GOODBYE: Flowers and memorial tributes were abundant outside New Hope Baptist Church in Newark, New Jersey, where Whitney Houston's funeral was held. (Photo: Dennis Van Tine/Newscom)
There is no doubt that God was glorified on Saturday afternoon at pop icon Whitney Houston’s emotional homegoing service. Rev. Marvin Winans preached to nearly 1 million online viewers via UStream and millions more on CNN. If you followed the Twitter feed, it was as if the entire world sat down together for one powerful church service, and it was utterly beautiful.
There were performances from gospel singers Kim Burrell, CeCe Winans, as well as Stevie Wonder, Alicia Keys, and R. Kelly.
Watch Stevie Wonder’s touching performance below:
Watch R. Kelly’s performance of the song he wrote for Whitney’s final album, “I Look to You”
One of the most interesting takeaways was the power of God’s public glorification. Twitter was flooded with an overwhelming sense of humility and genuine appreciation of life. Though some expressed concern about a hint of “prosperity gospel” preaching in Rev. Winans’ eulogy, for the most part the twitterverse and blogosphere seemed genuinely stirred by the presentation of God’s Word. Many people tweeted that they hadn’t been to church in a while and that they were grateful to hear the Word today. Others seemed proud, like they were watching their favorite team playing in the Super Bowl. God was #winning.
God’s presence is so real, so tangible that it can be delivered even via the Internet. But there’s something about corporate worship that brings believers and non-believers to their knees. I am grateful that Whitney’s family didn’t allow Hollywood to dictate the service, and I am certain today that God was pleased. To God be the glory.
In the wake of the passing of one of the best vocalists of all time, I’ve made a decision.
I want us all to have a new relationship with celebrities.
It came to me in my quest to learn the details surrounding the death of Whitney Houston. As I surfed channel after channel looking for answers, I was repulsed by the tone of the coverage. Tired of countless photos and video footage of her with her ex-husband Bobby Brown at her worst. Indignant over the constant references to quite possibly the worst time of her life.
Even worse are some of the tweets and Facebook updates I’ve seen. One post remarked: “People are SURPRISED Whitney Houston is dead…REALLY?! She was a DRUG ADDICT!!” Others mocked her infamous “crack is whack” statement to Diane Sawyer in 2002.
Not that I ignored all the drama when it was going on … I saw it and it broke my heart then. But I never indulged and watched. I think I saw half of one episode of Bravo’s Being Bobby Brown. Do you wanna know why?
I was (am) a fan of Whitney Houston and admired her talent and gifts.
Plain and simple.
Never had an appetite to watch her struggle. It never gave me any pleasure to see coverage of what everyone is now calling “bizarre behavior.” I refused to buy a People magazine with a disheveled picture of Whitney on the cover. I long ago tuned out whenever negative coverage of any celebrity is pushed and pushed.
What is it about us — society — that enjoys watching another human being struggle and suffer? Especially if that human has lots of money.
We all make mistakes. We all have our vices. We all have profound flaws in our character.
I am grateful I don’t have to live mine out in front of the whole world. I also try to be gracious enough not to judge others for the worst thing they ever did in their lives. Over and over again.
We can stop this madness. We can vote with our remotes and stop supporting programming that takes advantage of the worst of the people we claim to love. We can stop buying the magazines. The paparazzi exist because of our collective demand.
After the 1997 death of Princess Diana, I opted out of madness. And it is 100 times worse now with all the new media.
Similar to Michael Jackson’s death in 2009, many of Whitney’s fans began mourning her demise years before her actual passing. But many of us also prayed that her story would have a happier ending. We knew her voice would never be the same, but we hoped that she would find the peace and wholeness that seemed to elude her.
Even as they entertain and inspire us, it’s important to remember that celebrities are people too — real people with struggles, sadness, pain. All the money and fame in the world cannot secure true peace. Princess Diana knew that. Michael Jackson knew that.
Whitney Houston knew that.
Maybe God allows some people to become famous not just so that they can entertain us but so that we can pray for them. Maybe they need our prayers just as much as our applause.
SOUL CONDUCTOR: Don Cornelius, dead at 75, transformed American culture with 'Soul Train.'
“Peace, Love, and Soul.”
That’s how he used to bid us adieu at the close of every show, that bespectacled man with the velvety voice and cool disposition. The apparent suicide death of Soul Train creator and host Don Cornelius caught us all off guard, while immediately transporting us back to those more soulful days of yesteryear — pre-MTV days, when the music wasn’t just an afterthought but the main event.
