The Lessons of Derrion Albert’s Death

Demanding More from Ourselves for urban faith

TOO YOUNG: On Sept. 24, 2009, Derrion Albert became the innocent victim of mob violence as he walked home from school.

Two years ago, on Sept. 24, 2009, a mob of teenagers attacked and killed a young man outside a Christian community center on the south side of Chicago.

Derrion Albert, 16, had been an honors student at Fenger High School before his death. He died outside the Agape Community Center in Roseland, seemingly caught in the middle of a gang fight that had nothing to do with him.

Two years after Derrion Albert’s death, the youth violence epidemic continues in many inner cities. On Monday, Sept. 12, a family friend of Derrion Albert was shot and killed on the south side of Chicago. Alexander McDonald, 23, was the father of 2-year-old Jaylen. He was shot in the head on his way back from a funeral, cutting short his plans to graduate from college and marry his fiancée, according to ABC News.

The next day, 14-year-old Brian DeLeon was brutally beaten into a coma in the Logan Square neighborhood of Chicago. His horrified girlfriend Dayana Vazquez found him bleeding on the sidewalk. She told the Chicago Tribune, “He didn’t talk to gangbangers. All he did was play soccer. He wanted to be a professional soccer player.”

And yet these stories are only recent examples of the daily gang violence in America’s inner cities, with traumatic repercussions for urban youth.

Ministering amidst gang violence

The Agape Community Center, part of Campus Crusade for Christ’s Here’s Life Inner City Chicago, has been serving the Roseland community for more than 30 years. Their staff came to Albert’s aid after the beating.

Milton Massie, director of Here’s Life Inner City Chicago, declined an interview, explaining that his staff wanted to put the tragedy behind them and move forward.

Massie wrote in an e-mail:

We have sought and have experienced some level of healing. The last two years have been very difficult and painful as you might imagine. I am not really interested in talking more about this tragic and sadly “normal” state of violence in our community.

We still believe God and HIS Gospel is THE ANSWER. We must remain faithful, prayerful, and willing to endure the “hardships” that come with ministry in the “urban context”. His message is not ineffective. We as many in ministry in the U.S. (urban, rural, and suburban) are dealing with the “waxing cold” of “mankind’s heart.”

It is our responsibility to “keep our face to the plow.” His message of love and discipleship found in the “Great Commandment” and the “Great Commission” (Matthew 22:38-40; 28:18-20) [is] still vital, powerful, relevant, and effective (Romans 1:16)! That is how we address plight of our neighborhood and those are my comments.

UrbanFaith has added links to biblical references.

In an interview with UrbanFaith editor Edward Gilbreath in 2009, Milton Massie said youth in the neighborhood were angry and afraid — angry because parents weren’t taking responsibility for their kids, and afraid that they could be the next victims caught in gang crossfire while going to and from school.

“That’s a lot to ask from a child whose primary focus should be just trying to learn, and enjoying being a kid,” Massie said.

Turning to Scripture

Faced with the youth violence epidemic, UrbanFaith turns to the Book of Isaiah for glimpses of peace and redemption during turmoil.

Isaiah 1:15-17: “Your hands are full of blood! Wash and make yourselves clean. Take your evil deeds out of my sight; stop doing wrong. Learn to do right; seek justice.”

Isaiah 2:4: “He will judge between the nations and will settle disputes for many peoples. They will beat their swords into plowshares and their spears into pruning hooks. Nation will not take up sword against nation, nor will they train for war anymore.”

Isaiah 58:9-10: “‘If you do away with the yoke of oppression, with the pointing finger and malicious talk, and if you spend yourselves in behalf of the hungry and satisfy the needs of the oppressed, then your light will rise in the darkness, and your night will become like the noonday.”

Here’s Life Inner City Chicago has prayer requests on their website.

How can urban ministries combat gang violence and help youth living in unsafe neighborhoods? What Scripture do you turn to for hope and strength?

‘Thunder Soul’: From Music to Life

PLAY THAT FUNKY SOUL: The Kashmere High School Stage Band, circa 1976.

The new Mark Landsman documentary Thunder Soul may be relying on the glitz of executive producer Jamie Foxx’s name to get attention at the box office, but this magnificent little film about the musical achievements of an all-black Texas high school stage band hardly needs Foxx’s help.

Like a PSA on the lifetime value of music education in secondary schools, Thunder Soul captures the reunion of Kashmere High School’s funk band 35 years later as the alumni get the band back together to perform a tribute concert for their famed band leader and accomplished jazz musician Conrad O. Johnson. “Prof,” as the students call him, served as a father figure, drill sergeant, and part-time life coach, for the group of mainly at-risk African American kids, pushing and inspiring them to grow into award-winning musicians who innovated the world of high school stage band music with their smooth James Brown-inspired sound.

ALL TOGETHER NOW: Conrad “Prof” Johnson conducts the Houtson, Texas, Kashmere High School Stage Band.

Once tapped to be a musician for Count Basie’s touring band, Prof eventually passed on the glamorous lifestyle of professional music, choosing instead to settle into marriage and a quieter life of purpose as an educator for a local high school. Or so he thought. It was at Kashmere High that his creativity blossomed, leading him to craft a catalog of songs for the school band that are still being sampled by contemporary DJs and artists on hip-hop records and pop tunes today.

But it’s Prof’s lasting influence over the students’ lives, not the music industry, that looms largest in the film. Still eager to please the man who taught them so much of what they know, the alumni painstakingly turn the dissonance of decades passed and instruments left untouched into a stirring symphony paying appropriate homage to their 93-year-old professor. In awe of their ability to still play, Prof exclaims almost with a well-deserved wink of ego, “You mean they were taught so well, that they can remember what they did then … and do it?”

The answer is yes. And to hear the alumni speak, many of whom hadn’t touched a trombone or flute in over 30 years, those sacred hours spent in the band room during the 1970s were about more than just instruction on notes and harmony. Prof taught the students that they had the power and potential to play as well as any professional band, if they would only work hard. It was that inspiration that pushed many of the students out of the Fifth Ward of Texas with life sentences to poverty and raised them into adults who ultimately became doctors, lawyers, musicians, and even pastors.

Rhythmic and multi-faceted, the film itself is a bit like jazz — always progressing yet lingering over the notes. Landsman, aided by the phenomenal editing of Claire Didier, maintains the backbeat of the band’s story while weaving in colorful snippets of the Black Power movement, the racial segregation of the south, the cyclic nature of poverty in America, and the charm and intimacy of black families. Whether you love niche funk music or are simply a sucker for the sentimentality of a good underdog tale, Thunder Soul, even without a powerhouse star to headline the movie, is worth your time.

Thunder Soul opens today in Atlanta, Houston, and New York. Check the film’s website to find out when it opens in your area.