Helen Prejean’s “Dead Man Walking” and Race

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Sean Penn as Matthew Poncelet in “Dead Man Walking”

On the surface, the film Dead Man Walking, which is 20 this year, doesn’t seem to focus much on the racial disparities of the death penalty. Black people are vastly overrepresented on death row; 34% of those executed in the U.S. have been black, 8% Latino, and 56% white, though African-Americans are only about 14% of the population. In Dead Man Walking, though, the death row inmate is played by Sean Penn, whose character, Matthew Poncelet, is not only white, but an outspoken white supremacist.

deadmanwalkingbook-resizeThe 1993 memoir on which the film is based is also about white inmates. Sister Helen Prejean, the author, was a spiritual advisor to two white men executed in New Orleans, Elmo Patrick Sonnier and Robert Lee Willie, the latter of whom was in fact a member of the Aryan Brotherhood. But the book is attentive to the racial bias of the death penalty — a racial bias which, it explains, affects even white death row prisoners.

Prejean explains early in her book that “In Louisiana, it’s unusual for a black man to be executed for killing another black man.” She adds that “Although the majority of victims of homicide in the state are black (90 percent of homicide victims in New Orleans in 1991), 75 percent of death-row inmates are there for killing whites.” When inmates do go to death row for killing black people, the victims generally fit a profile which makes the crime especially heinous, or likely to sway a jury — the victims are children, or security guards, or, less often, women. The death of a black person, in itself, doesn’t warrant an eye for an eye; some other factor must be added.

The dynamic Prejean discusses hasn’t changed. A Think Progress article shows that in 2013, as in 1993, the death penalty is rarely inflicted on those who kill minority victims. “While 32 of the 39 executions [in 2013] involved a white victim, just one white person was executed for killing only a black man,” and that white person deliberately waived his appeals, effectively “volunteering” for execution. In Louisiana — where Prejean’s advisees were executed — the death sentence in 2013 was 97 percent more likely to be handed down for those whose victims were white than for those whose victims were black.

The #BlackLivesMatter movement has mostly focused on police brutality and violence against black people. When African-Americans are killed by police, as in the case of Michael Brown and Eric Garner, our justice system seems to find it impossible to indict, or to hold the police accountable in any way. The death penalty dynamics that Prejean highlighted decades ago, though, suggest that the devaluing of black lives occurs in other parts of the justice system as well. It is not just that the prosecutors and juries are unwilling to punish police. It is that black lives are literally seen as being of less worth, even when those lives are ended by convicted criminals — and even, for that matter, when those lives are ended by convicted black criminals.

One response to this imbalance might be to demand equality. The death penalty, you could argue, needs to be handed down for those who kill black victims just as often as it is handed down for those who kill whites. As anti-police brutality activist Mariame Kaba points out, “…a lot of the conversation around justice, as it relates to police torture and violence and death, is to posit the very same criminal punishment system that already is harming and creating death in so many different ways. So you’re going to indict and then you’re going to convict killer cops, and do the same for any number of actors in the state system who you want to punish.” There’s an impulse to try to fix the problems with the justice system through the existing justice system.

But a more equitably, and more frequently, administered death penalty is not Prejean’s preferred policy solution. On th econtrary, Prejean has spent the past two decades working against the death penalty on every front — from writing the 2004 book The Death of Innocents about wrongly convicted death row inmates to, most recently, speaking out against the reinstitution of firing squads in Utah. Prejean points out the racist disparity in the death penalty not to argue for a more equal death penalty, but to show that the death penalty is part of a system that is fundamentally flawed and unjust. And part of the way that system is fundamentally unjust, she argues, is in the way it treats victims.

Prejean discusses working with victims, and organizing a victims rights group. Even the families of white victims were treated poorly by the authorities. Elizabeth Harvey, whose daughter was murdered by Robert Lee Willie, tells Prejean with some bitterness, “In dealing with the D.A. and the police…you could probably get more information when you get your car stolen than if your child is killed….” Another white family member of a murder victim who tried to apply for victim compensation funds was told by a deputy, “Don’t know nothin’ about these funds. Why don’t y’all write to Ann Landers? She helps people.”