We tuned into Soul Train each week to see our favorite soul and R&B stars, sometimes for the very first time. (The four sisters of Sister Sledge looked as cute as they sounded, and imagine my shock as a 6-year-old to discover that Elton John was white!) But we mostly showed up for the array of colorful dancers — to check out their moves, to see what they were wearing, and to imagine ourselves right there with them. We knew that if we didn’t see any other black images on TV all week, we could at least see ourselves on Soul Train every weekend. Don Cornelius, the radio-deejay-turned-television-impresario, gave that to us — a refuge for African American pride and empowerment disguised as a TV dance show.
In honor of Mr. Cornelius, we asked our UrbanFaith columnists and regular contributors to share their favorite memories of Soul Train. Check out their reflections below the video, and then share yours in the comments section. — Edward Gilbreath, editor
MEMORIES OF ‘SOUL TRAIN’
It was soon proven otherwise, but Don Cornelius through Soul Train, told me I was a good dancer. Every Saturday morning after cartoons went off, feeling like a grownup, I’d tune in to move to the music any kind of way just like the Soul Train dancers. Going down the Soul Train line, some of them looked so crazy. But at home, bounding through an imaginary line of people, so did I. Don Cornelius made it cool to love music enough to dance no matter what. By the time I came along, his ’fro wasn’t as big, but the cool he carried was bigger than life. And I felt just as hip rhythmlessly dancing with my own portion of soul. — DeVona Alleyne, staff editor and contributing writer
I am very saddened by the death of Don Cornelius, a black legend! Back in the ’70s and ’80s before the dominance MTV or BET, there were very few outlets to see my favorite R&B acts like Michael Jackson, New Edition, or DeBarge perform on television. Since my parents were pretty conservative at the time, I wasn’t allowed to watch Soul Train but as a lifelong R&B and pop culture aficionado, I found ways to watch this great show without “technically” breaking the rules. I wasn’t allowed to go inside of childhood friends’ homes either unless my parents knew their parents. I remember I had one friend who allowed me to literally sit on the pavement outside of her apartment. We would speak to each other through the open window, and if she happened to have Soul Train on the television behind her, who was I to say what she could watch inside her home? I remember that one light-skinned woman with extra long black hair that whipped around her body (pre-Willow Smith) as she danced on what seemed like nearly every episode for years! I couldn’t wait until I got a perm so I could whip my hair around like that! A towel wrapped around my head sufficed until I finally got a perm. I remember all of the fresh dance moves that would not be duplicated on American Bandstand, even though I was a fan of that show too. Simply put, there was nothing else like that show at that time, an oasis of black grooves and moves in a desert of white programming. RIP Don Cornelius … —Jacqueline J. Holness, contributing writer
I’ll never forget Soul Train, from the chugging train at the intro to the various incarnations of the Soul Train dancers. Don Cornelius made this show an institution that definitely shaped the culture and gave us memorable performances on the stage and dance floor. — Dr. Vincent Bacote, contributing editor
Being in a military family, every so often we’d get stuck in the boonies with no television we could relate to. When my dad got orders to a big urban city, we kids were ecstatic. It was my job to watch my younger siblings on Saturdays while my parents worked, and at the time when I announced SOUUULLL TRAINNNN is on, my brothers and sisters would run from outside like they’d lost their minds. Oh, and then the party was on. We bumped, spanked, wormed, or whatever the latest dance craze was, along with the hippest kids in America. If there had been just two or three more of us, we could have formed a Soul Train line right there in the living room. It grieves me to know that Don Cornelius couldn’t find another way; which serves to remind us that we must get the word out about the only One who can bring us out of our troubles, the only One Who can bring us out of the lies that Satan tells us when we see no way out. There is a world of hurting people who don’t really know Him. Someone needs to tell them. We need to tell them. — Wanda Thomas Littles, contributing writer
Despite being a child of the late 70s and 80s, I didn’t have many actual experiences of watching Soul Train. Most of my memories regarding Soul Train were at various school dances and wedding receptions growing up, when folks would start up “the soul train line” and line up to cut a step. Most of the influence of Soul Train I witnessed were in derivative television shows (like Solid Gold), subtle homages (like when Theo and Cockroach fought over who was getting into Dance Mania) or actual parodies (like In Living Color‘s “Old Train” sketch). Still, I got a little misty when I got the news of Don Cornelius’ passing. No one will ever really replace him and what he meant to the black community. — Jelani Greenidge, columnist
