The Missing X Factor

“That’s alright now, take your time …”

Those time-honored words have emanated from the pews of black churches in America for decades. They are often uttered by the congregation in response to what is being presented from the pulpit or the altar. Depending on the deliverer, the inflection of his voice, and the temperament and maturity of the one for whom the words are meant, the phrase can take on a couple of different definitions.

The first part — “That’s alright now” — can either be considered a show of affirmation (a sort of verbal cosign), or it can come as an encouraging, nonjudgmental admonishment.

The second part — “take your time” — can either be a plea for one to slow down so that the congregation can savor what is being offered or it could be a gentle nudge coaxing one to slow down and take corrective measures as they may indeed be heading in the wrong direction.

One part of the church service where these words are often heard is the music ministry. From the first note belted by their beloved black church soloist, parishioners can be heard heralding choruses of “that’s alright, nows” and “take your times,” reveling in the sweet spirit that the note is invoking. The phrase can also be heard when the children come forth to make a joyful noise that is sometimes as equally proportioned with noise as it is with joy. When a young soloist or instrumentalist comes to present their weekly or quarterly musical offering, their presentations are usually far from flawless. To these young pieces of artistic clay, the choruses of “that’s alright nows” and “take your times” are welcome words of encouragement.

The youngster is usually keenly aware that their offering isn’t the most polished or pristine, but after hearing those words they are encouraged to not only continue but to persevere and strive to get better. These youngsters and their accompanying church families aren’t the only ones who have benefited from these words as it relates to the ministry of music.

The Crisis in American Music

Historically, the music charts have reaped the rewards of musicians who have cut their artistic teeth in the black church. Ray Charles, Sam Cooke, Aretha Franklin, and countless others got their start singing and playing before a black congregation. As a matter of fact, a significant number of black musicians have received part if not most of their early music training in the church. The black church has traditionally been both a training and proving ground for musicians. I would go so far as to say that all American music can trace its roots to the Negro Spiritual, and as such all American music and musicians in essence owe an artistic debt to the black church.

Let’s be honest, the majority of artists that occupy the top of the R&B and hip-hop charts today are not musicians at all. Most can’t play an instrument, and in the unusual case that they can, it’s often mediocre at best. A computer program, not a human being, is producing most of the music that we hear today. Why is this?

One of the main reasons is a lack of training. I believe that the lack of music training and the resulting lack of trained musicians in the black community today can be traced back to the failures of two institutions: public schools and the black church. We are painfully aware of what has transpired in American public schools. Dwindling resources, lack of funding, and shifting priorities have all but removed music and instrumental training from many public schools, especially those located in under-resourced urban communities.

And what does the black church have to do with the lack of trained musicians in the black community today?

Aside from the obvious benefits of exposing young people to a variety of different musical styles in worship, the church also can provide young musicians with the opportunity to hone their craft on a weekly basis in a nonjudgmental environment that offers unconditional encouragement. But sadly, today’s churches are offering fewer opportunities for young people to develop their musical skills.

Look around your average black church today and count how many “musicians” are actually playing on Sunday morning? Of those musicians, how many are under the age of 18? How many are playing traditional acoustic instruments where the musician himself is instrumental in making the sound? In fact, how many of today’s churches even have an acoustic piano?

Are you getting the picture? Now contrast that to a picture of the black church of yesteryear that spawned Ray Charles and Aretha Franklin.

Technology, the changing landscape of popular music, and the scarcity of qualified musicians coupled with supply and demand are responsible as well.  With the advent of digital music technology record companies and churches alike have found it economically advantageous to pare down the size and scope of “the band.” In the digital realm, one person can now do what used to take a team of people. Churches are now able to get the same sound from fewer musicians or no musicians at all through the use of digital instrumentation or digital tracks. This pervasive digital sound that permeates the R&B, hip-hop, and now the gospel music scenes can place a tremendous amount of pressure on churches to acquiesce to this standard in an attempt to stay relevant and meet budget.

Adherence to this new standard is not necessarily conducive to the development of a high level of musicianship and has resulted in fewer qualified musicians with the chops necessary to be effective in a dynamic church-music environment, which is why many of these coveted few musicians are being constantly shuffled from church to church, usually to the highest bidder.

