THE WORLD ACCORDING TO KEY AND PEELE: Beyond being funny, Keegan Michael Key and Jordan Peele's irreverent comedy shines a light of truth on African American life.
In Part 1, we examined the connection between Comedy Central’s Key & Peele and the tension that Black men feel between being accepted by society and being true to one’s self.
Here in Part 2, we’re going to take a look at several Key & Peele sketches, get at some of the underlying issues behind the comedy, and see what biblical truths can be applied to them, particularly as they relate to the lives of young men like Trayvon Martin.
(Before I go any further, a DISCLAIMER: Key & Peele is rated TV-14, and while there are very few sexual references, there is a fair amount of profanity, albeit mostly bleeped out. As always, use discretion when viewing clips. You don’t want your 5-year-old repeating this stuff — or your 45-year-old boss, for that matter.)
(Also, let me say this for the record — despite the adult content, I think each of these sketches is absolutely hilarious. No, they’re not for children. But they’re funny nonetheless. In the following paragraphs I do a lot of cultural exegesis, breaking down the principles behind the humor. But never let it be said I don’t think it’s funny.)
“Yo Mama Has Health Problems,” is a depiction of a doctor with an Indian accent, trying to give a consultation to a younger Black guy with his posse standing behind. Every time the doctor tries to engage the guy in conversation about his mother’s failing health, dude has some juvenile comeback with which to delight his friends. Riffing on the classic pastime of playing the dozens, this sketch demonstrates the communication breakdown that happens to people with misplaced expectations and different cultural traditions.
The brilliance of the sketch is in its metaphysics — that it’s one long joke about people joking with another. The twist at the end is when the doctor figures out how to play along, and does so — with shockingly inappropriate results.
This sketch makes you laugh and cringe — often at the same time — because few things are more destructive to a relationship than a failed attempt at humor. This is not to say that we shouldn’t joke around with one another, but rather, we should understand how and when to do it. Gilbert Arenas had to learn this the hard way — there are times when jokes are not an appropriate way to make a point. After all, there’s a reason why, in Proverbs 26:18-19, careless jokesters are compared to arsonists.
What’s especially poignant is, a few minutes in when Jordan Peele’s wisecracking character lets down his guard, his acknowledgement rings true. Many people, Black White or otherwise, use humor as a coping mechanism. And this is not necessarily a bad thing, but the problem is in context. When others around us take their cues from our sketchy behavior, that creates misunderstandings of epic proportions. If those misunderstandings are propagated long enough, you end up with people resorting to smartphone apps to see if they’re allowed to say the n-word.
If we as Black folks want to help edify and build up others outside of our culture, it’s going to require, at times, that we rein in our sense of humor. Not mortally cripple it, just put some good boundaries around it. Otherwise we’ll continue to have tragic episodes of miscommunication, and the net result will be fewer people willing to take the risk of a potential offense for the sake of gaining greater clarity and perspective from someone outside their cultural context.
Given our nation’s overall racial divide, it’s clear that we as Christians need to share as much perspective and gain as much clarity as possible. It’s just one way to help our nation avoid more Trayvon-like incidents.
In the book of Acts, there is a profound story regarding Peter, a leader in the early church, and a vision he has regarding a blanket of food that the Lord told him was no longer considered to be unclean. Space constraints don’t permit me to fully break this down, but that vision leads Peter down a path of greater love and acceptance for outsiders.
This sketch reminds me of that story, except that the cultural model is inverted. Instead of ethnic-specific foods being outlawed, they’re actually preferred. And rather than exclude each other, we see Jordan and Keegan trying to outdo one another, proving their in-group status by ordering more and more “authentic” soul food, which comically regresses into more bizarre and less-edible fare.
There are many underlying truths in this sketch. The obvious one is that men are often hypercompetitive, and African American men are no exception. Another is that soul food, while an important component of African American culture, sometimes lacks in nutritional value.
This makes sense if you factor in the role slavery had in restricting the culinary habits of Black people in the nineteenth and twentieth centuries. Blacks rarely had access to choice cuts of meat, so had to adapt by eating the parts of animals that their White masters found undesirable.
Indeed, it seems as though ingenuity as a survival instinct has become a defining characteristic for African Americans; the history of hip-hop, for example, is full of people who took undesirable, marginal or forgotten elements of music and turned them into something original and innovative (graffiti, turntable scratching, sampling, etc.).
The downside, though, is that just because something is culturally authentic doesn’t make it good. It’s no wonder that a people who were subjugated and dehumanized for centuries might internalize behavioral ways of coping that are less than truly healthy. This dynamic is what is satirized by K&P by the pursuit of food that sounds less than edible.