As a girl growing up in small-town New Jersey in the 1970s, my primary exposure to black culture was Soul Train, and oh how I loved Soul Train! It was sandwiched between Saturday-morning cartoons and Saturday-afternoon roller derby on our television station. It never occurred to me that by introducing me to some of that era’s best music and most accomplished musicians, Don Cornelius was drawing me into a richly textured world that was not available to me then. I just knew I loved hearing his smoky voice and dancing to the sounds of soul. It saddens me deeply to learn that, like my son, this gifted man apparently died by suicide. I’m reminded that depression and despair don’t only visit the downtrodden, but even the most accomplished among us. My thoughts and prayers are with his family. — Christine A. Scheller, news & religion editor
I remember the Jackson 5 barely had enough room to dance on that stage. Fans could literally touch Marvin Gaye as he sang (and they did). You could feel the sweat dripping off of Barry White’s collar. This was Soul Train, Black America’s debutante ball. As a child it always felt RAW, like a grown-folks party that I could only watch from the stairs. It seemed fun enough, but in reality Soul Train was about rebellion: finding a way to create in the midst of the chaos of injustice. Black people were thrown into America’s basement, and Don Cornelius found a way to host a house party there every Saturday. It remains our challenge to find hope in the midst of great darkness; to dance when the forces of life threaten to steal all rhythm. And when I look at black music today — videos that portray the worst potentialities for our young men and women, dancing that has turned into “Sex Lite,” and artists that lack intimacy and authenticity — we need not ever forget Soul Train. The truth is, we need it back. Thank you Don Cornelius, from the little boy who watched your party from the stairs. — Julian DeShazier, contributing writer
Sitting in my parents’ living room, the back of my legs sticking to the plastic covering mom’s gold velvet couch, the funky music from the Jacksons, the Sylvers, and Joe Tex would blare from the black-and-white screen. I would fix my eyes on the Afro puffs, braids, wide brim hats and bellbottoms, imagining their psychedelic colors (mom and pops did eventually get a color TV) as they danced the funky chicken or the robot. As Jermaine sang, they would be “movin, she’s groovin. Dancin’ until the music stops now, yeah” down the Soul Train line. My older sister and brothers would bust all the moves, blocking my view of the TV along the way. But back then, when you were the baby brother, you just kept quiet and thankful that they let you hang out with them on Saturday morning. We were raised in a 12th floor apartment in The Tilden Houses (The Projects) in Brownsville, Brooklyn (NY). Watching Soul Train was more than a temporary escape from what was immediately outside the door, down an elevator that often stuck, or the stairwell that was owned by depressed brothers and sisters high on dope. Soul Train was a weekly, encouraging dose of positive black life, of people who were happy, talented, and free. And they looked like me. Mr. Cornelius, you did a great thing, sir. I pray that your soul has found the peace that you wished for us all. — Wil LaVeist, columnist
LEGEND: A statue of Rev. Fred Shuttlesworth stands in front of the Civil Rights Institute in Birmingham, Alabama.
As an evangelical Christian teaching theology in a secular university, over the years I have cleaved to civil rights saints like Fred Shuttlesworth for wisdom and encouragement. I have, of course, never been attacked by racist mobs or police dogs, nor have I been put in jail for speaking the name of Jesus. Nevertheless, it is impossible not to get a whiff of Jim Crow in an academic culture that continues to evade the theological discoveries of Reverend Shuttlesworth and his brother and sister travelers in that great Pentecostal moment called the American civil rights movement. Rev. Shuttleworth’s death last week once again reminded us of the centrality of faith in the black freedom struggle.
Like the prophet Amos, the tender of sycamore trees who was called in from the sticks to proclaim the justice of the Lord, Rev. Shuttlesworth agitated righteously, with guns pointed on him and lynch mobs forming everywhere, a fully realized African American male, an exemplar of civil courage and costly discipleship. He offered the segregated South a generous helping of hilaritas, a “boldness and defiance of the world and of popular opinion,” as Dietrich Bonhoeffer once wrote, “a steadfast certainty that in their own work they are showing the world something good (even if the world doesn’t like it).”
An exchange with the Birmingham, Alabama, police commissioner Bull Connor during the heat of the city sit-ins offered not only high theological drama but ample evidence of theological deftness and imagination:
Connor: You know what I think? I think you have done more to set your people back and cause more trouble than any Negro ever in this town.
Shuttlesworth: Mr. Commissioner, whether I’ve done more to set them back or you, that’s a matter for history to decide. The problem is what will you do?
