SPEAKING UP FOR HIS FAITH: Christian actor Angus T. Jones caused a stir when he denounced the tawdry content of his CBS sitcom, ‘Two and a Half Men.’ Critics suggested he give up his $350,000 per episode salary and quit the show.
(The following is an open letter to Two and a Half Men costar Angus T. Jones, who lit up the blogosphere when a video testimonial of his went viral, mostly due to his denouncing of the show, which he referred to as filth and implored viewers not to watch.)
Dear Angus … can I call you Angus? Do you go by Gus?
I apologize if that seems too forward, but as I watched your video testimonial, it felt like you were one of my friends. Not because I’ve watched the show — I’ve only seen a few moments in passing before I tune into Person of Interest. But because you remind me of so many of my friends when we were just entering adulthood. I really felt like I knew where you were coming from, not so much of the making-six-figures-on-a-hit-TV-show thing, but more of the realizing-the-truth-and-needing-to-speak-out thing.
Which is why I was tremendously impressed with the substance of your testimonialinterview. I found it to be a refreshing example of candor and courage. That you were doing this of your own initiative and volition — as opposed to having been brainwashed, as some are asserting — should be evident to anyone who watched both videos in their entirety. Also, as a Black man, I couldn’t help but smile at your desire to be sensitive and not offend while you claim your affinity for Black people. On that issue, your friend Chris was right; you get a pass.
Nevertheless, your subsequent apology is an indication that you’ve realized the gravity of the situation — that words like that have wide-ranging consequences. As Jesus told his disciples, the cost of being a disciple is immense. However, I fear that the smoldering flame of your Christian convictions might be snuffed out by the pressure of external forces pulling you to and fro. And yes, I realize that by writing this letter, I’m one of those voices. Though I may not know exactly what you’re going through, I truly desire God’s best for you.
Consider these the suggestions of a new fan who’s been around the block a few times.
Suggestion #1: Pray about whether or how your faith can mesh with your current profession.
Christians around the world struggle with the question of how they can honor God in their current situation, and you’re not the only one in Hollywood trying to live out that challenge. You might want to have your people reach out to Yvette Nicole Brown of the NBC sitcom “Community.” She’s no stranger to being a Christian in the context of a contentious sitcom workplace. (You had Charlie Sheen and Chuck Lorre, she had Chevy Chase and Dan Harmon.)
I don’t know how God will lead you. It may be that God doesn’t want you to do the show. Or maybe he wants you to stay and be a light to your costars and/or the writing staff. Maybe God wants you on another show. Maybe He wants you to step away from the limelight for awhile, and He’ll bring you back later. I can’t pretend to know what’s best for you, but I do know that God rewards those who earnestly seek Him.
Suggestion #2: Keep studying the Bible — all of it.
Like many, as I watched your interview I found myself intrigued with the dude next to you asking the questions, Seventh Day Adventist pastor Chris “Forerunner” Hudson. In general, I favor websites like his Forerunner Chronicles, sites that try to spread a biblical message.
But in this case, I’m concerned about that message getting distorted.
See, Forerunner Chronicles is specifically about spreading the message of Revelation 14:6-12. Fear God, worship Him, give Him glory, et cetera … these are all great, biblical, God-honoring ideas. But there’s a reason why the other parts of the Bible exist. God reveals Himself just as much through the Psalms, through the Penteteuch (a.k.a. the Torah), the major and minor prophets, and the gospels and epistles of the New Testament. The book of Revelation is meant to be a culminating crescendo; it can’t be fully understood without the rest of the Bible as context.
Now I’m not claiming to fully understand it, either. But if you’re wondering why other folks might be put off by your association with Forerunner Chronicles, it might not simply be that “friendship with the world is enmity with God.” It might also be that there’s a part of Christ’s character that’s underrepresented (and subsequently misunderstood) when Christians position themselves only as adversaries of worldly corruption rather than allies spreading God’s message of peace and chesed. The world’s system may be opposed to God, but the world is also populated by people made in His image, people for whom Christ paid the ultimate price.
