Redefining ‘Urban’

Urban Faith Redefining Urban with Regent University religion scholar Antipas HarrisThe term “urban” once described people, places, and things related to the city. Then it became code for anything related to modern “black” culture. Now, according to Regent University religion scholar Antipas Harris, the word needs to be fine-tuned once again.

What is urban? Is it a category of music heard on the radio? Is it a lifestyle or category of clothing? Or is it simply a codeword for black people? Antipas Harris has been working this question out since he was a child growing up in Georgia. He began playing piano at age 2 and knew he was going to preach and teach by age 7. He’s currently best known as a musician and songwriter with the urban soul group A7, which he formed with his five brothers. The group blends R&B and gospel to deliver inspiring songs. But as a professor of practical ministry at the Regent University School of Divinity, with degrees from Emory, Boston University, LaGrange College, and Yale Divinity School, Harris has focused his attention on the changing definition of urban and its implications for the church.

This year Regent announced Harris would lead its Divinity’s School’s new Youth and Urban Renewal Center, which will provide opportunities for students, scholars, and ministers to learn and collaborate. UrbanFaith columnist Wil LaVeist met with Harris at his Virginia Beach office to discuss the Center and Harris’s passion for “urban” ministry.

URBANFAITH: When did you begin to focus on being an educator?

Antipas HarrisANTIPAS HARRIS: I’ve been knowing since I was very young that I was called to teach, but I was also on the music scene. I was a choir director and music director for my dad’s church. By the time I was 15, I was preaching. I had spent a lot of time working with youth, so that was a focus. By the time I began my graduate work, I knew I was going to do it in theology rather than music. But I didn’t know for sure if it would be biblical studies or theology.

How did urban ministry become a focus?

While I was at the Candler School of Theology at Emory, I had the opportunity to experience contextual education — a required practical course. I chose to do it at a random place, Metro State Women’s Prison in Atlanta. I got there and loved it. I would say that was the beginning of my urban ministry interests. I saw it not as a shift, but an expansion of my theological interests.

What did you discover at the prison?

I grew up with a “You live by the sword, you die by the sword” mindset. I had a very strict idea about people in prison, but when I went there I said, “Wow, God is in prison because there are a lot of people who don’t belong there who are suffering.” It changed my world view. I went from being pro-capital punishment to anti-capital punishment. Even if the principle is sound, the practice is corrupted. The justice system becomes a mechanism of injustice among the powerless.

I observed that some of the women in prison had been victims of abuse. Some of them landed in prison as they were at the wrong place at the wrong time. There were even women there since age 16 who had been there all of their adult lives. Behind prison bars were people with situations that were way more complex than my conservative Pentecostal mindset was prepared to consider with compassion at the time.

So how did this change your direction?

Through prayer and study, I came to terms with my own theological limitations. Influenced by Liberation Theologians and Mujerista Theologians such as James Cone and Ada Maria Issasi-Diaz, I have come to terms with the fact that God works through the body of Christ. Our purpose is to participate in God’s suffering by helping to alleviate the problems of people. I discovered a whole new paradigm of church. It’s not some social club that we join or some building. I am convinced that the church that Jesus founded is the living organism of Christ that has the responsibility to continue the work of Christ in the world. The institutional churches are challenged to conform to the primary image of the body of Christ — an organism and not organization.

How will Regent’s Youth and Urban Renewal Center address this?

The center I’m developing brings together the church in the urban communities. What is the responsibility of the church in light of the depravation of urban communities? It ranges from issues of immigration like in Arizona, to poverty, to sexual crimes like pedophilia, to sex trafficking, to gangs and violence — just to name a few. What about the issue of health care, HIV/AIDS? The Center poses those questions to the church, and attempts to identify the divine responsibility of the church in light of our increasingly urbanized word. We want to prepare present and future pastors to think theologically about the role of the church. Furthermore, we want to promote the value of holistic education — mind, body and spirit — that, I believe, is key to dealing with many of the urban problems. Next February, for example, we’re scheduling the first Urban Family Conference. I’m calling Christian leaders together to think about the problems of the urban family and what churches can do to respond to them.

The word urban has gone from meaning “city,” to “Black,” to anything related to hip-hop culture. You have a new definition?

My new definition of urban springs primarily from the issue of gentrification. The inner-city, or urban, problems were such because originally it was the result of a dense population squeezed together — more concrete than trees, more people than jobs. But the point of gentrification was to reclaim the inner city, but it didn’t do anything about the people who lived there and the problems they faced. Instead, it basically ran them out. Atlanta, New York, LA, Chicago — whatever city it is, the people displaced from those places are now in the suburbs with the same problems.

