederick Douglass, which still stands today in Washington, D.C.
Walker lacked formal education but she was a lifelong learner who donated thousands of dollars to the Tuskegee Institute in Alabama and other black schools.
She helped the poor through the Mite Missionary Society of St. Paul’s African Methodist Episcopal Church in St. Louis. She supported the National Association of Colored Women, which provided educational and social services to black communities around the country, and advocated for changing public policies.
Walker also expressed her generosity by using her voice to speak out against the injustices of Jim Crow discrimination and oppression. She drew attention to sick and injured black soldiers during World War I by visiting and entertaining them at military camps in the Midwest. To black and white audiences, she spoke out publicly about black soldiers’ patriotic sacrifice overseas for freedoms denied them at home, and her full expectation that such freedoms be granted upon their return.
Walker also advocated for temperance, women’s suffrage, female empowerment and civil rights. She secured a pardon for a black man jailed for an alleged murder in Mississippi. And she shared her own encouraging story of success with audiences around the country as an affirmative testimony of the value and dignity of black life amid pervasive hateful and hurtful Jim Crow stereotypes.
‘Netflix and engage’
I hope that many viewers who see “Self-made” and feel inspired by Walker’s story consider a new way to binge on TV: “Netflix and Engage.”
Fans of political drama certainly have gotten their plates full over the last few years. In addition to award-winning, critically acclaimed series like The Wire and The West Wing, viewers have been treated to healthy doses of political intrigue on the short-lived Political Animals, The Chicago Code, and most recently, Boss, the Kelsey Grammer vehicle.
Into the fray comes Kevin Spacey in the Netflix original series, House of Cards, which debuted last Friday in an experimental format. The early buzz is due to its novelty as the first original series produced for Netflix, but most of the critical acclaim is aimed squarely at Spacey himself for his bracing, arresting performance.
Spacey’s protagonist, Francis Underwood, is the kind of charismatic, calculating, conniving antihero that audiences can’t avert their gaze from, even when he’s doing something as viscerally disturbing as [minor spoiler alert] euthanizing an injured dog. As Underwood, Spacey fills the screen with an endless string of meetings and phone conversations with theWashingtonelite, solving problems, currying favor, and dispensing axioms left and right.
Which is to say, he’s a classic Kevin Spacey character. But there’s another figure that Spacey’s Underwood resembles – that of a pastor. The resemblance grows even clearer during the third of episode of House of Cards, when [again, MINOR SPOILER] Francis Underwood is forced to travel to his home district in South Carolina to address a local tragedy and ends up speaking at a church in the area.
Part of Underwood’s appeal is his habit of breaking the fourth wall by looking directly into the camera and telling the audience his thoughts, which often differ dramatically to whatever he’s just said to another character. So the scene where he does this from the church lectern, where he totally contradicts himself in the middle of an emotionally-charged quasi-sermon, is supposed to highlight Underwood’s depravity by juxtaposing his hypocrisy against the moral uprightness of the church.
Unfortunately, that scene – minus a few Hollywood theatrical touches – plays out in churches all acrossAmericaevery Sunday. Except that in real life, the churches are just as complicit in the charade.
In his blog, Dr. Paul Metzger of Multnomah Biblical Seminary recently contrasted the fervor with which evangelicals tend to oppose evolution with the tacit acceptance they tend to give free-market economics, despite their being two different sides of the same ideological coin (according to Metzger, they’re both about survival of the fittest). This kind of bias creates a cultural blind spot, which invites certain pastors to speak out in favor of intelligent design in the classroom while remaining woefully silent on loopholes in the American tax code that benefit the rich at the expense of the poor.
(Then again, maybe we should be grateful for the silence, since some pastors clearly don’t understand the real-world ramifications of certain economic policies. Yes, I’m talking to you, Applebee’s pastor lady.)
The truth is, sometimes pastors make decisions for less-than-Godly reasons, and the faithful in the pews sometimes have trouble discerning when and why. In this scene, Spacey’s Underwood ends up quoting Proverbs 3:5, but it’s clear that his oratory is motivated more by political reasons than by any desire to honor God or share His truth with people.
And this wasn’teven during an election year.
House of Cards gets its name not only from its original British source material, but from the idea that our political process is effective only insomuch as people allow themselves to be shielded from the details of how it works. Otherwise, the facade is pierced and the whole thing comes falling down.