So you might want to expand your circle of fellowship beyond guys like Forerunner, because it seems a lot of folks are stuck on what he is against, rather than what he is for. Not saying you should throw him under the bus, or leave your church, or anything like that.
Mostly I’m just saying keep studying the Bible… all of it.
Anyway, that’s probably enough for now.
Blessings to you and your family, and keep Christ first.
Oh, and if Charlie Sheen calls, feel free to tell him that you don’t have any tiger blood, but you were redeemed by lion’s blood.
The few times I’ve had the opportunity to preach on the topic of reconciliation, I’ve drawn from one of the many iconic Bible passages on the subject, Galatians 3:28 — “for there is neither Jew nor Gentile, slave nor free, nor is their male or female, for you are all one in Christ Jesus.”
As a way to inject some levity into the conversation, before I get to the “one in Christ” part, I like to throw in a “neither Mac nor Windows” reference.
Or at least, I used to enjoy doing this. Because there was a time when that was, clearly, a joke.
That time is long gone.
In 2012, the iPhone vs. Android argument is in full force.
It’s been raging for a while now, as I referenced in last year’s tribute to Steve Jobs. But a new round of controversy erupted recently with the release of the iPhone 5. Apple’s decision to jettison Google Maps in favor of their own mapping program may have aligned with the company’s long-term interests (fending off Google’s Android OS), but to put it mildly, their users are not happy about making the switch.
And it’s touched a nerve, because not only are there plenty of iPhone owners lamenting the loss of Google Maps, but also plenty of Android owners gloating over the whole thing. I know because I was, at least temporarily, one of them. I didn’t call out any of my iPhone-carrying friends directly (mostly to avoid embarrassing flame wars), but believe me, it’s not because I didn’t consider it.
I mean, let’s be honest. There’s something delicious about seeing someone that you perceive as arrogant get their comeuppance. (I wish there was a word for that…?) And few stereotypes are more resonant in tech than the arrogant hipster who insists that the latest Apple product is automatically and universally superior to everything else on the market. It drives informed consumers crazy, and eventually they do things like create spiteful, R-rated animated videos lampooning so-called “iSheep” just to blow off steam.
The Foolishness of Smartphones
What is it about phones that inspire these levels of personal investment, adoration, and vitriol?
Maybe it’s their omnipresence. Just about everyone has one, and they are either central or peripheral players in many of the basic things we do every day. We use our phones to communicate professionally and socially. We use them to listen to music, to be informed, some of us even use our phones to read the Bible.
But you add in all of the complexities inherent in understanding all the differences in hardware and software, the various manufacturers, model names (and code names), and the wireless carriers involved, and it’s clear that choosing a cell phone is no simple task.
APPLE PASSION: Eager customers, like these in New York City, camped out in front of Apple Stores around the world last week in order to be the first to purchase the new iPhone 5. Apple sold 5 million of the gadgets in the first three days of its release. (Photo: Don Emmert/Newscom)
And since cell phones often require two-year service agreements, even after we’ve made our choice of handset and/or data plan, we consumers are constantly looking for reassurance that we’ve made the best decision. This often manifests itself as a form of confirmation bias, where we tend to filter the available information by emphasizing the things that confirm our belief.
Just as in any other emotionally charged issue (like, say, a presidential election), once our beliefs are questioned, we tend to come out swinging. In comment sections of tech articles, I’ve seen people use strawman arguments, ad hominem attacks, profanity, you name it.
But they’re not talking about the tax code, campaign-finance reform, or the societal cost of mass incarceration.
They’re talking about phones.
Rejecting Digital Snobbery
Ironically, some of the most mean-spirited, spiteful rhetoric comes from people who would probably boast of their belief in racial harmony and tolerance, including many Christians. But Christ died to break down all of the walls between us. If these folks have somehow cleared the ubiquitous hurdle of race relations, what kind of sense does it make to replace one dividing wall with another?
