Are you a freshman in high school? What were your assumptions about high school before you got there? Were you afraid? Nervous? Excited? What have you discovered since the start of the school year? What kinds of things are helping you to adjust?
Whatever your responses to the questions above, I bet you can still use some advice from upperclassmen who have been in your shoes. Inteen and UrbanFaith recently assembled a diverse group of veteran high school students and asked them to share their memories of freshman year and their advice to new high-schoolers on how to navigate that all-important first year.
Take a look at this video and see what this group of high school students had to say about their experience during their first year of high school. Then let us know what you think in the comments section below.
A DIFFERENT PATH: Ameena Matthews, whose father is Jeff Fort, one of the Chicago’s most notorious gang leaders, was herself a drug ring enforcer. But having children and finding solace in her Muslim faith pulled her off the streets. (Photo: Courtesy of Kartemquin Films)
Youth violence in Chicago has reached epidemic levels, with gunfire plaguing neighborhoods across the metropolitan area. It is a disease that is responsible for claiming the lives of dozens of young people, many of whom were engaged in activities as innocent as walking to school or playing in their yards when their lives were cut short.
Each day innocent bystanders are being killed due to the incessant gunfire. In an effort to counteract the violence, a number of community activists have come together in a collaborative effort with hopes of “interrupting” the bloodshed in the city’s streets. Their stories are told in the award-winning documentary The Interrupters. Directed by acclaimed filmmaker Steve James (Hoop Dreams) and produced by bestselling author Alex Kotlowitz (There Are No Children Here), The Interrupters chronicles the lives of three Chicagoans who were once participants in the destruction but who turned their lives around to become “violence interrupters.” Now they are working to restore peace to their community.
Last month, a collection of community organization, including the South Side Help Center, CeaseFire, and the University of Chicago Medicine, partnered with the filmmakers of The Interrupters to host a movie screening and panel discussion on addressing the youth violence problem. UrbanFaith attended the event and chatted with the students, community leaders, and anti-violence experts who participated in the forum.
Check out the video below for an overview of the event, and then visit TheInterrupters.com and InterruptViolence.com for more information about this important grass-roots initiative.
ATTENTION GRABBER: On Twitter, rapper Nicki Minaj was ecstatic to have drawn the attention of President Obama with her supposed endorsement of GOP presidential nominee Mitt Romney. (Photo: Christopher Macsurak/Wikipedia)
Well, good news: Nicki Minaj supports President Obama after all. Whew! That’s a relief.
Last week, you may recall, the twitterverse was all abuzz after the colorful rapper set off speculation that she was supporting Republican presidential nominee Mitt Romney. Her featured track on Lil Wayne’s latest mixtape caught the rapper sharing some puzzling lyrics that indicated she was casting her lots with the GOP. On Lil Wayne and Kanye West’s song “Mercy,” Minaj raps: “I’m a Republican voting for Mitt Romney/You lazy b***es is f***ing up the economy.”
Almost immediately, the world broke into an uproar attempting to decipher the eccentric rapper’s true intentions behind the cryptic verses. Rolling Stone magazine chimed in on the discussion when it raised the question of whether or not her words were a deliberate endorsement or just a provocative lyric.
But, this week, after President Obama was asked about the song and Minaj’s apparent endorsement of Romney, he told radio station WPYO-FM in Orlando, Florida, that he wasn’t so sure it was a Romney plug. “She likes to play different characters,” he said.
Minaj immediately jumped on the moment. In a tweet, she thanked Obama for understanding: “my creative humor and sarcasm,” then noted: “the smart ones always do …”
In the past the hip-hop star has been known to produce songs filled with controversial lyrics that many felt were for publicity and self-promotion. Rapper Talib Kweli agrees. In a tweet posted last week, he said, “I doubt Nicki seriously supports Romney. Her lyrics ain’t political. She just wants y’all to talk about her & she winning cuz it’s working!”
I particularly enjoyed another tweet from Kweli that helped tease out the irony in the apparent existential crises so many were experiencing after the Minaj mystery hit:
Taking Minaj seriously, Huffington Postcontributor Kia Makarechi observed that, “Minaj is hardly the first hip-hop figure to take a stance on the election.” In fact, Makarechi added that a week earlier Jay-Z had presented a video to concertgoers at his Made in America Festival that highlighted President Obama encouraging everyone to vote in the upcoming election.
One pop star that is definitely not a Romney supporter is Black Eyed Peas leader will.i.am. A couple weeks ago at the Republican National Convention, Gov. John Kasich quoted the band in his speech. Kasich said:
You know, I don’t know about you … but I’ve got a feeling. I’ve got a feeling –- and it’s not just because I like the Black Eyed Peas –- I’ve got a feeling we’re about to elect a new president of the United States of America!
Unhappy with the musical reference and his band’s indirect connection with the RNC, will.i.am tweeted, “Hey Gov Kasich #Igotafeeling that Ohio needed the auto bail out…#unitedamericanotdivided let’s educate our youth #reachforthestars.”
The following day, will.i.am continued to fight back in an emotionally charged television interview with Marlow Stern in North Carolina, to discuss his support for the President at the Democratic National Convention.