My favorite moment of the “Soul Food” sketch is at the end, where Keegan says, in response to the server’s offer of gravy: “What’s a cellar door without gravy? It’s not food.”
Isaiah 55:1-2 calls out to people in this situation, who find themselves grabbing plate after plate of stuff that isn’t really food. Isaiah proclaims the compassion of the Lord, who wants His people to be satisfied with goodness and settle for nothing less.
Rather than chasing only what is culturally authentic, as Christians we should chase after what is anointed and Godly. Rather than competing for cultural acceptance, we should be spurring each other on toward love and good behavior, worrying less of what others think than of what the Lord thinks. That’s true for Black men, yes, but it’s true for everybody.
* * *
So now, in two of these K&P sketches, we’ve seen several aspects of Black masculinity on display, and identified a few solutions that can help our young Black men continue to develop and make the world a better place for all the other Trayvons out there.
But what about our relationships with women? There seems to be issues at play that affect our interactions with each other and with the opposite sex. Whether male or female, this is something worth paying attention to.
So make sure to check out Part 3 of this series, where we delve into the final sketch of our sample.
DOUBLE DOSE: Comedy Central stars Michael Key and Jordan Peele bring racial stereotypes into focus by addressing them head on.
Fans of racially themed sketch comedy had been relegated to watching reruns of Chappelle’s Show and In Living Color until last February when Comedy Central unveiled their latest breakout hit,Key & Peele.
Featuring biracial comedians (and Mad TV alumni) Keegan Michael Key and Jordan Peele, Key & Peele‘s thematic M.O. is to dive deep into the racial ambiguity and complexity of modern pop culture, mine for nuggets of truth, and then exaggerate them into overdrive. The result is a peculiar kind of inspired silliness that is not quite as crass as Chappelle’s Show or as mean spirited as The Boondocks, but that still works as effective satire.
The show maintains a broad enough appeal to hit on other topics (like this bit on reality chef competitions), but the core of the show is still in racial issues. Because their biracial identities form the basis of the comedy, many of the vignette premises involve the convergence of Black and White stereotypes and cultural mannerisms (like this short bit with mic checks). And the funniest and most effective sketches are those where Keegan and Jordan find themselves temporarily ditching their mainstream, respectable personas in order to demonstrate how authentically Black they are — which usually means subtly, gradually, and outrageously outdoing each other. Whether they’re in a dramatic stage production, in a restaurant ordering soul food, or even just walking down the street, the results are usually hilarious.
What sketches like these tend to illustrate, though, is the dichotomous tension that a lot of African American men tend to feel, one that’s heightened for those of mixed-race heritage like Key and Peele. People use different words to express it, but it’s essentially still the same struggle — the meek, acceptable, responsible Black man versus the militant, flamboyant, outspoken Black man. Sellout versus Soldier. Punk versus Player.
(Back in the day, it might have been Martin vs. Malcolm, but now it’s just as much Barack versus Luther, the presidential anger translator. Apparently K&P nailed this dynamic so well that even President Obama himself thinks it good.)
But whether spoken or unspoken, as Black men we tend to feel trapped between those two extremes. We want to handle our business and rise to the highest echelons of success, but we don’t want to forget where we came from. We want to have nice things and inhabit nice spaces, but we don’t want to abandon our cultural identity, one that has roots in turmoil and struggle.
And this tension is a major component of the outrage over the Trayvon Martin case. After all, Trayvon died in an upscale neighborhood in Sanford, Florida. And he died wearing a hoodie. Obviously, the hoodie is nowhere near an exclusively Black piece of apparel. These days, everyone wears them, from high school students to upscale retirees. You can buy suit jackets with hoodies, for crying out loud. So the underlying question that the Trayvon Martin case brings up (after the obvious one of “why did it take so long to arrest Zimmerman?”) is why is an African American teenager in a hoodie automatically considered a threat?
BENEATH THE HOOD: Trayvon Martin's hoodie spoke to the tension between repression and authenticity embodied by many Black men, and also satirized in Key and Peele's comedy.
Out of this tumble a Pandora’s Box of troubling questions that Black parents have been wrestling with for decades, all connected to young Black men and the presumption of class based on public appearance. There are the philosophical/theoretical questions like, is it best to be as conservative as possible or should we keep it as “real” as possible?Were Geraldo Rivera’s comments those of an out-of-touch bigot, or a compassionate pragmatist? And then there are the more practical, nuts-and-bolts types of questions. How can we tell what gang members are dressing like nowadays? Should we watch The Wire? Which trends are just stylish and which are thuggish? Does it matter which way a cap is tilted? What about certain colors or team logos? Does jewelry matter? Baggy pants, or saggy pants? What about skinny jeans that sag?