Especially since the truth is nowhere near as simple as we’d like. Just as there are plenty of other ethnicities and racial dynamics at play besides black and white, there are plenty of other brands besides those of Apple and Google competing for market share. Before the iPhone, the hot “it” phones were usually by Nokia, Motorola, or Blackberry’s Research In Motion. There are no guarantees that either Google or Apple won’t be outshined by some other new phone (for example, check out the new HTC Windows Phone 8 phones — cool colors, shiny tiles … sorry, I got a little distracted there).
Maybe this article isn’t for everyone. But if you’re like me, now might be a good time to take a step back and remember that sometimes a phone is just a phone.
Yes, there are cultural implications to the way we implement technology. Yes, we’re free to discuss, and even defend, the merits of our preferred tech platforms. But like Paul said, don’t let your freedom become an opportunity to indulge the flesh. If you’re an iPhone user and you’re tired of people badmouthing your phone, or you’re an Android user and you’re tired of seeing churches make apps exclusively for iOS, feel free to say so — just do it in love.
Because we all need grace from time to time. And considering how quickly the pace of technology keeps changing, all of us will need help navigating the digital landscape here and there.
Especially those of using the new Apple Maps app, because I hear it’s pretty terrible.
If you’ve never seen the smash viral hit video “Gangnam Style,” and you missed the recent TV appearances by Korean pop star PSY, let me describe it for you.
Take the silliness of Monty Python, the materialist accoutrements (and shiny suits) from P. Diddy, and the outlandish dance moves of MC Hammer, filter it through the Korean pop oeuvre, then multiply exponentially through internet memes… you know what, I can’t do it.
Just stop and watch it already.
It’s amazing.
(DISCLAIMER — it’s pretty tame overall, but still somewhat uncouth. The chorus says, “hey sexy lady!” and features shots of Korean female yoga-clad derriere. And there’s a random dude with a cowboy hat doing pelvic thrusts in an elevator. It’s a little insane.)
VIRAL SENSATION: South Korean pop star PSY has set off a worldwide craze with the music, dance, and humor of his “Gangnam Style” video, which has received more than 230 million views on YouTube. (Photo: Wikipedia)
In a recent interview on NPR’s All Things Considered, PSY explains the meaning of the song, and came off like a music veteran should – calm, self-assured, and articulate. But there’s no way he could’ve known how far it would go. More than 230 million YouTube views later, the song’s signature phrase, “Oppan Gangnam Style,” has joined the likes of “ayyy Macarena” and “u can’t touch this” as iconic lyrics to dance crazes that people find inexplicably irresistible. (Even SNL couldn’t resist.)
Naturally, it’s already attracted plenty of imitation. And since there are evangelical Christians who love to imitate (seriously, 50 Shades of Grace?), let this post be a public service announcement:
To all the church creative teams out there considering doing a parody of “Gangnam Style,” please don’t. Without a sizable Korean presence in your production, it could very easily come off as racially insensitive, corny, or just in generally poor taste (the Deadly Viper controversy comes to mind).
But that doesn’t mean that we can’t appreciate it.
So here are five lessons about creative ministry we can learn from the “Gangnam Style” phenomenon:
1. Top-shelf entertainment is inherently cross-cultural. No longer is something limited in scope to boundaries of nationality, race, or even language. As a matter of fact, the best films and literature freely borrow and interpret from a variety of styles and cultures. Music is no different. Just as Americans have embraced the Japanese word and concept of “karaoke,” so too have plenty of Koreans adopted mannerisms from American pop culture, including hip-hop. And there are plenty of really good Asian emcees, including several who are Christ followers, like Jin (formerly of Ruff Ryders), and Korean-born Brooklynite HeeSun Lee.
This truth is pretty self-evident, however many creative Christians fall on either extreme of cultural myopia (only being interested in your own culture) or cultural appropriation (taking elements of the culture in an ignorant or disrespectful manner). Believers wanting their work to engage with their broader community should take this to heart. We can’t run away from other cultures, and we can’t be irresponsible with our cultural engagement.
