[Hook: Frank Ocean]
Human beings in a mob
What’s a mob to a king? What’s a king to a God?
What’s a God to a non-believer who don’t believe in anything?
Will he make it out alive? Alright, alright, no church in the wild
Lies on the lips of priests, Thanksgiving disguised as a feast…
…Is Pious pious cause God loves pious?
Socrates asked whose bias do y’all seek?…
…Jesus was a carpenter, Yeezy he laid beats
Hova flow the Holy Ghost, get the hell up out your seats, preach
…We formed a new religion
No sins as long as there’s permission
And deception is the only felony…
…It’s something that the pastor don’t preach
It’s something that a teacher can’t teach
When we die the money we can’t keep
But we probably spend it all cause the pain ain’t cheap, preach
In the hook, Frank Ocean proposes that if you deny the highest power, you may just become the highest but you might not make it out alive.
In the first verse Jay Z paints the picture of a history of religious contradictions and challenges the listeners to reconsider their definition of piety or righteousness, similarly to the way Socrates did in the Euthyphro. He charges listeners to free themselves by rejecting religious bias and to preach this new message.
In the 2nd verse Kanye introduces the details of this new religion, “no sins as long as there’s permission.” He suggests that this new message is new for both preachers and educators because even they do not realize that money isn’t everything and that “we probably spend it all cause the pain ain’t cheap.”
This song isn’t necessarily bashing God, but organized religion. It’s clearly coming from feelings of rejection and hypocrisy from religious institutions and each verse provides a different perspective on the theme.
What do you detest more: hypocrisy or death?
When you’ve searched for an example and didn’t find one, did you ever consider yourself?
Are you for as many things as you’re against?
When all you do is deny what you hate, you reject the real remedy, which is always God’s love. Hate is more evil than your intentions. Need proof? When’s the last time you found yourself doing the things you hate?
POST YOUR THOUGHTS ABOUT WHAT YOU THINK THIS SONG IS SAYING!
The superstar rapper/entrepreneur Jay-Z has generated lots of buzz lately regarding his spiritual beliefs. Is his music satanic? Is he a member of a secret society? Commentator Paul Scott suggests we may be getting distracted by the wrong questions, and that’s exactly how the hip-hop industry wants it. “Big Ballin’ is my hobby / so much so they think I’m down with the Illuminati.” — from the song “Hot Toddy” by Usher, featuring Jay-Z.
Over the past year, the hottest topic in the hip-hop world has been whether artists such as Jay-Z, Kanye West, and others are part of some diabolical secret society. From street corners to college campuses, people are losing sleep over the question: “Is Jay-Z part of the Illuminati?” The issue has reached such a level that Jay-Z has responded to the accusations on collaborations with Rick Ross and Usher, as well as radio interviews. To add to the controversy, MC Hammer reportedly has jumped on the bandwagon insinuating that Jay-Z is a devil worshiper.
While some of the discussions have been thought provoking, many have done nothing but subject people to the same “spookism” about a devil with a pitch fork and a red suit that they get in many churches. Much of the “spookism” that is being used in regards to the Illuminati is just a mask to divert attention from the real issue, global white supremacy.
The Illuminati was formed May 1, 1776, by Adam Weishaupt, with the purpose of organizing a secret society of “enlightened white men” to rule the planet. However, it must be noted that — according to the book Illuminati 666, compiled by William Sutton — Weishaupt has said, “regarding the order, let it never appear in any place in its own name, but always covered by another name and another occupation.” So when an interviewer asks a rapper if he is a part of the Illuminati, the person is really creating a smokescreen to hide the real issue.
What should be questioned is why hip-hop industry insiders from J. Prince, Ice Cube, to 50 Cent have felt compelled to address the issue. If the accusations of something fishy in hip-hop did not have at least a grain of truth, the whole controversy would have been easily dismissed and not dignified with an answer.
There is a term called “limited hangout,” which is defined as “the release of previously hidden information to prevent a greater exposure of more important details.” This is the deception that is transpiring with the hip-hop secret society controversy.
It is often said that if you don’t ask the right question, you cannot get the right answer. The question that should be posed to Jay-Z is not whether he is a member of the Illuminati, but “What does he know about the Illuminati?” Because if he claims that he doesn’t know anything about the order, then he cannot possibly know if he is playing a role in their agenda, can he? Also, the major question should not be whether a rapper is part of a secret society, but what is his relationship with the 10 percent of the population that controls 90 percent of the wealth and how does this affect “the ‘hood”?