You’ll notice that the above question mainly ignored the obvious answer to the question of why Trayvon was considered a threat — centuries worth of institutionalized and internalized racism. This answer, while obvious, does little to help address the practical struggles of being — or raising — a young Black male today, to the lament of Black mothers everywhere.
As believers in Christ, some of the questions that should matter most are, “what does the Word say about this issue?” and “how can I apply it to my cultural context?” These are often hard questions to answer, and even harder to have healthy dialogue over, because of the seriousness and tension surrounding these issues. Sometimes, you just need to laugh a little bit before you can really engage.
Enter Key and Peele.
These two talented comedians have provided an ample supply of case studies into postmodern African American male culture. So let’s laugh, and let’s learn. Let’s look at the issues, and see what the Bible may have to say about it.
Stay tuned for Part 2, where we look in-depth at several hilarious Key and Peele sketches, examine the underlying cultural issues at play, and then apply some biblical understanding.
HOTLANTA MESS: "The Real Housewives of Atlanta" is one of the Bravo networks top reality shows. The cast (from left) Kim Zolciak, NeNe Leakes, Phaedra Parks, Sheree Whitfield, Cynthia Bailey, Kandi Burruss. (Photo: Bravo)
Sex, scandal, soap operas, and reality TV …
Those were my thoughts while reading through the book of Samuel over the past few weeks. Samuel is a book filled with murder, rape, and incest. In it, we observe power plays, betrayal, and unceasing war.
The injustices against women are evident. Throughout the book, women are tossed around like property to be used and abused in whatever manner the men of power see fit. Consider King Saul’s daughter, Michal, for example. Saul gave her away to David, which was a good selection for her since the Bible reveals that she was in love with David. Saul, on the other hand, simply used her as a pawn in his endless pursuit to capture and kill David. (She was actually the second daughter Saul tried to pass off to David. Read 1 Samuel 18.)
Nevertheless, Michal married David and proved herself faithful to him. David was forced to flee from the hands of a jealous Saul. Saul takes David’s absence as an opportunity to marry Michal off to someone else (1 Sam 25:44). By this time, David had married two other women. Are the reality show themes setting in yet?
After Saul’s death on the battlefield, David demands that his wife, Michal, be returned to him. Therefore, his wife is taken and returned to David, as her second husband goes weeping behind her. Finally, her second husband is forced to return home to grieve his lost (2 Sam. 3:13-16). Don’t believe me? It’s in the book, and this is just one of many scandals recorded. The poor guy was probably Young and Restless; David was suffering through the Days of Our Lives, and Michal was probably no longer Bold and Beautiful.
Which made me think … King Solomon, David’s son, was right when he wrote, “There is nothing new under the sun” (Eccl. 1:9). Look how far we have fallen.
Then I wondered, “What is the difference between the life stories recorded in Samuel and those shown in our current reality series, say The Kardashians franchise shows, The Real Housewives of … wherever (though most of them aren’t even wives), or The Basketball Wives shows?”
Seriously, people watch these shows for their entertainment value, and Christians read the Bible for a much deeper purpose. But is that all there is to say? We could tie a nice theological bow on this, but that would not promote dialogue, would it?
This question is an important one concerning culture and the church, and maybe how we can reconcile the two. It may also lead to questions as to why it’s important to read the Old Testament. Why did God choose to include this historical book in the sacred text that is the Bible? What does he want us to learn? There are history lessons of course, worthy of the notable phrase “Those who do not know their history are destined to repeat it.” But what are the other purposes to consider? Finally, we must ask the “So what?” question.
Is our reading of the Bible too restrictive? Do we consign the Old Testament to the static role of exotic history book without considering its instructive aspects for today? Are there insights in the text to be found about responding to the hot messes in our own families and communities? What do these messes reveal about God? What do they teach us about ourselves?
Here’s to seeing God’s Word in a new light, and taking it at least as seriously as we do NeNe’s latest outburst or Kim K.’s 72-day nuptials.
I have an idea for a good Father’s Day present: a Merriam Webster’s Collegiate Dictionary. Inside is the definition for father:
A man who has begotten a child.
A male PARENT.
A father-in-law, stepfather, or adoptive father.
I would give the dictionary to deadbeat dads, but I’d also give it to those being duped into honoring single mom’s on Father’s Day.