But as callous as law enforcement personnel can be to the families of white victims, they are exponentially more indifferent and vicious to black victims’ families, in Prejean’s experience. She cites the Chattahoochee Report, which looked at the treatment of murder cases in several counties in Georgia, and found that in many such cases the D.A. never visited victims’ families. The report added that for black victims’ families “not only did none of the murders of their relatives lead to a capital trail, but officials often treated them as criminals.” Prejean highlights the case of one man who came home in 1984 and found his wife had been killed. “His only contact with officials,” Prejean says, “occurred when he was briefly jailed on suspicion of her murder.”

Stories of police indifference to victims in sexual assault and rape cases are familiar (here’s one about New Orleans police from last year, for example.) But Prejean’s work with victims indicates that the problem is broader than just one type of crime. The justice system that Prejean describes cares little about those harmed by crime. Convictions are pursued as a political matter, rather than out of concern for justice. The head of the parole board with whom Prejean deals, Howard Marcellus, is later convicted on corruption charges. The board was selling pardons for political favors, and withholding pardons based on the governor’s estimation of the political effects. “‘I did these things,'” Marcellus admits to Prejean. “I sat in judgment on these men like that — the guilty and the innocent. But who was I to sit in judgment? It still bothers me. I’m sorry. I’m really sorry.”

Prejean’s argument in Dead Man Walking is that the death penalty devalues life. As Robert Lee Willie says just before he is executed, “Killing people is wrong. That’s why you’re putting me to death. It makes no difference whether it’s citizens, countries, or governments. Killing is wrong.” The deaths that are central to the book are deaths of white people: Sonnier and Willie’s victims, and Sonnier and Willie themselves. But Prejean’s book also point out that these deaths are allowable, or enabled, because of a system of racism, and of classism, which says that certain people’s lives are more important than others, and that, therefore certain deaths are acceptable, or even virtuous.

A system that is built on white supremacy will always care more about enforcing the power of white supremacy than about justice or victims, black or white. Critics of #BlackLivesMatter sometimes complain that the movement ignores the fact that all lives matter. But Dead Man Walking suggests that no lives can matter until black lives do.

5 Takeaways from Tuesday’s White House Celebration of Gospel Music

c. 2015 Religion News Service

WASHINGTON (RNS) First lady Michelle Obama hosted a discussion with musicians and students on gospel music at the White House on Tuesday (April 14), praising gospel’s role as “a ray of hope” in American history.

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First lady Michelle Obama spoke of her admiration of gospel music as she welcomed students to a workshop at the White House on gospel music on April 14, 2015. (Photo Credit: Religion News Service by Adelle M. Banks)

“Gospel music has really played such an important role in our country’s history,” she told more than 100 students gathered in the State Dining Room, “from the spirituals sung by slaves, to the anthems that became the soundtrack of the civil rights movement, and to the hymns that millions of Americans sing every single day in churches all across the country.”

Here are some of the lessons learned during the 75-minute event, where Grammy Museum Executive Director Bob Santelli interviewed a panel of singers and songwriters ahead of a star-studded concert that will air on PBS on June 26 as part of the “In Performance at the White House” series.

1. Gospel music is personal for the first lady.

“I’m really thrilled that we’re really focusing on gospel,” Obama said of the series that has previously featured classical, country and soul music. “It’s something that I wanted to do since we started.”

As Obama grew up, her aunt directed the church choir and her mother was one of its members.

“Gospel music is what fuels my love of music in general,” the first lady said. “I know that for so many folks across the country and around the world, there’s nothing like hearing a choir sing an old gospel classic. When you hear that music, it gets your feet tapping and your heart pumping. It gets you ready and prepared to take in that sermon for the day. It is what helps connect us to God, to that higher power, and for so many when times are dark and when you struggle, gospel music is that ray of hope and it gives you that strength.”

2. Much of American pop music has its roots in gospel.

“Even though it is a sacred music form, essentially born in the church and sung in the church, it has a lot of connections to the kind of music that’s on your iPod today,” said Santelli. “When Africans came to this country by way of slavery, they weren’t able to bring too much with them in terms of material possessions, but they brought the most important and the most valuable thing. That’s what was in their heart, what was in their soul, and that was almost always music.”

3. The church birthed musicians of numerous genres.

“I sang my first solo at the age of 7 — a hymn called ‘Blessed Assurance,’” said former Destiny’s Child member Michelle Williams, who continued as a solo gospel artist. “Gospel music really is my first love.”