The Church’s Responsibility

Now, let’s make it personal. Does your church provide opportunities for young soloists to share their gifts during the service at events other than the annual Christmas program?

When the black church gets back to its roots and recommits itself to sowing the seeds of training young musicians vocally and on traditional instruments, then I assure you that the church, the black community, and even the music industry will reap the benefits. No other institution can do a better job of providing children and teenagers with an opportunity to develop artistically, in an environment that gives them the foundation of encouragement needed to foster greatness.

We would all be closer to achieving greatness in whatever our particular pursuit in life may be if we had a regular opportunity to practice it and if we heard the words of folk who love us encouraging us when we mess up.

“That’s alright now, take your time!”

For the sake of today’s youth and the generations to follow, we should relish the privilege of sharing that advice every chance we get.

‘Behold, We Bring You Good Tidings’

“And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord. And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger. And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, Glory to God in the highest, and on earth peace, good will toward men.” – Luke 2:8-14

This holiday season, we’ll once again listen to preachers in pulpits, children in angel and shepherd costumes, and animated characters on TV recite those words from Luke 2 proclaiming the miracle of Christmas. And the Bible translation we’ll most likely be hearing will be the King James Version, which marks its 400th anniversary this year.

Out of the countless modern translations of the Bible now available to readers, none of them has surpassed the popularity of the King James Version. In fact, a recent survey by the American Bible Society found that 45 percent of regular Bible readers still use the King James Version.

Commissioned by England’s King James I in 1604 and finally published in 1611, the KJV is still recognized as “the authorized version.” A conference of churchmen in 1604 had proposed the new translation on the basis that existing translations “were corrupt and not answerable to the truth of the original [Hebrew and Greek text].”

That same year, the Protestant king approved a list of 54 prospective revisers, from which 47 translators were selected to work. They were divided into six committees, working separately at Westminster, Oxford, and Cambridge. Committees are typically accused of compromising their products. In this case, the joint translation was superior to the work of any previous translator.

By the time the King James Version appeared, there were vernacular translations of the Bible circulating in Protestant and Catholic Europe. But in England, King Henry VIII, styling himself as head of the church, banned and burned copies of the Bible translated by William Tyndale, fearing that an accessible Bible would make England “a nation of priests,” according to William Tyndale: A Biography by David Daniell.

For his trouble, Tyndale was strangled and burned at the stake in 1536.

Eventually Henry softened his objections, allowing one Bible in each of England’s churches. Later, King James believed that an accessible Bible might reconcile citizens of different religious persuasions, so he authorized the translation that bears his name. Ironically, its translators incorporated Tyndale’s scholarship.

The new translation appeared during the lifetime of William Shakespeare and John Donne, enhancing not only Christian revelation but English culture and expression. To this day its text is considered poetic. Familiar English expressions come from the King James Version, including “lamb to the slaughter,” “skin of our teeth” and “chariots of fire.” It is widely credited with providing Protestant churches with a unified sacred text.

The King James Version of the Bible also remains the translation of choice among African American Christians. “Because so many people are familiar with the language and poetic elegance of the KJV Bible, I tend to use it in situations calling for pastoral comfort and consolation,” says Cheryl J. Sanders, senior pastor of Third Street Church of God in Washington, D.C., and professor of Christian Ethics at Howard University. “The KJV is not merely quoted in the prayers, songs, and sermons of the African American churches — this biblical language and imagery flows from the hearts and lives of believers at prayer, in praise, and in prophetic ministry.”

William Pannell, senior professor of preaching at Fuller Theological Seminary in Pasadena, believes the KJV provides a type of spiritual and social anchor for black churches today. “The staying power of the King James Version may be understood by the ongoing need for security and certainty, especially among older church members. In a society where change seems to be constant, and worship styles move further away from recognizable sights and sounds, the language of the KJV is a welcome reminder that not everything is up for grabs.”

Jamal-Dominique Hopkins, associate professor of biblical studies at the Interdenominational Theological Center in Atlanta, says the KJV’s prophetic importance cannot be underestimated, even though it may no longer be the most accurate of translations. “As a 17th century translation, the King James Version does not have the benefit of having relied upon the most significant manuscript finds of the 18th, 19th, and 20th century,” he explains. “This, however, does not diminish or deter the brilliance and power of the Holy Spirit in its effective use over the last 400 years. The KJV has played a part in the conversion of souls, the healing of the afflicted, the liberating of the oppressed, and has been a testament to God’s unwavering truth.”