The gift idea came while I was in Wal-Mart to buy a card for my dad. My wife, as she shook her head sadly, pointed to the category “Happy Father’s Day, Mom” in the Mahogany section. Mahogany is Hallmark’s brand for African Americans. I looked through the general Father’s Day card section, but couldn’t find the “mom” category.
Some people insist on making a buck by selling the idea that Father’s Day is also for single moms. Hallmark has been offering the mom cards for a few years, and a Web search also revealed a few entrepreneurs selling T-shirts, mugs and the like. Being a dedicated black father of three grown children who looks forward to this one day that celebrates what I willingly do every day, I find this offensive and even dangerous, particularly for the black community.
Nationally, 1 out of 3 American children live in homes where fathers are absent, according to the Center for Disease Control. The black rate is 2 out of 3. The message to the black community is that single motherhood is acceptable, so celebrate with a Mahogany card.
By marketing “some love” to single moms on Father’s Day, the role of dads is devalued, especially in a community that badly needs fathers to step up and be real parents. It’s also capitalizing on a self-inflicted wound. Society should be lifting men who are honoring their role. That’s what the National Fatherhood Initiative is doing. The organization, which promotes fatherhood among all racial groups, is targeting the deadbeat crisis with a Call to Action that aims to mobilize black churches. Urban Ministries, the parent company of UrbanFaith.com, is involved. I recently spoke with Roland Warren, the president of NFI, who agreed that celebrating single moms on Father’s Day doesn’t help. Warren, who like me is a product of divorced parents and was successfully reared by a loving single mom, is a married father of two. (Hear the entire interview on The Wil LaVeist Show on June 22 at Noon EST at www.whov.org.)
I called Hallmark to ask why they’re capitalizing on this crisis, but hadn’t heard back from them. (Update: Three days after this article was published, a representative from Hallmark did contact the author. See Editor’s Note below.)
There are many legit and even painful reasons beyond control for why moms end up rearing children alone: Abusive relationships that wives flee; rapes, where the woman (or girl) heroically presses through the pregnancy; fiancés and husbands who die suddenly. However, there are adult reasons that happen within our control. Since the 1960s, increased divorces and out-of-wedlock births have dramatically spiked the number of households headed by single moms. And, unlike my father who stayed involved with his children, many dads cut and run. It’s also true that many moms force fathers to stay away, reducing them to monthly paychecks.
I also understand that school children, whose dads aren’t around, are often led to make Father’s Day gifts for their single moms to make them feel better. Children don’t need pity. They’re resilient and can handle reality. Having them show appreciation for their next closest positive male role model—an uncle, coach, pastor, or neighbor—is a better option that could help replenish the value of men in the black community among future generations.
I respect dedicated single moms, but understand the definition. A woman can never be a father and a man can never be a mother. Both parenting roles are equally unique and invaluable. Even among same-sex parents, you’ve got two moms or two dads. The idea of Father’s Day was actually inspired by a single dad who reared his six children after his wife died. Mother’s Day is in May. You also have the lesser-known Single Parents’ Day on March 21.
A mother being celebrated on Father’s Day makes as much nonsense as telling a single dad Happy Mother’s Day.
I doubt you’d find a Mahogany card for that.
It wouldn’t sell.
Editor’s Note: Following publication of this article, columnist Wil LaVeist did receive a response from a Hallmark representative. That email is reprinted below in its entirety.
First, let me apologize for our delayed response to the question you left for us last week. We were unable to confirm facts with the Mahogany and Father’s Day card teams prior to the deadline you noted in your message, so we missed the opportunity to provide context. But I thought it might be helpful to share our point of view.
Hallmark’s goal is to offer cards for the wide range of our consumers’ relationships so that everyone who wants to connect with others in positive ways can find a card to meet their need. For years, consumers have expressed a desire for cards addressing this relationship, and we’ve offered them for the past several seasons. The Mahogany Father’s Day collection included 66 cards to help people honor dad and other special men in their lives, and that selection included two cards recognizing mom. Please note that our general Hallmark Father’s Day line also included a “To Mother on Father’s Day” card and several “Like a Father” cards to acknowledge those who play a father-like role in someone’s life.
We’ve shared your post and the discussion in the blogosphere with the Mahogany team. It’s always helpful to have insight from varying perspectives as we plan selections to meet people’s card-sending needs.
Thank you,Kristi E. Public Relations | Hallmark Cards, Inc.
If you are a Christian woman and you are thinking about reading a thoughtful book about male/female relationships, Steve Harvey’s Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment is not the book for you. (more…)
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