The same can be said about the church. For decades, many of our churches have been places where the primary motivation for showing up is neither worship nor Word, but to ascend the various echelons of social respectability. As such, it became easier and more popular to apply social pressure to overcome secularists who resist the church’s public agenda, rather than genuinely caring about them and allowing the Holy Spirit to use us to break down their defenses through other, non-activist means.
As long as it works, everyone’s fine – but anytime there’s a shift in the prevailing sense of morality, the whole thing falls apart.
The irony is, we revert to these top-down techniques because in many ways, they work. It’s a lot easier to demonize your opponents via press release than it is to invite your political opponent over for dinner and actually listen to what they have to say. Fortunately, people like Chick-fil-A president Dan Cathy and gay activist Shane Windmeyer have proven that it’s not impossible. But still, it’s the exception to the rule.
After all, Underwood’s Machiavellian machinations don’t just make for good television – they’re compelling because they’re effective. For men and women like Francis Underwood, that’s how things get done in Washington. But it doesn’t have to be this way in the church. It really doesn’t. And even if, as the more cynical among us might argue, it is this way in the church and nothing will change anytime soon, then let’s at least let’s have someone come up with a decent scripted drama about it. And no, the pastor’s-wives-reality-show The Sisterhood doesn’t count.
On Friday, May 20, 2011, the US reached the 60-day deadline according to the War Powers Act that requires military forces to cease action without approval from Congress. Congress introduced the Act during the Vietnam War. The President has the option to begin a 30-day withdrawal period.
Last week, Dominique Strauss-Kahn resigned as the head of the International Monetary Fund in the aftermath of the charges he’s facing for allegedly forcing himself on a hotel maid. The media focused on how sexual assault allegations against the French politician will affect his career and (along with the Arnold Schwarzenegger scandal) returned the spotlight to the predatory and sexually imperious behavior of powerful men, but the affair also brings to light the dangers hotel maids face working in isolation, as well as issues related to class and race. Strauss-Kahn’s alleged victim, a West African immigrant, reportedly is feeling overwhelmed and threatened by the global attention being paid to the case.
The 2011 tornado season has been particularly aggressive, killing more than 450 people and destroying millions of dollars worth of property. A series of devastating storms roared through the Midwest over the weekend, including a horrific tornado that killed at least 89 people in Joplin, Missouri. Our prayers go up for those affected by these and earlier storms. Check out these safety tips from ABC News for advice on preparing for the unpredictable weather activity of this crazy storm season.
Mary Mary continues to evolve. They know what their loyal fans want and they know how to grab a new batch of fans with every album release. The album debuted at number ten on the Billboard top 200 charts, with 42,000 copies sold in the first week. Watch Walking below!
Chris Barbic is the superintendent of a new special “Achievement School District” in Tennessee. The district includes five of the state’s worst-performing schools. Barbic, who has a reputation for his successful charter school career, seems more than qualified to lead the test run of the President’s reforms. Unlike previous school reforms, the state will control a small group of underperforming schools, rather than addressing the issue state-wide.
Groupon Now is designed to allow business’ to fill seats on slow days. The deals are only valid during certain hours and usually expire within 24 hours. This model allows business’ to manage their perishable inventory. This model is sure to change the way people view business in general; it gives local businesses a way to maintain a buzz rather than survive on ebbs and flows of business.
Netflix now accounts for nearly 30% of all broadband traffic during peak hours. BitTorrent is second at 21.6%. “Internet service providers, have argued that TV shows and movies streamed from Netflix add as an unsustainable burden to their network.” Providers are looking into placing caps on broadband and extra charges. Based on the growing internet usage, your monthly bill may soon be based on usage rather than speed or bandwidth alone.
The new Angel’s will star Minka Kelly, Annie Llonzeh and Rachel Taylor. The original series, which began in 1976, starred Farrah Fawcett, Kate Jackson and Jaclyn Smith. The executive producer, Drew Barrymore, is also a former Angel. Unfortunately, after watching the preview, I predict these angels won’t have their wings for long.
Never Back Down, released in 2008 and made $41 million worldwide. This summer, Sony Pictures will release Never Back Down 2, which White says will have a “darker installment…with more of a Dark Knight feel.” The film centers around the world of four fighters from different backgrounds training together under an ex-MMA star.
Oprah Winfrey, who has inspired millions, donated millions to charity, and created an empire founded in humility and service, was honored last week at a star-studded surprise thank you event at the United Center, in Chicago. Everyone from Tom Hanks to Michael Jordan showed up and shocked Ms. Winfrey with gratitude for her commitment to quality entertainment, inspiration and philanthropic deeds. Watch the event TONIGHT!