Hopkins thinks the KJV’s enduring popularity with black Christians also reflects the African American tradition’s affinity for colorful and dynamic forms of expression. “In a positive way, we as a people are enamored with the theatrical. Theatrical forms, as a genre of cultural expression, permeate throughout the African Diaspora; this plays itself out in our music, our dialog, our literature, and our fashion — and these subsequently take center stage within many of our churches. The poetic 17th-century lingua franca of the KJV rhythmically resonates with our experience. Its language and phrasing are anything but dull.”

What translation of the Bible will you be reading this Christmas?

After 400 years, for many of us those King James angels will still be bringing “good tidings of great joy,” as they tell us exactly where to find that “babe wrapped in swaddling clothes.”

Portions of this article were reprinted from a Scripps Howard News Service column by David Yount, used through arrangement with the Newscom wire service.

Black Churches Buck Trends

Racial and Ethnic Congregations Grow

Racial and ethnic congregations are bucking a trend toward decreasing vitality in American congregations, according to a new study published by the Hartford Institute for Religion Research. The study, “A Decade of Change in American Congregations: 2000-2010,” was presented along with the latest Baylor Religion Survey at the Religion Newswriters Assocation annual conference in Durham, North Carolina, last weekend.

Congregations with 50 percent or more minority participants grew from about one-fourth of all U.S. congregations in 2000 to nearly one-third in 2010, the study revealed, but overall, there was a steep decline in the financial health of American congregations, as well as continuing high levels of conflict, aging memberships, and declining numbers.

Injecting Vitality into American Religious Life

The contrast between the growth of racial/ethnic congregations and the weakening of others was presented in light of census projections that show people of color becoming a majority of the U.S. population by 2050 and the number of non-white children born in the United States exceeding 50 percent by 2023.

Non-white Americans are, “by and large,” creating their own congregations rather than participating in historically White ones, the report said. Nonetheless, racial/ethnic congregations are injecting a “strong dose of growth and vitality into America’s religious life.”

These congregations are disproportionately Evangelical Protestant or non-Christian, urban and Southern. Their worship is more likely to be contemporary and innovative, which is significant because the study found that innovative, contemporary worship correlates with high spiritual vitality and numerical growth.

Racial/ethnic congregations are more likely to hold to a theology that is moderate or liberal than majority White congregations, but their use of technology tends to be modest to marginal. On average, they count less college graduates amongst their numbers, but they benefit from retention of their young adults.

Poor Financial Health, but Encouragement for Entrepreneurship

Black churches may be in better shape spiritually than White ones, but they lag behind in financial health, Hartford found. And yet, they are unique in their encouragement of entrepreneurship and profit-making.

Baylor University’s “Values and Beliefs of the American Public” study found that Black Protestants (98%) were more likely than any other group to agree that “anything is possible for those who work hard.”

Baylor’s researchers also found that more African American working adults attach religious significance to their work than do Whites or Hispanics. Half said they view their work as “a mission from God” and pursue excellence in their work because of faith, as compared to approximately one-third or less of Whites and Hispanics.

Work as a Calling

“The idea of work as a religious calling is most prominent in the Black church tradition of American Protestantism,” said Kevin D. Dougherty, associate professor of Sociology and a research fellow at Baylor’s Institute for Studies of Religion. “It’s in these churches where adherents are making stronger connections between work and faith.”

Black Protestant respondents are more than two-and-a-half times more likely than the religiously unaffiliated or adherents of other religious traditions to say that their faith community encourages them to start a business. Likewise, they’re more likely to feel encouragement from their church to make a profit in business, Dougherty explained.

Responding to Economic Reality

“There are both pragmatic and theological reasons why this might be so,” said Dougherty. “The black church has played an instrumental role in the African American community on a whole range of issues, including economic issues.”

He suggested that the emphasis on entrepreneurship and profits can also be understood as a response to high rates of unemployment and underemployment in the African American community.

“A second reason though is theological, the belief that God rewards faithful believers with financial prosperity and good health. The ‘health and wealth’ gospel is a popular message within African American congregations,” he speculated.