The discussion of the role that covert white supremacist organizations have played in the oppression of the non-white people of the planet has been discussed by researchers and conspiracy theorists. However, the issue has been rarely viewed in a hip-hop context, so people have been either unwilling or unable to connect the dots.
The same agenda was also being carried out across the Atlantic by European white supremacists, such as Cecil Rhodes who founded the Round Table Group that espoused the doctrine of Anglo-Saxon world domination, including the colonization of Africa. So, perhaps, instead of looking at rappers, we need to be looking at Rhodes Scholars?
Although many of the societies have been based on racism, the motivation has also been economic, as these organizations follow the proverb that “a fool and his money are soon parted.” If you keep the masses ignorant, they can be easily exploited.
Herein, lies the role of hip-hop.
While commercial rappers like Jay-Z may not be card-carrying members of a secret society, it is not debatable that many support global white supremacy by way of “racial shadow-ism,” which Neely Fuller defines as “when victims of racism are directly or indirectly, ‘assigned,’ bribed, coerced and or likewise influenced by white supremacists to speak or act to do harm to other victims of racism.” He says that the reason for this is to cause us to believe that the person acting in a “shadow” capacity is in control, when in actuality he is a mere flunky for the global elite.
Also, while most people reference a Tupac video clip as evidence that he exposed the Illuminati, if one really listens to the clip, Shakur actually denied its existence. In it, Shakur said the only thing that matters is getting money, regardless from whence it came.
There is an old saying that if you want to hide something from a black man, put it in a book. So the information about secret societies that has hip-hop heads buggin’ is not really secret, but can be found in our local libraries. But when you have successfully dumbed down a society, you do not have to really hide the truth, as it can be “hidden in plain sight.”
So if the power of secret societies is keeping the masses clueless, what role does hip-hop play in making ignorance bliss? Frankly, I’m less concerned about Jay-Z being on the cover of Forbes magazine than I am about the “conspiracy” of rappers who are considered too dumb to be in a secret society (such as Gucci Mane and Wacka Flocka Flame) carrying out a mission to dumb down black and urban children.
Our greatest weapon against oppression is knowledge of the truth. Instead of engaging in ghetto gossip and fairy tales, we must encourage people to read. We cannot rely on hip-hop websites and YouTube for our information, but must get our information the old fashioned way — from a book.
We must understand that for those who do not study, everything is a secret. However, for those who diligently seek truth, as Jesus taught: “There is nothing that is hidden that shall not be revealed.”
The water-cooler reviews are in, and BET’s 2009 awards show has got people talking. Unfortunately, much of the talk is not favorable. Indeed, Sunday night’s show was kind of a mess. But I think we should give BET a little grace. When Michael Jackson died last Thursday, BET completely overhauled the show to weave the King of Pop throughout and accommodate the mass number of celebs wanting to offer tributes. The show was quite literally thrown together. And so, yes, in many instances it looked like it.
To take a show that normally takes six months to plan and totally revamp it in a couple of days was an unenviable but admirable undertaking. Certainly there’s plenty to bash BET about — the network’s shoddy and sometimes downright trashy programming is now legendary.
But perhaps, in this case, we should give BET credit for attempting to pull off the impossible in order to honor one of the Black community’s — and the world’s — greatest entertainers. Some additional thoughts about BET’s show:
Ne-Yo did a phenomenal performance of “The Lady in my Life.”
Jay-Z rocked it with his new single “DOA.”
Joe Jackson sat up front all show long with Al Sharpton — which was weird, to say the least. Don’t we all dislike Joe Jackson because of all he put Michael through as a child? I’m confused …
All of the other celebs who came out of the woodworks for MJ tributes, like New Edition, were totally subpar.
The O’Jays tribute with Tevin Campbell was painful to watch…just a bad performance.
Jamie Foxx was a great host but went a little heavy on promoting his own upcoming tour.
The vignettes spliced between performances and awards offering tributes to MJ were awkward. The celebs shared MJ memories off the cuff, and since they were likely unscripted, the stories were rambling and sentimental, but not well-communicated.
Janet Jackson showed up on behalf of the Jackson family to say “to you, Michael was an icon, but to us, he was family.” It was the most touching moment of the night but lasted about 5 seconds after the show was already running behind 40 minutes.
The whole night was a little low-budget and unrehearsed. But in a way, it was like one big ghetto funeral. People were just there to show their love, raw and uncut. I kind of liked it.