So then, I proffer a definition of “urban” that refers to a suffering people in and beyond the metropolis, infiltrated and surrounded by violence, pollution, diversity, and a high concentration of poverty and need. This situation-centered definition of urban includes but has mushroomed beyond the inner city. Urban areas now include many areas just outside of the inner city and are quickly advancing to the rural areas as well.

So urban is less about culture and more about a particular socioeconomic condition and its related problems?

There’s an increasing influx of other ethnicities that muddies the idea that urban is African American. What I’m trying to articulate at Regent is that this is not a Black studies program or Hispanic studies program, but we cannot ignore the fact that the folks who primarily are the victims of urbanization are blacks and Latinos.

What does this mean for black churches in cities?

We need an urban church that both addresses issues that are lingering with African Americans, but includes other groups, like Hispanics, that are now being racially profiled. In the same way that the black church responded to racism in the South, with boycotts and advocating for people to vote, now the problem is broader. The paradigm has shifted a bit. It still includes issues of particular concern to African Americans, but we need to expand that to include the collective urban problems.

What does an effective urban church look like?

Everybody should consider the existential situations that are surrounding their church. For example, in Southern California, the urban church may look different than Bankhead in Atlanta. The churches need to think theologically about the issues that are immediately surrounding them.

How should churches embrace various cultures within their congregations?

The church has the opportunity to re-imagine what worship is like. Traditionally, it’s been so black or white. Music is one of the key expressions to culture. But even in church leadership and leadership style, we have the opportunity to share culturally and glean from the strengths of different cultures. Issues like family bonds. What can blacks learn from the Asian or Native American cultures that we might glean for sacred worship? What can be learned from Hispanics? And I’m not talking about a separate Spanish service, for example, but a multicultural service that incorporates Latino culture.

In my travels, what I’m observing is a black church where there are many Hispanics, but they have to buy into an African American way of doing church. Or, here in Virginia Beach, a church with a white pastor and white leadership but a large number of African American congregants. It looks diverse, but it’s a white church with a lot of black people in it. A truly urban church takes seriously and equalizes all of the cultures that are present. There needs to be more corporate koinonia where people fellowship and learn from each other. Diversify the senior-level leadership. Include more diverse cultural expression in the music. These aren’t the only things we should be doing, but they are key.

Sounds like what hip-hop culture has done, particularly in its music.

All throughout history cultural adaptation has been part of the church. Charles Wesley and Martin Luther, they took songs from the taverns and gave them Christian lyrics. There’s a difference between affirmation and critique. The gospel critiques the materialism and the love of money you see in a lot of rap music, but it also affirms its musical expression. Unfortunately, many in the black church reject hip-hop altogether because of its materialism, while at the same time accepting that materialism, such as what you see glorified in the prosperity gospel. Hip-hop celebrates the body way too much. It does not promote modesty. It promotes exploitation of women. The gospel critiques that, but it affirms the musical expression. That’s why it’s very important to look theologically at culture. Culture doesn’t drive the church, but it does participate in the reality of the church.

This Ain’t It

This Ain't It for urban faithAs fans get ready for the eagerly awaited Michael Jackson concert film, an African American pastor reconsiders the Black church’s dubious embrace of the King of Pop.

This week a new single by the late Michael Jackson arrived on the Internet, no doubt signaling the launch of a marketing blitz for This Is It, the forthcoming film documentary about Jackson’s ill-fated comeback concerts. Hearing the news of Jackson’s posthumous song and its curious lyrics, which include the line I’m the light of the world (see the video below), reminded me of the intense outpouring of grief, adoration, and praise that the singer’s death inspired this past summer.

A couple days after Jackson’s death, I watched the last hour of the BET Awards, a show I had never previously bothered to watch. Compared to what I have seen on other awards shows in the past, somewhat expectedly I found the BET show very much affected by the passing of Jackson. There were many tributes given to the King of Pop. They ranged from snippets of his music before commercial breaks, to words of tribute from the various artists and emcees on the program. Some of the tributes honored the enduring nature of his race-transcending music. Other tributes virtually deified him.

For example, the legendary Soul Train host, Don Cornelius, referred to the artist as the “immortal Michael Jackson.” To this my oldest daughter immediately retorted, “Well, I think this week we found out, clearly, that he was not immortal.” Yet many in the BET audience expressed agreement with Cornelius.

The artist Wyclef Jean, who received a humanitarian award, spoke of a long hoped-for meeting with Jackson. He said he had planned his words for this exciting meeting, but “when [Jackson] showed up, I shook his hand and lost my voice completely. That is the effect this man had on people.”