2. Today’s pop culture is dominated by visuals. “Gangnam Style” is a perfect example of this. Without the video, the song, catchy as it is, would not be the juggernaut that it is. This is why, as an artist or a band, you can’t just have a certain sound, you’ve also got to have a certain look to go with it. This is also one of the reasons why church creative teams are beginning to invest more time and energy into set design, because the ambiance makes a difference.
While I’m on this topic …
3. Production values matter. I can’t say this enough. Many YouTube videos by Christians have clever ideas and funny concepts, but they’re marred by poor lighting and bad editing. A large part of the reason why “Gangnam Style” is popular is because it looks fantastic. PSY and his crew went to a lot of effort with the various outfits, locales, etc.
Speaking of which …
4. Audiences appreciate commitment. What sets this video apart from the millions of others like it is that it’s really funny. Improv coaches believe one of the keys to comedy is commitment. PSY didn’t just do a few silly things and call it a day. He went all out. Rapping in a tuxedo while confetti gets in his mouth. Or in a public bath (complete with uncomfortable elderly onlooker). PSY is not necessarily the most attractive, physically fit guy out there, but he’s likable in this video because of the lengths he’s willing to go to deliver his message. And because of that, many people received it.
Which brings me to …
5. Great songs unify people. I was reminded by this awhile back when Michael Jackson passed away. One of the downsides of this era we live in, with the proliferation of DIY pop stars and a million different TV channels, is that audiences are so heavily segmented that there are very few things that a LOT of people enjoy together. Thus, viral videos like “Gangnam Style” are filling the void left by top 40 radio and TV shows like Soul Train, American Bandstand, and, if you want to back even further, The Ed Sullivan Show. “Gangnam Style” isn’t necessarily great music per se, but so much of the fun is that so many people love it. When my phone rings out “Gangnam Style” while I’m on the bus, I get knowing nods and grins. It’s like being in a secret club.
And that sense of belonging is, unfortunately, lost in some evangelical circles. There are direct economic incentives for worship leaders to write, record and sing their own music. And while there’s nothing wrong with that, I think we all need to remember the power that music has to unify. Few things are more healing than being in an unfamiliar church environment and hearing a familiar song.
So let these principles occupy your mental space as you try to deal with having “Gangnam Style” stuck in your head, and enjoy this latest viral video hit.
Just make sure, if you have kids, that you use a little discretion. You don’t want to have to explain why your 4-year-old loves saying, “heyyyyy, sexy lady.”
On the eve of the premiere of The Dark Knight Rises, I ended up in a heated Facebook debate over the nature of President Obama’s “you didn’t build that” comments — the latest furor in a series of election-year political clashes over tax policy, economic interventionism, class warfare, and the Occupy movement.
Not that the conclusive installment of this latest Batman trilogy has an overtly political agenda. Rather, its script, co-written by director Christopher Nolan and screenwriter Jonathan Nolan, clearly resides in the context of our current, fractured political climate. As British-American filmmakers raised in Chicago, the Nolan brothers offer a unique take on blighted urban political decay. So their epic depiction of Gotham, and the way it captures our gestalt, the spirit of our time, owes just as much a debt to David Simon’s The Wire as it does to Dickens’ A Tale of Two Cities.
I’m sorry, did I just say “owes a debt?” There I go again.
See, as much as there is to love about this film, there’s just as much to object to — that is, if your goal is to use it as political ammunition.
(Mild spoiler alert.)
One story, two sides
Liberals can choose to see it as a story of corporate greed and hubris, and see the Batman as a hero of the people, the Ninety-Nine Percent. Conservatives can choose to see it as a story of a city hijacked by a runaway mob intent on redistributing the wealth of the One Percent, foiled by the ingenuity and grit of an American business-owner.
They’re both right because political factions never have exclusive rights to the truth. There are truths that liberals and conservatives both understand and embrace more or less compared to their counterparts. In the cultivation of these truths, we are drawn to political ideologies. But the pain and bitterness we feel from the losses incurred in the unrelenting allegiance to these ideologies … well, it blinds us. It traps us. We become slaves to the system. As a result, we end up doing things we regret, things we never thought we would.