Afterlife Beliefs Lead to Good Work Habits

The study additionally revealed that 75 percent of Black Protestants believe in Heaven and 73 percent, more than any other group, believe in Hell. These beliefs were overwhelmingly associated with a commitment to job satisfaction.

“Persons who absolutely believe in Heaven and Hell overwhelmingly agree that the organization for which they work has a great deal of meaning to them,” the report said. These believers are also “always” or “often” motivated by their faith to pursue excellence in their work.

Dougherty noted, however, that among people affiliated with a religious group, there’s no difference in whether or not people pursue excellence because of faith.

“Catholic, Jew, and Protestants answered about equally in this regard. It’s only on the issue of calling that we find these differences of religious tradition,” he said.

What do you think?

Are racial and ethnic churches healthier than majority White churches?
Does your church encourage entrepreneurship and profit-making?
Do Black churches embrace the prosperity gospel message more than other churches, or does the researcher need to stick to the numbers?

FYI: We’re Not God

There are two things you cannot be in the traditional Black church: a gay male and a pregnant teen. Let me cut straight to the point to avoid off-topic debates — although, according to God’s Word, these two individuals have sinned, our decision to rank their sins as the highest on our list of unforgivables is misinformed and potentially destructive.

Yes, I know this scripture: “Do not have sexual relations with a man as one does with a woman; that is detestable” (Lev. 18:22, NIV).

Or this: “It is God’s will that you should be sanctified: that you should avoid sexual immorality; that each of you should learn to control your own body[a] in a way that is holy and honorable, not in passionate lust like the pagans, who do not know God” (1 Thess. 4:3-5, NIV).

But I also know this one: “Finally, all of you, be like-minded, be sympathetic, love one another, be compassionate and humble” (1 Peter 3:8NIV).

The fundamental error in the way we approach sexual sin in the church is that we often fail to allow God to be the judge and redeemer and instead expect for the guilty parties to grovel before us for forgiveness.  GO AHEAD, READ THAT TWICE.

God forbid that the gay community thinks they can get married and be like us. And for Pete’s sake, don’t these horny teens realize they’re ruining their lives and bringing another life into the world to share in their misery? But how many models of solid marriage and physical self-control do we see from our religious and civic leaders? As Wil LaVeist stated in his article, “Gay Marriage Paranoia,” conformity to the world should be a bigger concern to Christians than attempting to impose our values on it. It’s important to preach righteousness from the pulpit, but it’s just blowing smoke if you cannot present a proper example of holy living.

What’s more, so many churches present paradoxes that confuse the younger generations. They condemn homosexuality from the pulpit but employ obviously gay worship leaders and attend conferences featuring celebrity preachers who have been embroiled in sinful scandals. Two things are happening here. On one hand, a pastor feels a responsibility to condemn the sin, but on the other hand they have a heart to restore the lost. Unfortunately, they often clumsily handle this in the pulpit and are more likely to push away someone that could benefit from their sensitivity to the issue.

Others are less pure in their motives. Many people feel like a person cannot be pardoned until they have fully received the punishment for their sin. They feel they have a responsibility to rebuke the guilty party until that person feels absolutely worthless. When is the last time God verbally assaulted you? Think about it, that last time you did that ugly thing that you’re thankful no one else knows about, God forgave you the same as the time your issues became a public spectacle.

When Jesus confronted the adulterous woman regarding her transgression, he simply said, “Go and sin no more” (John 8:1-11). He knew that true repentance would be determined not by how much sorrow that woman exhibited over her failure, but by how she chose to live her life from then on.

Perhaps we could learn something from Jesus’ response.

The Challenge

Is there caution tape around your church? On Sunday morning, does it feel more like a courthouse where people are tried and sentenced than a hospital where the Great Physician can work His miracles?

Let’s try this in our churches. Let’s create a space where people can be honest and learn from their mistakes. A place where they can confess their sins and heal without fear of condemnation.

If we find ourselves judging someone or feeling self-righteous because we beat up some poor,misguided transgressor with Scripture, let’s remember that it’s God’s job to judge and convict. And let’s also remember the sins that person didn’t see in us, and join them in rejoicing  over the gift of God’s forgiveness.