Santelli cited others — Sam Cooke, Aretha Franklin, James Brown.

“I had a chance to see Whitney Houston when she was 16 years old,” said Santelli, who, like Houston, grew up in New Jersey. “She sang in the New Hope Baptist Church Choir in Newark. … It’s not surprising that she became who she was in terms of a singer. She learned it in the church.”

Country music singer-songwriter Lyle Lovett told the gathering that he sang in his church’s children’s choir before becoming a country music name.

4. Churches didn’t always celebrate the musicians they birthed.

“Like Aretha and Sam Cooke, my father was a pastor,” said Darlene Love, who sang backup for Elvis, Cher and Cooke and is an inductee of the Rock and Roll Hall of Fame. “My father actually got a lot of flak when I started singing secular music or, as they called it, ‘the devil’s music.’”

When she appeared in the 1960s on the “Shindig” television series, her father really heard about it when members spotted her on the show.

“They would go to my father and say, ‘I can’t believe you’re allowing your daughter to sing that devil’s music,’ and my father would say to them, ‘Well, why were you watching it?’”

5. Elvis loved gospel music.

The “King of Rock ‘n’ Roll” may have been a hit on the secular stage, but the three Grammys he received were for gospel music, Santelli said. He won two for “How Great Thou Art” and one for “He Touched Me.”

Love attested to Presley’s love for the genre.

“He said that he used to go on a Sunday night to a black church in the South, and back then they didn’t have air conditioning,” she recalled. “The windows were open and he would go and just stand at the windows and listen to the music.”

Copyright 2015 Religion News Service. All rights reserved. No part of this transmission may be reproduced without written permission.

Nigeria Marks One Year Since Boko Haram Kidnapped Schoolgirls

c. 2015 Religion News Service

(RNS) Nigerians on Tuesday staged ceremonies to remember the 219 schoolgirls abducted by the militant group Boko Haram in Chibok one year ago on April 14.

A girl holds a sign during a march to mark the one-year anniversary of the mass kidnapping of more than 200 schoolgirls from a secondary school in Chibok by Boko Haram militants, in Abuja

A girl holds a sign during a march to mark the one-year anniversary of the mass kidnapping of more than 200 schoolgirls from a secondary school in Chibok by Boko Haram militants, in Abuja on April 14, 2015. Photo courtesy of REUTERS/Afolabi Sotunde

In Abuja, Nigeria’s capital, demonstrators sang and waved placards calling for the girls’ release. Some wore T-shirts with inscriptions such as #365DaysOn, #NeverToBeforgotten” and #BringBackOurGirlsNOW.”

The girls were abducted from their boarding school by heavily armed Muslim militants. The kidnappings provoked outrage around the world and offers of assistance from the U.S., where the #BringBackOurGirls campaign got widespread media attention.

Meanwhile, a Catholic priest in Nigeria said it was likely the children were still alive since their Muslim captors wanted to use them for ransom.

“They may not be all in one place or together,” said the Rev. John Bakeni, a priest in the Roman Catholic Diocese of Maiduguri. “Some may have died, for obvious reasons. But from the way some politicians are talking, I see their faces beaming with optimism.”

About 50 of the girls were seen three weeks ago, according to reports, although none has been rescued. In Chibok, there were high expectations as the military started combing the Sambisa forest, where the militants are believed to have hidden the children.

Boko Haram translates to “Western education is forbidden” in the Hausa language. Its insurgents have unleashed waves of violence in northern Nigeria, but the girls’ abduction is viewed as the most terrifying so far.

“It is a deep pain for the families whose daughters disappeared suddenly without a trace,” Catholic Archbishop Ignatius Kaigama of Jos, Nigeria, told Fides News Agency. “I can imagine their anguish.”

Last month’s election of Muhammadu Buhari has inspired a new hope over the children’s rescue. But in a statement on Tuesday (April 14), Buhari said he did not know whether the girls could be rescued.

But he added: “I say to every parent, family member and friends of the children that my government will do everything within its powers to bring them home.”Nigeria marks one year since Boko Haram kidnapped schoolgirls

Copyright 2015 Religion News Service. All rights reserved. No part of this transmission may be reproduced without written permission.