Different kingdom, different mission
That’s the bad news, that when it comes to systems of this world, we are not in charge. But the good news is that in the scope of eternity, we are not in charge. The kingdom of God is not a democracy, but a benevolent dictatorship. As such, the kingdom goes by a different set of rules than what we’ve come to expect.
After all, Paul famously told the church that in Christ, there is no male or female, Jew or Greek, but we are one in Christ. He also told us that the same spirit that raised Christ from the dead dwells in our bodies. So there’s no reason why we have to remain trapped inside the identity of the closest prevailing political bloc. The more we acknowledge His Lordship, the greater basis we’ll have for humility, unity, and cooperation.
That sense of humility in action is what I found so moving in this latest film. Part of Batman’s redemption was in the way he was able to get beyond his pain and see more value in trusting and working with others. Most of us will never experience Bruce Wayne wealth, but all of us, if we put our faith in Christ, can rise above our fears and work with others for the common good.
Not only that, if we as the church are to fulfill our mission, we must rise above. Because there are others who need to experience Christ, and they don’t have the luxury of waiting for a sequel.
So let’s keep showing up, engaging, and rising above the conflicts that divide us. Because when it comes to saving the world, I have more faith in a risen savior than any caped crusader — even one as cool as Batman.
Gerardo Marti’s Worship Across the Racial Divide: Religious Music and the Multiracial Congregation is a sociological exploration of worship music ministry in multiethnic churches, and as such, its timing is critically important. There’s, of course, no shortage of resources that point to multicultural worship music as a panacea to cure what ails struggling churches, something that will help to usher in a glorious new dawn of cross-racial unity. What sets this work apart is its approach.
Worship Across the Racial Divide aims to be more descriptive than prescriptive. Through thousands of interviews of pastors, worship leaders, and congregants from a variety of multiethnic churches across the diverse state of California, Marti, a sociology professor at Davidson College, uncovers a series of principles and patterns gleaned from actual multicultural worship ministries. Rather than speculate on what should be, the book tells us a lot about what is.
And when it comes to multicultural worship music, what is — that is, the way things are being done — is sometimes at odds with what or how we expect things to be.
Philosophical Differences
With the rise of diversity as a cultural value in churches, there has been a noticeable creative spike regarding worship musicians diversifying their sound. The prominence of Israel Houghton, especially, has opened doors for a host of other artists (Freddy Rodriguez, William McDowell, Tye Tribbett, etc.) who have in some measure adopted a similar, dynamic, multicultural sound, what some might call the sound of the new breed.
Yet, when it comes to the ways in which multiethnic churches are approaching their music, that Israel-and-New-Breed sound is far from the norm. There are many reasons for this, but one of the most important is the differences in philosophies regarding musical styles. According to Marti, there are four main philosophical models of music selection at play in multicultural or multiethnic (for the most part, those words are used interchangeably) churches:
a.) The Professionalist – where the style of music doesn’t matter as much, so long as whatever music that’s performed is done with excellence (high musical variety, low racial awareness).
b.) The Traditionalist – where the style of music performed is whatever the worship leader or the church leadership is most comfortable with (low musical variety, low racial awareness)
c.) The Assimilationist – where the chosen style is deemed to be “universal” and can connect with most or all kinds of people (low musical variety, high racial awareness)
d.) The Pluralist – where a variety of styles are deliberately chosen to connect with various ethnic groups (high musical variety, high racial awareness).
Most leaders who deal in worship music may find themselves somewhere in these philosophical models, maybe even incorporating more than one approach depending on context. But the key is to remember, not only is there no magic bullet for achieving multiethnic worship music, but among practitioners of multicultural worship ministry, there seems to be no consensus as to how to define it.
And while the Pluralist approach seems to be the most explicitly racialized, it’s also most susceptible to racial stereotyping.
Less Rhythm, More Relationship
Perhaps the biggest surprise in the book is how little it has to do with music, per se.