In different ways, both will.i.am and Nicki Minaj proved their influence in the culture, not to mention the way that pop music, hip-hop, and the opinions of its artists have become an important part of today’s politics.
HARRY BELFAFONTE: “They have turned their back on social responsibility,” opined the activist and actor about today’s black celebrities. (Photo: David Shankbone/Wikipedia)
Harry Belafonte is a legendary entertainer, known for his iconic performances in films like Carmen Jones, Buck and the Preacher, and Calypso. And who can forget his award-winning “The Banana Boat Song (Day-O)”? However, in a long and distinguished career, Belafonte’s greatest accomplishments arguably may be his involvement with the civil rights movement.
During the ’50s and ’60s, Belafonte was one of Dr. Martin Luther King Jr.’s biggest supporters and endorsers. He fully believed in the message and movement that King worked so tirelessly to establish. Belafonte provided financial support for King’s Southern Christian Leadership Conference (SCLC) as well as the Student Nonviolent Coordinating Council (SNCC), and he also participated in several rallies and protests alongside King. Still a civic-minded crusader today at age 85, he continues to live his life as an outspoken activist for social justice and equality.
Belafonte has never been one to shy away from social commentary or hold his tongue in conversation. He has been known for his honest comments and straightforward critiques about politics, show business, and society.
In an interview last week with the Hollywood Reporter, when asked whether or not he was happy with the images of minorities portrayed in Hollywood, he caused a stir by calling out two famous black celebrities by name. “I think one of the great abuses of this modern time is that we should have had such high-profile artists, powerful celebrities,” Belafonte began. “But they have turned their back on social responsibility. That goes for Jay-Zand Beyoncé, for example.”
JAY-Z AND BEYONCE: Is it fair to compare the altruism and social involvement of today’s stars to those of the civil rights era? (Photo: Ivan Nikolov/WENN/Newscom)
Belafonte believes that industry heavyweights like Jay-Z and Beyoncé have a social responsibility to be outspoken regarding issues of race, prejudice, and civil injustices, mainly because they have the social influence and public platform to do so. Janelle Harris at Essence echoed those sentiments. “There’s been an ugly dumbing down when it comes to acknowledging and addressing pertinent issues, even having empathy for and interest in what’s impacting our community. It’s an attitude of detachment,” she said.
She added: “I agree with Harry Belafonte. I think young people could be doing more. Twenty, thirty, forty-somethings. It’s not just the celebrities, though they’re certainly part of the vanguard for making philanthropy and activism cool, which is unfortunately necessary for some folks to get involved.”
Jay-Z and Beyoncé are definitely the closest thing the black community has to pop-culture royalty today. The hip-hop power couple topped Forbes list this year as the world’s highest-paid celebrity duo, raking in a staggering $78 million. But are they giving back?
Guardian columnist Tricia Rose wonders as much. She writes, “It is undeniable that today’s top black artists and celebrities have the greatest leverage, power, visibility and global influence of any period. It is also true that few speak openly, regularly and publicly on behalf of social justice. Most remain remarkably quiet about the conditions that the majority of black people face.”
Many celebrities often take on a non-controversial role or use their celebrity indirectly as a fundraising tool, rather than taking an overt stance to engage civically. Rose continues to say that her previous statement is not intended to, “discount their philanthropic efforts,” but to raise awareness. And Belafonte’s lament illuminates a fundamental shift in black popular culture.
“As black artists have gone mainstream, their traditional role has shifted. No longer the presumed cultural voice of the black collective social justice, it is now heavily embedded in mass cultural products controlled by the biggest conglomerates in the world,” says Rose.
FREEDOM FIGHTERS: Belafonte (center) with fellow actors Sidney Poitier (left) and Charlton Heston at the historic civil rights March on Washington, D.C., in 1963.
Rose notes that individuals like Belafonte willfully sacrificed their safety and lives by marching with civil rights protesters under threat of police violence. His commitment and contributions are rare among modern superstars.
She adds: “In the history of black culture popular music and art has played an extraordinary role in keeping the spirit alive under duress, challenging discrimination and writing the soundtrack to freedom movements.” Visionaries like Paul Robeson, Lorraine Hansberry, and Nina Simone are a few that Rose believes understood that responsibility and made a conscious effort to better society through both their art and fame.
As for Beyoncé, the singer’s representatives did respond to Belafonte’s charge by citing a litany of the singer’s charitable acts, including funding of inner-city outreaches in her hometown of Houston, as well as donations to hurricane relief efforts in the Gulf Coast and humanitarian campaigns following the Haiti earthquake.
In fairness to Beyoncé and Jay-Z, it is not for any of us to judge how they use their money, nor to pressure them into being more generous than they already are. What’s more, the issues in today’s society are quite different than they were during the civil rights era. So, it might be unfair to impose those kinds of expectations on today’s African American celebrities.
Still, it’s hard not to feel that we do need more influential people with Belafonte’s mindset to help us reenergize the black community. His contributions over the course of his career have changed the world for the better and have proven that entertainers can be important difference makers for change and justice.
