The Case for Christ: Can Atheism and Faithfulness Coexist Under One Roof?

The Case for Christ: Can Atheism and Faithfulness Coexist Under One Roof?

The Case for Christ film, debuting nationwide this Friday, is the most authentic journey from hardcore atheism to faith. The film is based on Author, Journalist, former atheist, and now Pastor Lee Strobel’s life without Christ as he intensly seeks the ‘truth’ behind the Christian faith that he once deemed bogus in order to ‘save’ his wife and marriage.

Jesus is a Fairy Tale

Although Lee (Mike Vogel) and his wife Leslie (Erika Christensen) collectively decide not to induldge in faith as a married couple, Leslie makes the decision to turn back to God after their daughter’s near-death experience and her asking questions about who Jesus is.

The unexpected series of events sends Lee on an exploratory tirade with his investigative journalism in tow. Throughout the film, viewers are able to witness how an atheist fights to prove his beliefs as ‘gospel’ through the use of science, historical facts, and general disbelief.

Many people have been a part of debates both online and in-person that discuss whether or not Jesus is a fairytale based upon scientific facts and anger towards the plights of the world. However, even with scientific evidence of the miracles of Christ and God, the doubt often continues to leave non-believers searching for more. “So, when is enough evidence, enough evidence?”

Facts vs. Faith vs. Marriage

Before Leslie decides to become a born-again Christian, her marriage to Lee was considerably solid. However, as her faith grows, so does Lee’s rage and presentation of facts against Christianity.

Lee’s main argument is that his wife believes in something that no one else can see, and he only chooses to believe in things that he can see. To add insult to injury, Leslie tries to force her husband into becoming a believer, which only drives him further away.

In fact, there are several moments like these throughout the film that makes moviegoers wonder, “Can a faithful and faithless love co-exist?”

On social media, the answers vary in the form of everything from scripture that discusses the concept of being equally yoked to those who think you should meet in the middle.

C.B. Fletcher Twitter

Gary goes on to say that, as long as her children were not coerced into believing in God or atheism, he finds comfort in knowing they are making their own choices.

Blind Faith and Real Love

Case for Christ is a love a story between God, Leslie, and Lee. When we love someone we want the best for them and fight and are willing to fight on our loved ones’ behalf. Lee fought for his wife’s ‘sanity’ , while Leslie fought for Lee’s peace and salvation. And all of this took place as God fought for both of them to find Him and grow together.

It is the undying love between Lee and Leslie that keeps them going despite their differeces, and that love is what saves them both.

Check out the trailer for The Case for Christ below:

 

Is Kendrick Lamar’s Album the Solution to the Divide in Holy Hip Hop?

Is Kendrick Lamar’s Album the Solution to the Divide in Holy Hip Hop?

While the pop culture cognoscenti are impatiently waiting for another creative masterpiece in the form of Kendrick Lamar’s upcoming album, which is rumored to be released any day now, my hopes are a little more modest.

In recent interviews, Kendrick has indicated that his new album will have more of a focus on God. Whatever it ends up being, I hope that Lamar’s follow-up to the critically-acclaimed “To Pimp A Butterfly” will continue to break down the divide between sacred and secular hip-hop.

I realize that, for a segment of the urban Christian population, this idea goes completely against religious tradition. Many evangelicals and people of color, like myself, have grown up indoctrinated with the idea that Christians are to be distinct and withdrawn from the world, and that includes our art and music.

One need only look as far as last fall’s release of When Sacred Meets Secular by The Ambassador to see an expression of this worldview. In it, Amba raps passionately about his desire to be forthright and uncompromising with the Gospel message. I understand this position, and to a certain extent, I agree.

The Ambassador is right when he says that Christians should be free to share their faith in Christ with the public. However, the problem is that historically, Christian music hasn’t been free to roam in the public square of ideas. It’s been sequestered behind the artificially “safe” walls of Christian bookstores and websites.

And don’t get me wrong, there’s nothing intrinsically wrong with building an audience among people of faith. However, when that becomes the industry standard, it means that artists are sometimes asked to be as non-controversial and “family-friendly” as possible, instead of creating the art that most candidly represents their pursuit of truth and relationship with God.

When the soccer moms and youth pastors are the ones calling the shots, you don’t want to ruffle feathers. Thus, Christians who rap for other Christians often feel pressure to self-censor anything that gets too real in an effort to avoid their music being branded as “unsafe” and pulled from circulation (like what happened with Sho Baraka and Lifeway).

What’s worse is that the problem is just as bad on the secular side, and for similar reasons. Artists know that sex, violence, and tales of the drug trade are all elements that boost record sales. Sure, there are plenty of rappers who talk about those things because that’s all they know, but the flip side is also true.

For many young rappers, it’s all they know because that’s all that gets talked about. For so long, we’ve exposed the young men and women in our community to such twisted caricatures of masculine and feminine behavior, that anything that deviates from the stereotypically “real” portrayal of urban life is derided as corny or fake—labels that Lecrae had to work hard to shake.

But slowly, that tide is turning.

Just about every Christian public figure who experiences a measure of commercial success in hip-hop ends up bristling against the stereotype of what a “Christian rapper” is or is not.

And on the secular side, there is a growing undercurrent of faith from rappers who aren’t known for doing “Christian” music. Not that this is a new phenomenon; rappers like DMX, Nas and even Tupac have been known to intersperse their chronicles of urban, street life with plaintive meditations of faith. But thanks to newer artists like Chance the Rapper and Kendrick Lamar, those meditations have become much more explicit.

During the 2017 Grammy Awards, Chance collaborated with gospel artists Kirk Franklin and Tamela Mann for a performance that included a cover of the Chris Tomlin hit praise anthem “How Great Is Our God.” And, in both of his critically-acclaimed albums (his debut Good Kid m.A.A.d. City and the follow-up To Pimp a Butterfly), Kendrick has included prayers, spiritual meditations, and even a depiction of Christian conversion.

So, where do you stand? Is it possible for hip hop to truly exist in both the secular and Christian space?

Perhaps the two sides will continue to converge, because many would argue that folks need examples of faith that are both relatable and artistically-challenging. They need new, fresh examples of what it means to grapple with faith in the real world.

Where do you stand on the topic of secular v. Christian hip hop? Share your thoughts below.