It’s become a common refrain that worship is more than music. What did surprise me was the extent to which not even the music itself is about music. Contrary to popular assumption, Marti’s research shows tha the success of multicultural church music ministry lies less in the adoption or mastery of a particular styleof music, and more in the use of music ministry programs to form lasting cross-cultural connections in the congregation. In other words, it’s less about the rhythm, more about the relationship.
That’s because worship music is defined less by a particular sound and more by the activity that encompasses it. Worship music is inherently participatory, and it’s in this participation that lasting bonds are forged. It’s true monoculturally, and it’s even more true cross-culturally. Especially because worship ministries are by definition high profile, it’s often common for racial diversity to show up first or in greater proportions with the worship ministry compared to the congregation at large, a phenomenon Marti refers to as “ritualized racial inclusion.” The more people of color are conspicuously recruited and displayed on the platform, the more welcoming an atmosphere is projected, and the more likely people of various races will want to call that church home. Which isn’t to say that the style or the sound doesn’t matter at all — it just means that it’s not necessarily the key element that guarantees success. People might come through the door because of how the choir or the band sounds, but what will keep them coming back will be the relationships.
Cautions and Warnings
Worship Across the Racial Divide is not an easy book to read. It gets bogged down in sociological jargon in places, and because of its reliance on interviews, sometimes after five or six quotes supporting the same idea it feels redundant. Also, it should be stated that, despite Marti’s intent to reach a cross-section of diverse churches, they were all still in California. I’m sure there are plenty of cultural differences that come into play when you factor in regional geography.
Nevertheless, this work is a landmark achievement that lends plenty of insight into how multicultural worship is being done today, and how it might be done in the future.
THE WORLD ACCORDING TO KEY AND PEELE: Beyond being funny, Keegan Michael Key and Jordan Peele's irreverent comedy shines a light of truth on African American life.
In Part 1, we examined the connection between Comedy Central’s Key & Peele and the tension that Black men feel between being accepted by society and being true to one’s self.
Here in Part 2, we’re going to take a look at several Key & Peele sketches, get at some of the underlying issues behind the comedy, and see what biblical truths can be applied to them, particularly as they relate to the lives of young men like Trayvon Martin.
(Before I go any further, a DISCLAIMER: Key & Peele is rated TV-14, and while there are very few sexual references, there is a fair amount of profanity, albeit mostly bleeped out. As always, use discretion when viewing clips. You don’t want your 5-year-old repeating this stuff — or your 45-year-old boss, for that matter.)
(Also, let me say this for the record — despite the adult content, I think each of these sketches is absolutely hilarious. No, they’re not for children. But they’re funny nonetheless. In the following paragraphs I do a lot of cultural exegesis, breaking down the principles behind the humor. But never let it be said I don’t think it’s funny.)
“Yo Mama Has Health Problems,” is a depiction of a doctor with an Indian accent, trying to give a consultation to a younger Black guy with his posse standing behind. Every time the doctor tries to engage the guy in conversation about his mother’s failing health, dude has some juvenile comeback with which to delight his friends. Riffing on the classic pastime of playing the dozens, this sketch demonstrates the communication breakdown that happens to people with misplaced expectations and different cultural traditions.
The brilliance of the sketch is in its metaphysics — that it’s one long joke about people joking with another. The twist at the end is when the doctor figures out how to play along, and does so — with shockingly inappropriate results.
This sketch makes you laugh and cringe — often at the same time — because few things are more destructive to a relationship than a failed attempt at humor. This is not to say that we shouldn’t joke around with one another, but rather, we should understand how and when to do it. Gilbert Arenas had to learn this the hard way — there are times when jokes are not an appropriate way to make a point. After all, there’s a reason why, in Proverbs 26:18-19, careless jokesters are compared to arsonists.
What’s especially poignant is, a few minutes in when Jordan Peele’s wisecracking character lets down his guard, his acknowledgement rings true. Many people, Black White or otherwise, use humor as a coping mechanism. And this is not necessarily a bad thing, but the problem is in context. When others around us take their cues from our sketchy behavior, that creates misunderstandings of epic proportions. If those misunderstandings are propagated long enough, you end up with people resorting to smartphone apps to see if they’re allowed to say the n-word.