WE’RE TALKING ABOUT HAIR?: Olympian Gabby Douglas was the first African American to win a gold medal in the all-around gymnastics category, but some people were more interested in her hairstyle. (Photo: Bob Daemmrich/Newscom)
What do Oprah Winfrey and Gabby Douglas have in common besides being hardworking African American females, and history-making ones to boot? Well, as you’ve probably heard by now, both came under fire last week because of issues with — wait for it — their hair.
It is no secret that within black culture hair is a pretty big deal — especially for women. Whether it’s one’s hairstyle or method of hair care, there is no shortage of opinions regarding the subject. Black women of all shades undoubtedly can say that at one point in their lives the status of their tresses has been a hot topic of conversation — and frustration.
Last week, when Oprah released a tease for the September issue of her O Magazine, where she graced the cover donning an all-new natural ’do, the chatter began immediately. In the article, O contributor Ruven Afanador said, “For the first time ever, Oprah’s appearing on the cover of O without blow-drying or straightening her hair.” Afanador writes that Winfrey enjoys wearing her hair naturally, because it makes her feel unencumbered.
But not everyone agreed that Oprah’s hair was legitimately “natural.” A controversy emerged in social media about what actually constitutes “natural,” because for some the remnant of any past chemical treatment means it’s not truly natural. Oprah needs to stop lying to herself, the detractors declared.
Soon after that, reports started circulating about criticisms of U.S. Olympic gymnast Gabby Douglas’s hair, that some black women didn’t like the ponytail or how she uses a gel to grease it back.
But why all the hubbub? What is it about black women’s hair that is deemed so worthy of scrutiny by other black women? It’s been said that a woman’s hair is her glory (1 Cor. 11:15), and if that is the case then why is the personal choice of her having a natural hairdo versus a relaxer so controversial?
Evan Miles, a writer for Journey Magazine, sought to unearth the societal implications associated with black hair and the roots to African American history and culture in his provocatively titled article,“Is a Black Woman’s Hair Her Glory or Gloom?”
Miles believes that for centuries, African Americans have been stripped of their heritage and forced to comply with a European cultural worldview that encouraged a new standard of beauty. According to him, “This meant taking the very essence of their being and denouncing it.” This is why Miles believes, perhaps more than ever, why black women are so adamant about regaining ownership of their hair and their own personal identities. According to him, black women’s various hairstyles “exude confidence” and self-beauty. He believes that it’s not only what is on the outside that matters, but also what lies deep within.
GOLDEN GIRL: Douglas waves to fans at the London Games following her gold-medal victory. “What’s wrong with my hair?” she said after hearing the criticism. “It can be bald or short, it doesn’t matter.” (Photo: Brian Peterson/Newscom)
So if beauty is only skin deep, and what is inside your head is of more importance than what is on top, why is someone like Gabby Douglas included in this debate? After the social media storm debating Douglas’ choice in hairstyle surfaced last week, the 16-year-old gymnast remarked that she was confused by the commotion. “I don’t know where this is coming from. What’s wrong with my hair?” she said. “I’m like, ‘I just made history and people are focused on my hair?’ ”
And Gabby, of course, is right. Why is it so easy for us to lose focus when it comes to black hair?
Reading the many stories in the press this past week got me to thinking again about this complicated subject that is a black woman’s hair. In my quest for understanding, I began reflecting on my own personal journey with hair — the ups and downs, the highs and lows, and the path to self-discovery and self-esteem.
In my 26 years of life, my identity with relation to my hair has seen many twists and curls. Like many black women, I once sustained my silky strands by way of a relaxer. Four years ago, however, I decided to forgo that method to go “natural.” My hairstyles over the course of my lifetime have been a diverse extension of who I am and a direct correlation of my personality. Being natural for me has been less about a healthy head of hair or making a statement, and more about learning to redefine my own personal standard of beauty.
Granted it takes longer for me to achieve my desired look each morning, because of all the deep conditioning and blow-drying that I do, but I wouldn’t trade that diversity for the world. I love my hair and appreciate the fact that I can be different while being a reflection of God’s diverse creation. I’ve got an eccentric personality, and like my shoe or handbag collection my hairstyle is an extension of who I am as a person.
I feel like India.Arie said it best in her song “I Am Not My Hair,” when she sang:
“I am not my hair/ I am not this skin/ I am not your expectations/ I am not my hair I am not this skin/ I am a soul that lives within.” Our hair, India reminds us, does not define us. It does not make us a better person or friend, and it does not determine who we are at the end of the day.
God created us in his very image, and he does not make mistakes. Instead of questioning his handiwork, we ought to embrace our unique style and diversity. So if rocking a weave or slappin’ a perm in your hair or wearing your hair natural is what makes you happy at the end of the day, then by all means love yourself and do you!
Are you a freshman in high school? What were your assumptions about high school before you got there? Were you afraid? Nervous? Excited? What have you discovered since the start of the school year? What kinds of things are helping you to adjust?
Last week, when Oprah released a tease for the September issue of her O Magazine, where she graced the cover donning an all-new natural ’do, the chatter began immediately. In the 