Other artists remarked that “[Jackson] meant so much to us and to the whole world,” and that he was “often imitated but never duplicated.” One artist referred to him as “a musical deity.” Never mind those suspicions surrounding children, the dangling of the baby out of the window, the constant changing of his facial appearance, and Jackson’s other self-destructive behavior; Jackson was an entertainment god.

There was a very odd moment in the television program when one of the members of the O’Jays used some very foul language while honoring Michael. The award show’s technicians attempted to mute the word, but were about a half-second too late, so the entire listening TV audience heard the word. The foible produced roaring laughter among the audience and some momentary blushing on the part of the entertainer who made the mistake. I was wondering if anyone had noticed that only a few moments before, when the O’Jays stepped on stage to receive an award for lifetime achievement, two of the men began with words of praise like, “I would like to give honor to God, to whom be all the power and glory,” and “First, we would like to thank God for all the blessings bestowed upon the O’Jays.” The member who slipped with the curse word ended the acceptance speech with “God Bless …”

I guess Michael can be honored while foul language is used, and this can happen to the praise of God. This is not simply gray. This is where you wish you had not made the switch from analog to digital.

Mixed-Up Beliefs

“Syncretism” is a fancy word used to describe the blending of different, and often incompatible, systems of religious and philosophical belief. The syncretistic practice of Christianity within the traditional African American church is well known, and in some settings cherished. The line between Christianity and secular African American culture is not blurred; it does not exist.

On the positive side, some sociologists and historians have suggested that, historically, this is due to the inseparability of the slave church and slave culture. African American slaves were able to survive the brutality of antebellum slavery due to their Christian faith, and the slave church was the rallying and unifying point of the slave community.

Negatively, however, the gray matter of African American Christianity is most evident in the democratic process of presidential elections. Consequently, last November the thinking probably went something like this: My Christian position on the life of the unborn and the biblical teaching on marriage have no place in my decision-making when it comes to the election of a President. He is African American, I am African American; nothing else matters.

The blurred nature of what is distinctively Christian and what is African American is commonly displayed at our national, non-Christian music and video award shows. It would be typical for an African American artist, who is receiving an award for a song or video full of lyrics and/or scenes completely contrary to the moral standards of the gospel, to receive the award with the words, “First, I would like to thank my Lord Jesus Christ for …” giving something related to the talent of the singer or the award itself. The thanksgiving, though obviously hypocritical, is received with great acclamation, seemingly without the hosts or audience being put off by the references to the Lord among the secular throng.

I think, however, the telltale sign of African American Christian syncretism was revealed at the BET award show in a different manner. The vast majority of artists did not mention God at all. Instead, where you might have expected thanks to be given to God, thanks was given to Michael Jackson. It is not that Jackson was being thanked for empowering the artists, but simply that a great amount of the thanks being given at this year’s show was given to Michael. Thanks to the King of Kings was eclipsed by thanks to the King of Pop.

Christianizing an Idol

I can only imagine how many words of honor were given to Michael Jackson from African American pulpits on the Sunday after his death. It would be my hope that Michael’s death would have provided many opportunities for African American pastors to point out the errors of the Jehovah’s Witnesses. For Michael, along with the artist once again known as Prince, are the Watchtower’s two most well-known members, both are African American, and the Witnesses love to prey on African Americans.

Many African Americans equate the Jehovah’s Witnesses with a Christian denomination. Christ’s name would be honored by pointing out that Michael’s hopes did not rest on God the Son, and that there are many like him within the African American community who are in need of the message about God the Son coming into the world to save people from the wrath of God due to their sins. I suspect, however, that much praise was given in the name of the Lord for Michael Jackson. Prayers might even have been offered from pulpits for the comfort — rather than salvation — of Jackson’s family members, who also are Jehovah’s Witnesses.

Unsubstantiated rumors that Jackson had converted to Islam made the rounds but were never confirmed. And another big rumor speculating that Jackson had accepted Christ days before his death, during a visit from Andrae and Sandra Crouch, was immediately squashed by the Crouches. But many people tried to keep it alive as truth anyway — no doubt a reflection of their desire to “Christianize” their late idol.

Many African American churchgoers are fine with Christianity as long as we, as African Americans, can bring our cultural gods with us. We see no problem with our secular artists, their words or their behavior, as long as our fellow church members see God’s blessings as being consistent with our entertainers’ debauchery.

I’m still hoping that the untimely death of Michael Jackson will help awaken the Black church out of its syncretism — that we will view the lives of entertainers with discernment rather than with bliss, and give worship to the King of Kings alone. Only one King is immortal, and He is to be worshiped. This should not be a gray matter. This should be a no-brainer.

An earlier version of this article originally appeared at Rev. Eric C. Redmond’s blog, A Man From Issachar.

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Michael Jackson’s Posthumous Single