Connor: I aint’ doin’ nothin’ for you!
Shuttlesworth: I haven’t asked you to do anything for me. I asked you to do for the Negro community, of whom you are the Commissioner.
Connor: Well, I ain’t gon’ do nothing for you.
Shuttlesworth: Well, I was pretty sure you wouldn’t when I came down, but the fact is we asked, and the Bible says ask.
Bull Connor, guardian of the Southern Way of Life, came undone under the glare of the New Kingdom’s brilliant light.
Rev. Shuttlesworth continued: “I just don’t believe I have to cringe before a thing when God’s already promised it. “[For] the question comes down to … ‘Do you believe in God or not?’”
Shuttlesworth later said the only way he found such strength was in the confidence he had in “the everlasting arms of Jesus.”
What about Bull Connor? When asked by Samuel Hoskins, a reporter from the Baltimore Afro-American visiting Birmingham, whether his brutal strategies were legal, Bull shouted wildly, “Damn the Law. We don’t give a damn about the law.”
MAKING HISTORY: Rev. Shuttlesworth (far right) marching from Selma to Montgomery, Alabama, with Dr. Martin Luther King Jr. and others in March of 1965. (Newscom photo)
Fred Shuttlesworth gave us a glimpse of the New Kingdom: “Against the racist’s hate and scorn we are using the love of Christ, against his oppressive and abusive acts we are using the weapon of Prayer on whose mystic wings we sweep into the presence of God to lay out our troubles.” He decentered the totalizing claims of white southern Christendom, one might also say, but he did it for the sake of the in-breaking reality of the kingdom of God.
Shuttlesworth’s was indeed a soul on fire. During a speech commemorating the second anniversary of the Alabama Christian Movement for Human Rights, of which he was the founding president, he framed the ongoing civil rights struggle as “a religious crusade” and a “fight between light and darkness.” He concluded:
“Thus we are never tempted to hate white people or to return them evil for evil. …Always remember that we are healed by the ‘wounds in His side,’ not by wounds we inflict upon others…. Victory waits on those who work for victory. And victory is sure — Thanks be to God which giveth us the victory through our Lord Jesus Christ.”
Andrew Manis explained that the Birmingham minister practiced a “holistic religious philosophy that did not separate physical, social or political needs from the spiritual,” unlike the religion of gnostic southern evangelical Christianity. Shuttlesworth operated instead out of a theological worldview that refused to segregate discipleship to Jesus and righteous action in the social order. And through the courageous faith of men and women like Rev. Shuttlesworth, our nation was changed.
The water-cooler reviews are in, and BET’s 2009 awards show has got people talking. Unfortunately, much of the talk is not favorable. Indeed, Sunday night’s show was kind of a mess. But I think we should give BET a little grace. When Michael Jackson died last Thursday, BET completely overhauled the show to weave the King of Pop throughout and accommodate the mass number of celebs wanting to offer tributes. The show was quite literally thrown together. And so, yes, in many instances it looked like it.
To take a show that normally takes six months to plan and totally revamp it in a couple of days was an unenviable but admirable undertaking. Certainly there’s plenty to bash BET about — the network’s shoddy and sometimes downright trashy programming is now legendary.
But perhaps, in this case, we should give BET credit for attempting to pull off the impossible in order to honor one of the Black community’s — and the world’s — greatest entertainers. Some additional thoughts about BET’s show:
Ne-Yo did a phenomenal performance of “The Lady in my Life.”
Jay-Z rocked it with his new single “DOA.”
Joe Jackson sat up front all show long with Al Sharpton — which was weird, to say the least. Don’t we all dislike Joe Jackson because of all he put Michael through as a child? I’m confused …
All of the other celebs who came out of the woodworks for MJ tributes, like New Edition, were totally subpar.
The O’Jays tribute with Tevin Campbell was painful to watch…just a bad performance.
Jamie Foxx was a great host but went a little heavy on promoting his own upcoming tour.
The vignettes spliced between performances and awards offering tributes to MJ were awkward. The celebs shared MJ memories off the cuff, and since they were likely unscripted, the stories were rambling and sentimental, but not well-communicated.
Janet Jackson showed up on behalf of the Jackson family to say “to you, Michael was an icon, but to us, he was family.” It was the most touching moment of the night but lasted about 5 seconds after the show was already running behind 40 minutes.
The whole night was a little low-budget and unrehearsed. But in a way, it was like one big ghetto funeral. People were just there to show their love, raw and uncut. I kind of liked it.