If we as Black folks want to help edify and build up others outside of our culture, it’s going to require, at times, that we rein in our sense of humor. Not mortally cripple it, just put some good boundaries around it. Otherwise we’ll continue to have tragic episodes of miscommunication, and the net result will be fewer people willing to take the risk of a potential offense for the sake of gaining greater clarity and perspective from someone outside their cultural context.
Given our nation’s overall racial divide, it’s clear that we as Christians need to share as much perspective and gain as much clarity as possible. It’s just one way to help our nation avoid more Trayvon-like incidents.
In the book of Acts, there is a profound story regarding Peter, a leader in the early church, and a vision he has regarding a blanket of food that the Lord told him was no longer considered to be unclean. Space constraints don’t permit me to fully break this down, but that vision leads Peter down a path of greater love and acceptance for outsiders.
This sketch reminds me of that story, except that the cultural model is inverted. Instead of ethnic-specific foods being outlawed, they’re actually preferred. And rather than exclude each other, we see Jordan and Keegan trying to outdo one another, proving their in-group status by ordering more and more “authentic” soul food, which comically regresses into more bizarre and less-edible fare.
There are many underlying truths in this sketch. The obvious one is that men are often hypercompetitive, and African American men are no exception. Another is that soul food, while an important component of African American culture, sometimes lacks in nutritional value.
This makes sense if you factor in the role slavery had in restricting the culinary habits of Black people in the nineteenth and twentieth centuries. Blacks rarely had access to choice cuts of meat, so had to adapt by eating the parts of animals that their White masters found undesirable.
Indeed, it seems as though ingenuity as a survival instinct has become a defining characteristic for African Americans; the history of hip-hop, for example, is full of people who took undesirable, marginal or forgotten elements of music and turned them into something original and innovative (graffiti, turntable scratching, sampling, etc.).
The downside, though, is that just because something is culturally authentic doesn’t make it good. It’s no wonder that a people who were subjugated and dehumanized for centuries might internalize behavioral ways of coping that are less than truly healthy. This dynamic is what is satirized by K&P by the pursuit of food that sounds less than edible.
My favorite moment of the “Soul Food” sketch is at the end, where Keegan says, in response to the server’s offer of gravy: “What’s a cellar door without gravy? It’s not food.”
Isaiah 55:1-2 calls out to people in this situation, who find themselves grabbing plate after plate of stuff that isn’t really food. Isaiah proclaims the compassion of the Lord, who wants His people to be satisfied with goodness and settle for nothing less.
Rather than chasing only what is culturally authentic, as Christians we should chase after what is anointed and Godly. Rather than competing for cultural acceptance, we should be spurring each other on toward love and good behavior, worrying less of what others think than of what the Lord thinks. That’s true for Black men, yes, but it’s true for everybody.
* * *
So now, in two of these K&P sketches, we’ve seen several aspects of Black masculinity on display, and identified a few solutions that can help our young Black men continue to develop and make the world a better place for all the other Trayvons out there.
But what about our relationships with women? There seems to be issues at play that affect our interactions with each other and with the opposite sex. Whether male or female, this is something worth paying attention to.
So make sure to check out Part 3 of this series, where we delve into the final sketch of our sample.
The few times I’ve had the opportunity to preach on the topic of reconciliation, I’ve drawn from one of the many iconic Bible passages on the subject, Galatians 3:28 — “for there is neither Jew nor Gentile, slave nor free, nor is their male or female, for you are all one in Christ Jesus.”
Yet, when it comes to the ways in which multiethnic churches are approaching their music, that Israel-and-New-Breed sound is far from the norm. There are many reasons for this, but one of the most important is the differences in philosophies regarding musical styles. According to Marti, there are four main philosophical models of music selection at play in multicultural or multiethnic (for the most part, those words are used interchangeably) churches: